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August 6, 2020, 1:08 pm
One of the best pre-SIGGRAPH events every year is the Digital Production Symposium. Of course, it’s usually a physical event held in a conference room, a place where speakers and attendees get to interact. This year, it’s going virtual, but that doesn’t mean the sessions aren’t still incredible.
August 6, 2020, 1:08 pm
VFX supe Scott E. Anderson looks back at digital humans, greenscreen paint and the genius casting of Kevin Bacon.
August 5, 2020, 4:42 pm
Whether you're working on large or small game projects, getting your game audio pipeline right is essential for a smooth-running development process - and to help you do that, Mads Vesterager Riddersholm and Jeppe Emil Lindskov have written this useful guide for you...
August 5, 2020, 4:42 pm
That work was overseen by visual effects supervisor Everett Burrell, who returned from season 1 to co-ordinate a massive VFX effort from several effects vendors for this new season, which largely takes place in 1960s Dallas, Texas.
August 5, 2020, 2:10 pm
LEIGHTON BUZZARD, UK — Custom Consoles (www.customconsoles.co.uk) is seeing a strong demand for their Operator Safety Screen since it first began shipping in early May. The company had more than 300 sales in three months, making it one of the their fastest selling new products.
August 5, 2020, 2:10 pm
SAN JOSE, CA — Reallusion (https://www.reallusion.com) has added to its list of tools for the design of human characters. Character Creator 3.3 features new realism tools that work with the already released Digital Human Shader and the Headshot plug-in for rapid digital double creation. Accompanying the release of Character Creator 3.3, the digital human workflow evolves with SkinGen, an intuitive, dynamic skin layer system, and CC 3 Base+, a greatly enhanced character topology for overall...
August 5, 2020, 10:39 am
Submit Short Description This research was conducted with the aim to determine the stability of the compensation of freelance video editors from Mapúa University; to further uncover the underlying factors that affect their compensation, analyze the perspectives of currently monetized freelance video editors towards the issue, and to evaluate the effectiveness and efficiency of their wages.
August 4, 2020, 4:20 pm
Chris White and Aidan Martin told us in detail about the work of Weta Digital work on THE UMBRELLA ACADEMY last year. They are back with a new Netflix series, SPACE FORCE.
August 4, 2020, 1:42 pm
Explore how the new Zoom H8 audio recorder can work for your filmmaking and video production needs, with an intro to the product, its specs, and use ...
August 4, 2020, 1:39 pm
If you want to make sure your next film or video project gets finished, you’ll need a solid editing station. Now, assuming most people are editing and shooting smaller projects, this means that a good computer is almost as important as your camera is. We are super lucky nowadays in that you can actually edit 4K video on a laptop without breaking the bank.
Gordon sits down with Wade Barnett(Supervising Sound Editor) and David Barbee (Sound Designer) to discuss their work on Amazo ...
Gordon sits down with Shawn Paper to discuss Crashing, editing, and the new film The Broken Hearts Gallery.
Gordon Sits down with Arielle Kilker and David Nordstrom, the Supervising Editors of Netflix's hit documentary series Ch ...
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