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May 15, 2019, 10:04 am
Scott Edelstein has more than 20 years of experience in visual effects. He joined Digital Domain in 2001 and works on many movies such as THE AVENGERS, JACK THE GIANT SLAYER, DEADPOOL, AVENGERS: INFINITY WAR.
May 9, 2019, 1:25 pm
After working at BBC on PLANET DINOSAUR, Tom Brass joined Jellyfish Pictures in 2011. He worked on many projects such as AMERICAN DYNASTIES: THE KENNEDYS, DEADLY DINOSAURS WITH STEVE BACKSHALL and THE INNOCENTS.
May 6, 2019, 10:01 am
Matt Welford began his career in the visual effects in 1999 at Mill Film as digital compositor. He then worked in many studios such as Weta Digital, MPC, Sony Pictures Imageworks before joining Pixomondo in 2017. As a VFX Supervisor, he took care of the effects of many movies like THE CHRONICLES OF NARNIA: THE VOYAGE OF DAWN TREADER, GREEN LANTERN and AMERICAN SNIPER.
May 3, 2019, 6:17 am
Later this month AMD will hold an event at Computex that, if rumours are to be believed, will announce some incredible advances to the CPU market. 2019 is really hotting up.
May 1, 2019, 6:29 am
Spencer Cook is animation director at DNEG, having worked previously at companies including MPC, Framestore, Sony Pictures Imageworks and Tippett Studio. Ask him for his filmography highlights and here’s what he’ll give you: Godzilla: King of the Monsters, Alien: Covenant, Beauty and the Beast (2017), Gods of Egypt, Men in Black 3, all three Sam Raimi Spider-Man films, Cursed, The Matrix Reloaded, The Matrix Revolutions, Hollow Man, Blade and Pee Wee’s Playhouse.
April 29, 2019, 9:12 am
Damien Hurgon began his career in visual effects in 2008 at Mikros Image. He works on many projects like GAINSBOURG, RUST AND BONE, 9-MONTH STRETCH and STRONGER. In 2017, he joined the teams of Mr. X.
Gordon sits down with the Sound Design team (Just nominated for an Oscar) for A Quiet Place. Ethan Van der Ryn and Erik Aadah ...
Gordon sits down with Wyatt Smith to discuss the editing of Mary Poppins Returns and the challenges the film presented him in ...
Gordon sits down with Chayse Irvin to discuss his approach to shooting BlacKkKlansman and his theories about cinematography.
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