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February 25, 2021, 1:47 pm
At the beginning of 2019, Aurélie Lajoux explained CGEV‘s work on The Emperor of Paris. She then worked on many shows such as The Mustang, Vernon Subutex and Comment je suis devenu super-héros. Today, she talks us about her work on the Netflix series, La Revolution...
February 24, 2021, 2:10 pm
In 1997, I had started studying law at university in Australia. But actually I was more interested in filmmaking and ‘special effects’. One day, I was in the main street of the Sydney CBD when I randomly walked into one of the comic book stores there.
February 22, 2021, 1:47 pm
Heads up: this Thursday 25th February at 1pm UK time, I’ll be hosting a panel at the Vertex conference called ‘Virtual Production: The Latest Tech From VFX Studios and Indie Creators’. It includes the following expert guests...
February 20, 2021, 1:35 pm
Film and television visual effects company VFX Legion delivered all of the effects for ‘Nocturne,’ director Ze Quirke’s feature film debut, for ‘Welcome to Blumhouse.’ Amazon Studios joined forces with Blumhouse Television to create the theme-related series showcasing emerging filmmakers who bring a fresh perspective to the horror genre. Legion’s team produced a mix of complex computer-generated effects that helped elevate the visceral fear and foreboding evoked by the thriller’s untraditional occult theme.
February 19, 2021, 1:45 pm
In researching some rental gear and resources for an upcoming project, I found myself falling down a VFX rabbit hole. There is a sequence in a upcoming project that will be relatively VFX heavy, and I wanted to find the best way to not only shoot the sequence, but also to assemble stock video elements, models, assets and textures. Then with that I would also know what remaining elements I would need to be create from scratch.
February 19, 2021, 1:45 pm
Framestore announced the appointment of Thomas Montminy Brodeur as VFX supervisor, further bolstering the company’s episodic offering under New York managing director, Charles Howell. With 15 years of industry experience, Brodeur will be charged with developing methodologies and maintaining high-end image quality across a variety of episodic projects.
February 9, 2021, 6:09 pm
John T. Miller has over 30 years of experience in visual effects. He has worked in many studios before joining FuseFX in 2016. As a VFX Supervisor, he has worked on shows such as The Blacklist: Redemption, Sneaky Pete, Tell Me a Story and The Enemy Within.
Editor Sam Rice Edwards joins us from the UK to discuss his work on the Youtube documentary Life In A Day 2020.
Gordon sits down with Marco Capalbo to discuss editing for Werner Herzog and crafting Fireball: Visitors from Darker Worlds. ...
Editor Mikeel Nielsen and Sound Designer Nicolas Becker discuss creating the film The Sound of Metal. We explore how to make ...
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