Be a part of a unique online community that connects post production professionals and film academics worldwide.
You'll have access to personalize your news feed, access to Live Post Talks and much more. Contribute to the community by posting interesting post production content.
February 17, 2021, 1:09 pm
Each camera has a unique “color science” which, simply put, is a way how captured light translates into an image. With film cameras, color science was specified by the type of film stock used, nowadays it is a combination of the image sensor and image processor. It is quite common that manufacturers of digital cinema cameras provide a free library of creative looks that are designed specifically for their cameras. These looks (in form of Look-Up-Table files) ensure that the colors in the RAW or Log image get translated correctly. This helps for on-set monitoring as well as color grading in the post-production.
February 8, 2021, 5:12 pm
In my decade-long career as a colorist, I’ve worked on every imaginable type of content: short-form, long-form, advertising, non-fiction, episodic—you name it. And while each of these formats requires its own approach, one constant which spans all of them is the client’s desire for a cinematic look.
February 5, 2021, 5:45 pm
LONDON — The Colorist Society International (coloristsociety.com) has appointed Lynette Duensing to a position as fellow. She is being recognized for her outstanding achievements and contributions to the craft of color across a highly productive career that spans more than 30 years.
January 20, 2021, 1:32 pm
You can date a film based on its use of black and white film stock. You can date a film based on its use of Technicolor. And mark my words, orange and teal contrast is going to be inseparable from the early 21st century.
December 30, 2020, 3:08 pm
In our Color Code column, Luke Hicks chooses a handful of shots from a favorite film in order to draw out the meaning behind certain colors and how they play into both the scene and the film as a whole. For his fifth entry, he digs into Todd Haynes’ Carol.
December 17, 2020, 1:48 pm
Mistika Technology is being deployed globally on a daily basis to tell incredible stories and create unique experiences. SGO would like to encourage Mistika users to share their exciting projects with the global creative community for a chance to win a Mistika VR, Boutique, Workflows or DVO Tools license with a total prize value ...
December 16, 2020, 1:50 pm
To celebrate ‘30 Years Of The Mill’ we are turning our focus to the extraordinary people behind our creativity. We asked a snapshot of 30 Makers from across The Mill to share their most inspiring projects from the past, alongside their future-facing insights on the advertising industry and evolution of creative technology. Read below to find out what inspired Head of Colour, Fergus McCall to join The Mill in its infancy and why investing in youth and talent is integral.
Editor Sam Rice Edwards joins us from the UK to discuss his work on the Youtube documentary Life In A Day 2020.
Gordon sits down with Marco Capalbo to discuss editing for Werner Herzog and crafting Fireball: Visitors from Darker Worlds. ...
Editor Mikeel Nielsen and Sound Designer Nicolas Becker discuss creating the film The Sound of Metal. We explore how to make ...
Choose what Post News gets sent directly to your E-Mail, daily or weekly.
Get your post news on your favourite Apple device, when you want it where you want it.
Get your post news on your favourite Android device with the AOTG Android App.