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April 3, 2020, 8:06 pm
The “hidden man” is how editor Lee Smith sees himself in 1917. Not for a second did Smith want audiences paying attention to his cuts or tricks, but to instead immerse themselves in director Sam Mendes‘ World War I story, which is constructed to take place in one seemingly unbroken take. Despite the obvious technical wizardry and razzle-dazzle, they pulled it off. Audiences were caught up in the feeling and exhilaration of 1917, not the craft of 1917.
April 1, 2020, 12:58 pm
Let’s face it, there are a lot of great NLE’s out there. We all have our favorites and many of us use more than one. If Final Cut Pro X is not one of them, now is the perfect time to learn. If you’re stuck working from home with time on your hands, head over to the Apple FCPX web page and download a 90 day trial.
March 31, 2020, 12:09 pm
Resolve Editor Pro is a compact online course specifically designed for editors who want to switch to Resolve for editing. It covers every step of editing and also features introductory lessons to the effects & compositing section, the audio section, and the color grading section. Members also receive the course keyboard layout, a free LUT pack containing 13 creative grading LUTs, and 6 custom made zoom transitions.
March 27, 2020, 12:29 pm
We are in a very different and testing time at the moment. A lot of freelance editors are at home having had their work cancelled, some right up to September. They will be back at their keyboards hopefully some time this year, but the industry has changed.
March 24, 2020, 7:40 pm
GTC Digital, NVIDIA’s GPU Technology Conference, now online and FREE, offers a variety of recorded talks, podcasts, research posters, and demos to view on your own schedule, starting today.
March 24, 2020, 12:15 pm
If you’re a video editor working on Adobe’s Premiere Pro, you’re probably well aware of all the frustrations that come with using Adobe’s answer to video editing daily. The sluggish playback, the generic error issues, random crashes, and in some cases corrupted project files. We’re all well aware of how bloated and buggy this once prized piece of software had become, especially as of late.
March 24, 2020, 12:14 pm
Compared with other members of the below-the-line community affected by the coronavirus pandemic and the production shutdowns it spurred, post-production artists are uniquely positioned. Relying mostly on computers and an Internet connection to do their jobs, picture editors, sound editors and colorists are able to work remotely, while many other artisans are not.
March 23, 2020, 12:15 pm
Adobe create software most creatives use, and with this information they are taking a leadership role in helping guide their users on how to work better remotely when operating in a team.
The filmmakeru.com team explores the history of color in film in our series Birth of an Art. From coloring in single frames ...
Gordon sits down with Ivan Victor to discuss his work editing 68 Whiskey.
Gordon sits down to discuss the VFX of The Lion King with VFX supervisor Rob Legato
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