Technicolor Look Collection of Free LUTs for Sony

February 17, 2021, 1:09 pm
Each camera has a unique “color science” which, simply put, is a way how captured light translates into an image. With film cameras, color science was specified by the type of film stock used, nowadays it is a combination of the image sensor and image processor. It is quite common that manufacturers of digital cinema cameras provide a free library of creative looks that are designed specifically for their cameras. These looks (in form of Look-Up-Table files) ensure that the colors in the RAW or Log image get translated correctly. This helps for on-set monitoring as well as color grading in the post-production.

Color Grading "The Pink Cloud"

February 16, 2021, 5:04 pm
By Daniel Dode, Colorist and Lead Post Production Supervisor, Post Frontier – Brazil

3 Tips to Color Grading Cinematic Images

February 8, 2021, 5:12 pm
In my decade-long career as a colorist, I’ve worked on every imaginable type of content: short-form, long-form, advertising, non-fiction, episodic—you name it. And while each of these formats requires its own approach, one constant which spans all of them is the client’s desire for a cinematic look.

Lynette Duensing recognized by Colorist Society In

February 5, 2021, 5:45 pm
LONDON — The Colorist Society International (coloristsociety.com) has appointed Lynette Duensing to a position as fellow. She is being recognized for her outstanding achievements and contributions to the craft of color across a highly productive career that spans more than 30 years. 

Why Most Movies are Shot with Two Dominant Colors

January 20, 2021, 1:32 pm
You can date a film based on its use of black and white film stock. You can date a film based on its use of Technicolor. And mark my words, orange and teal contrast is going to be inseparable from the early 21st century.

December 30, 2020, 3:08 pm
In our Color Code column, Luke Hicks chooses a handful of shots from a favorite film in order to draw out the meaning behind certain colors and how they play into both the scene and the film as a whole. For his fifth entry, he digs into Todd Haynes’ Carol.

Tell us how you use Mistika Technology in your pos

December 17, 2020, 1:48 pm
Mistika Technology is being deployed globally on a daily basis to tell incredible stories and create unique experiences. SGO would like to encourage Mistika users to share their exciting projects with the global creative community for a chance to win a Mistika VR, Boutique, Workflows or DVO Tools license with a total prize value ...

Monitor Calibration Checklist

December 17, 2020, 1:48 pm
Calibration Check List from Professional Video Alliance

Head of Colour, Fergus McCall - The Mill

December 16, 2020, 1:50 pm
To celebrate ‘30 Years Of The Mill’ we are turning our focus to the extraordinary people behind our creativity. We asked a snapshot of 30 Makers from across The Mill to share their most inspiring projects from the past, alongside their future-facing insights on the advertising industry and evolution of creative technology. Read below to find out what inspired Head of Colour, Fergus McCall to join The Mill in its infancy and why investing in youth and talent is integral.

The Best Lens For The GH5

December 9, 2020, 12:30 am
This is a list breakdown of the best lens for the GH5. From prime lenses to zoom lenses, there is a variety of lens options available for filmmakers.