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February 14, 2020, 1:38 pm
From its earliest iterations, art has captured humanity’s fascination with the future and the unknown. Today is no different, especially in film, and one genre truly captures our imaginations — science fiction.
February 14, 2020, 1:38 pm
One of the most memorable scenes in Quentin Tarantino’s Once Upon a Time in Hollywood sees veteran Hollywood actor Rick Dalton (Leonardo DiCaprio) being coached on how to use a flamethrower for a role in a World War II film.
February 14, 2020, 1:38 pm
It’s now 20 years since Danny Boyle’s The Beach was released. It wasn’t a huge VFX film, but there were some neat effects additions, including environmental augmentations to the Thailand lagoon setting, a video game hallucination, and some intense shark encounters.
February 13, 2020, 7:41 pm
If you're planning on getting a new MacBook Pro 16", or any Mac that's pre-loaded with macOS 10.15 Catalina, and plan on editing with Avid Media Composer, here are the limitations of running Avid Media Composer 2020.2 (beta).
February 13, 2020, 9:16 am
Black Mirror supervising sound editor Steve Browell talks about designing sound for the Striking Viper's VR game, UI sounds for the near-future tech, and using sound to support the uncomfortable subject matter the series is known for.
February 11, 2020, 8:13 pm
Everyone got in a good laugh about Cats during the 92nd Academy Awards ceremony Sunday night, but the Visual Effects Society had their claws out. The organization representing visual effects artists released a stern statement condemning the Oscars Cats segment, in which stars James Corden and Rebel Wilson poked fun at the Tom Hooper-directed big-budget catastrophe by dressing up as their characters from the film.
February 11, 2020, 5:23 pm
I have been covering Adobe Rush ever since it was in beta in June 2018. I really want to love it, but it’s hard when they keep screwing up the audio. In the video world, we have an absolute standard which means that the audio sampling must always be at 48 kHz (or some higher multiple), never at 44.1 kHz. Other iOS and Android apps handle this correctly, including Auphonic, Cinema FV–5, FiLMiC Pro, MoviePro and RØDE Reporter.
February 11, 2020, 5:23 pm
For a start, ‘Parasite’ wasn’t cut on Avid, which has dominated the Academy Awards of late. Indeed, in 2020 the vast majority of Oscar-nominated movies were cut on the software, but two that weren’t are well worth highlighting. ‘Parasite’ was cut on Final Cut Pro 7 and ‘The Irishman’ was cut on Lightworks.
February 11, 2020, 2:11 pm
Like Thor’s computer-generated hammer raining down on his enemies, Hollywood’s Visual Effects Society is speaking out against last night’s Academy Awards telecast for making them the butt of a joke.
February 11, 2020, 2:10 pm
I've seen dozens of videos sharing "Premiere Pro Secrets" online. While they are great tips for any Premiere Pro user, the unfortunate thing about most of the "secrets" is that they are quite obvious. Things like "you can display safe margins" or "you can create and attach proxy files." They're quite common to anyone who has worked with the program. So I decided to create a three part series of tips for anyone seeking more advanced techniques in Premiere Pro. Here's are 15 tips you may not already know.
The filmmakeru.com team explores the history of color in film in our series Birth of an Art. From coloring in single frames ...
Gordon sits down with Ivan Victor to discuss his work editing 68 Whiskey.
Gordon sits down to discuss the VFX of The Lion King with VFX supervisor Rob Legato
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