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May 19, 2019, 3:26 am
Haiko Boldt is a freelance video editor and graphic designer currently living in Namibia, who worked as editor and cinematographer on Land of the Brave. He has received a Namibian Film Award for his editing work and is the owner of Thunderboldt Design & Post Production.
May 16, 2019, 10:25 am
In 2017, Stuart Penn explained to us the work of Framestore on ALIEN: COVENANT. He then took care of the effects of the films KINGSMAN: THE GOLDEN CIRCLE and PADDINGTON 2.
May 16, 2019, 4:16 am
‘Tear Us Apart’ is a psychological thriller about a young couple who are taken to a cottage in the woods for counseling following the disappearance of their daughter and who struggle to identify what's real and what isn’t. Crafted by the incredible writer John Kelley, produced by the unstoppable Francesco Loschiavo and directed and edited by yours truly (Devin Clarke).
May 16, 2019, 4:15 am
Although it has a bevy of awards to its name and made almost $1 billion at the box office, Bohemian Rhapsody has faced quite a bit of criticism. The aspect of the film that has perhaps received the most criticism is the editing, particularly in the scene where Queen first meets manager John Reid, played by Mr. Chaos is a Ladder himself, Aidan Gillen. And that scene has been held up as evidence that Bohemian Rhapsody did not deserve all of its many accolades.
May 15, 2019, 5:05 am
Learn from some of the best minds in post production with this round up of presentations from NAB 2019
May 11, 2019, 7:13 am
LOS ANGELES — Tony Dustin has joined the Deluxe Post Production (www.bydeluxe.com) creative team as senior colorist, working from the Efilm and Encore post facilities in Hollywood. He brings more than 20 years of experience in color grading and a credit list that includes work on the Netflix dramatic series Sense8, the Hulu horror series
Castle Rock, the Best Picture Academy Award nominee
Silver Linings Playbook and Clint Eastwood’s
Gran Torino.
May 9, 2019, 3:57 am
Ed Catmull has a computer science PhD, introduced computer graphics technology to Lucasfilm, cofounded Pixar Animation Studios, worked side by side with Steve Jobs, and spearheaded the creative team behind animated blockbusters like "Toy Story" and "Ratatouille."
May 8, 2019, 6:12 am
Supervising sound editor Shannon Mills has worked on a number of Marvel movies, and in this exclusive A Sound Effect interview, he gives you the in-depth story about that Avengers: Endgame sound - including the audio team's tactics for creating sounds that match the scale of what’s on-screen, how they kept the epic battles from becoming a chaotic mess, working with (and recreating) unique superhero signature sounds & much more:
May 7, 2019, 10:21 am
Avengers: Endgame is a movie almost entirely about providing a sense of payoff—to varying degrees of success—to 11 years of Marvel moviemaking. But one of its most powerful payoffs to the entire Marvel Cinematic Universe wasn’t actually in the film from the start. In fact, it didn’t even come from the Russo brothers or the screenwriters.
May 6, 2019, 10:01 am
Matt Welford began his career in the visual effects in 1999 at Mill Film as digital compositor. He then worked in many studios such as Weta Digital, MPC, Sony Pictures Imageworks before joining Pixomondo in 2017. As a VFX Supervisor, he took care of the effects of many movies like THE CHRONICLES OF NARNIA: THE VOYAGE OF DAWN TREADER, GREEN LANTERN and AMERICAN SNIPER.
Gordon sits down with the Sound Design team (Just nominated for an Oscar) for A Quiet Place. Ethan Van der Ryn and Erik Aadah ...
Gordon sits down with Wyatt Smith to discuss the editing of Mary Poppins Returns and the challenges the film presented him in ...
Gordon sits down with Chayse Irvin to discuss his approach to shooting BlacKkKlansman and his theories about cinematography.
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