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February 21, 2020, 1:42 pm
RANCHO MIRAGE, CA — Colorfront (www.colorfront.com), the developer of high-performance dailies and transcoding systems, is showcasing the abilities of its products to enable color-consistent 4K/6K/8K SDR/HDR acquisition-to-post workflows during the 2020 HPA Tech Retreat, taking place this week. The company also participated in the cloud-based, live production of The Lost Lederhosen short film, and shared details of its role in the making of this mini-movie during the Retreat’s “HPA M...
February 17, 2020, 4:08 pm
When working as a one-man band, you often need to take on all aspects of a production – this includes colour grading. Grading can be an especially time-consuming process. When building a look from scratch—and when you have a tight deadline to meet—you need a way to get your footage looking great as efficiently as possible, without skimping out and settling for a video that looks subpar in the colour department.
February 14, 2020, 1:39 pm
Avid has announced that the EUCON 2020.1 software update is now available for download, designed to bring improvements and fixes to the Avid S1 and Avid Control app, as well as bug fixes for other surfaces like the S3, S4, S6 and the Dock.
January 30, 2020, 2:03 pm
SGO has released an upgraded Open Beta of its first media management, transcoding and delivery application Mistika Workflows. This latest version introduces a brand new and user-friendly License Activation Tool together with other additional nodes, features and stability improvements throughout the software. The totally revised License Activation Tool brings to its users straightforward license management [...]
January 23, 2020, 2:00 pm
Pro Color Monitor is a Mac app designed to analyze footage, and that acts as a monitor false color tool for post-production. Let’s take a closer look at this one of its kind tool to see how it can help you white balancing your footage easily!
January 16, 2020, 7:27 pm
The democratisation of technology continues unabated, and one area in which this is becoming most noticeable is when it comes to affordable colour accurate monitors. Last year we interviewed colourist Andrea Vassalini about how he uses the Asus ProArt monitors, and how he thinks they empower producers on lower budgets.
January 14, 2020, 8:09 pm
Mill New York Colourist Damien Van Der Cruyssen is no stranger to the world of feature film. Having pioneered The Mill’s DI efforts, Van Der Cruyssen is The Mill’s Director of DI and go-to colourist for a number of celebrated cinematographers and filmmakers when it comes to bringing their vision to life on the big screen.
December 10, 2019, 8:23 pm
The highly popular macOS-only colour grading plug-in for Final Cut Pro X (FCPX) from UK company ColorTrix, has been superseded by Color Finale 2 and Color Finale 2 Pro.
December 10, 2019, 1:42 pm
Color Finale 2 for Final Cut Pro X has been released. Join us with the Commercial Director, developer of CF2 along with Sarah K Euschen on our YouTube live chat at 1800 GMT.
October 28, 2019, 1:03 pm
The second ICA Colorist Summit took place in Waikiki during October. The Summit mission is to go to places not normally on the ICA roster. In 2017 we were in Bali and received great support from locals and international students. Hawaii was no different. We had guests visiting from London, Amsterdam, Taipei and LA mixing with local Hawaiians.
The filmmakeru.com team explores the history of color in film in our series Birth of an Art. From coloring in single frames ...
Gordon sits down with Ivan Victor to discuss his work editing 68 Whiskey.
Gordon sits down to discuss the VFX of The Lion King with VFX supervisor Rob Legato
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