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May 20, 2019, 2:06 pm
Picture editing is about creatively approaching story structure, knowing how to fit puzzle pieces together to create moments, and utilizing reactions to help dialogue flow smoothly. But perhaps the most important thing when sitting with a client is knowing how to do those things quickly, and to be fast is to know your keyboard shortcuts.
May 20, 2019, 2:06 pm
LUTs are versatile presets used by popular video editing software like Adobe Premiere and Final Cut Pro. When applied, they instantly transform the look and feel of any clip. They also help you save time and effort by removing the need for advanced edits. This Top 3 feature focuses on some of the best video LUTs available on Envato Elements.
May 15, 2019, 10:04 am
Scott Edelstein has more than 20 years of experience in visual effects. He joined Digital Domain in 2001 and works on many movies such as THE AVENGERS, JACK THE GIANT SLAYER, DEADPOOL, AVENGERS: INFINITY WAR.
May 15, 2019, 6:35 am
The best career advice I ever received was simply to “be prepared.” There’s no special technical expertise or secret handshake clique that magically gets you hired. Better to cultivate your craft and business acumen so that when opportunity knocks, you’re home.
May 13, 2019, 5:58 am
The biggest surprise from Blackmagic’s NAB Resolve demo was the addition of a brand-new page called the Cut Page. The new page is intended to simplify and streamline the editing process by removing many of the systematic elements of the edit page. The Cut Page is for those on the go — editors who drop their footage into the timeline then quickly edit, render, and deliver. This isn’t ideal for longer projects, but for short scenes and simple vlogs, the Cut Page is your new home.
Gordon sits down with the Sound Design team (Just nominated for an Oscar) for A Quiet Place. Ethan Van der Ryn and Erik Aadah ...
Gordon sits down with Wyatt Smith to discuss the editing of Mary Poppins Returns and the challenges the film presented him in ...
Gordon sits down with Chayse Irvin to discuss his approach to shooting BlacKkKlansman and his theories about cinematography.
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