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May 11, 2019, 7:13 am
LOS ANGELES — Tony Dustin has joined the Deluxe Post Production (www.bydeluxe.com) creative team as senior colorist, working from the Efilm and Encore post facilities in Hollywood. He brings more than 20 years of experience in color grading and a credit list that includes work on the Netflix dramatic series Sense8, the Hulu horror series
Castle Rock, the Best Picture Academy Award nominee
Silver Linings Playbook and Clint Eastwood’s
Gran Torino.
April 16, 2019, 9:14 am
Inspired from such Hollywood Films as Drive, Max Max: Fury Road and Moonrise Kingdom after getting your film to a good base correction you can easily apply these film looks to your project to give it a big budget look.
April 15, 2019, 6:29 am
In this tutorial, I explore Premiere’s updated Lumetri curves — and how you can adjust, alter, and enhance the colors in your scene to boost your production value.
April 1, 2019, 10:49 am
Thanks to larger-than-life superhero movies from Marvel and DC and visual sci-fi feasts like Gravity, large-format movie experiences are seeing a strong surge in popularity. The leading brand for monster screen sizes is IMAX, with more than 1,500 theaters using the Canadian company’s display technologies. But it’s about to get some big competition from THX, perhaps the best-known technical movie brand in the world. On March 28, the company announced that its first THX Ultimate Cinema will be open to the public at Los Angeles’s Regency Westwood Village Theatre later this year.
March 30, 2019, 7:15 am
In this round-up, we'll review three of my favorite packs for adding color styles to your Premiere footage. All of these are available as a part of the flat rate subscription to Envato Elements and can transform your flat footage into an eye-catching film.
March 15, 2019, 10:48 am
While preparation in filmmaking is critical, there are some circumstances—predominantly in documentary filmmaking— where you can only hit record and hope for the best. At the time of writing this, the UK is currently getting battered by storms. And although we’re not unfamiliar to a grey sky, the winds are packing a harsher punch than usual. Perfect for capturing library assets of subjects and moments that you can’t obtain on an ordinary day.
March 15, 2019, 6:15 am
Claiming that inaccuracy doesn't matter is a quick way to have people leaping for the comments section in a fit of foam-flecked rage. Let's think about this as an issue of balance, though: we've spent thousands of words describing the various ways that colour can trip people up. We've been more than clear that consistent colour between lights is crucial in any world where we want the key and fill to be the same shade of daylight, and the same issue applies if we have two monitors in a room. It tends to look very silly, and not a little bit unprofessional, if things don't match.
March 11, 2019, 3:15 pm
DaVinci Resolve Tools and Productivity Hacks
Productivity tips and tutorials
15% discount code for Nobe Color Remap
Pixel Tools PowerGrades review and 20% off discount code
Download 800 Stream Deck icons for DaVinci Resolve
Meta Fide tools for setting up complex projects
FUgraph beta for advanced Resolve/Fusion users
March 4, 2019, 9:13 am
DP Michael Ferry shoots with a Blackmagic URSA Mini 4.6K while Colorist Mark Todd Osborne used DaVinci Resolve Studio in post,
February 19, 2019, 4:41 am
Get a proper education on rotoscoping, tracking, shot fixes, 3D particles, motion graphics and much more in this review of 4 major online training providers including Mixing Light, Lowe Post, Ripple Training and FXPHD.
Plus FREE resources to learn more about DaVinci Resolve and Fusion!
Gordon sits down with the Sound Design team (Just nominated for an Oscar) for A Quiet Place. Ethan Van der Ryn and Erik Aadah ...
Gordon sits down with Wyatt Smith to discuss the editing of Mary Poppins Returns and the challenges the film presented him in ...
Gordon sits down with Chayse Irvin to discuss his approach to shooting BlacKkKlansman and his theories about cinematography.
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