Be a part of a unique online community that connects post production professionals and film academics worldwide.
You'll have access to personalize your news feed, access to Live Post Talks and much more. Contribute to the community by posting interesting post production content.
April 5, 2020, 3:57 pm
Welcome to 4:3 & Forgotten — a weekly column in which Rob Hunter and I get to look back at TV terrors that scared adults (and the kids they let watch) across the limited airwaves of the ’70s.
April 4, 2020, 2:56 pm
I started seeing, too, a bunch of fun Zoom captures or other ‘home set-up’ images from the studios, so I’d thought I’d embed some here. Note, there’s of course a whole lot of VFX studios who have successfully implemented remote working – many of which have been operating like this for a number of weeks already – that might not appear here. This listing below is only where I found pics of the crew (or, in some cases, pics of the crew’s cats).
March 31, 2020, 6:13 pm
Thanks to the creative carte-blanche of its villain, the original A Nightmare on Elm Street is full of surreal practical effects. When you’re a demonic wise-guy who hunts victims in their dreams, you’re able to pull some freaky, nightmarish shit. From body bags erupting with eels to clawed hands emerging from bathtubs and stairs turning to mush, when it comes to terrorizing teens, Freddy Krueger likes to dream big.
March 27, 2020, 12:28 pm
Readers of befores & afters would certainly have seen and read here about some of the big-budget destruction in the latest film and television projects.
March 25, 2020, 1:17 pm
I previously talked to Han Yang about his short, The Lander, where we discussed his experimentation with different workflows.
March 25, 2020, 1:16 pm
Scanline VFX has just shared with AWN that as of yesterday, all 650 of the company’s crew across their Los Angeles, Vancouver, Montreal, London, Munich, Stuttgart and Seoul studios, are working successfully from home, transforming them into a completely remote visual effects studio for the time being. The studio, known for its sophisticated photorealistic VFX and simulation capabilities, has worked on numerous film and TV projects, including Joker, Spider-Man: Far from Home and the final season of Game of Thrones, as well as Marvel’s upcoming Black Widow.
March 24, 2020, 7:40 pm
Robert Winter began his career in visual effects in 1997 at Sony Pictures Imageworks. He has worked on films such as STARSHIP TROOPERS, HOLLOW MAN, HANCOCK and ALICE IN WONDERLAND. He then joined MPC in 2014 and took care of effects for films such as SUICIDE SQUAD and GODZILLA: KING OF THE MONSTERS. In 2018, he joins Framestore and works on LADY AND THE TRAMP.
March 24, 2020, 12:14 pm
Organization calls on businesses to let employees work remotely as the fight against the coronavirus rages on; best practices guide designed to help VFX community adapt to at home workflows.
March 24, 2020, 12:14 pm
The Hollywood industry has seen some huge obstacles — to say the least — since the coronavirus outbreak. Theaters have shut down, productions have halted, movie release dates have been pushed, festivals have canceled, many film and TV staffers have lost their jobs. And all of it is affecting the often-overlooked post-production houses.
March 24, 2020, 12:14 pm
The Visual Effects Society urged its members to allow employees to work from home as the coronavirus crisis continues to impact the entertainment industry.
The filmmakeru.com team explores the history of color in film in our series Birth of an Art. From coloring in single frames ...
Gordon sits down with Ivan Victor to discuss his work editing 68 Whiskey.
Gordon sits down to discuss the VFX of The Lion King with VFX supervisor Rob Legato
Choose what Post News gets sent directly to your E-Mail, daily or weekly.
Get your post news on your favourite Apple device, when you want it where you want it.
Get your post news on your favourite Android device with the AOTG Android App.