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September 24, 2020, 12:48 pm
The boffo global box office for “Tenet” is proof of the public appetite for Christopher Nolan’s abilities as a filmmaker, but as the film opens in more countries and, gradually, the United States, familiar questions are being raised about the director’s idiosyncratic approach to sound, and its impact on how much — or how little — of the film audiences are able to comprehend.
September 22, 2020, 1:10 pm
iZotope’s complete product line forms a comprehensive audio toolkit. RX 8 is the most relevant to video editors and audio post engineers. It’s a tool that will also benefit podcasters and vloggers. In short, anyone who deals with dialogue-heavy material. RX 8 represents the latest version of a product that’s being constantly improved. There certainly are competing plug-in packages that offer some similar filters as individual plug-ins. However, nothing on the market is as all-encompassing within a single tool for cleaning, repairing, and restoring audio than iZotope RX 8.
September 21, 2020, 1:18 pm
A goal of many visual effects artists is to able to use skills learnt from working on complex feature films, TV shows or games to make their own content, say, a short film or even a feature. Certainly, the path to creating any content can be tough, particularly because of time and budget. However, with tools becoming more accessible, and projects able to be realized across borders, there’s now more and more scope for realizing personal projects.
September 18, 2020, 1:15 pm
We all know it takes many artists to deliver visual effects for a big film or television show. Which is why I wanted to get multiple perspectives from the team at Framestore for how they realized the visual effects for Henry Joost and Ariel Schulman’s Project Power, which recently premiered on Netflix.
September 17, 2020, 1:12 pm
Warner Bros. has posted its ‘The Fire Rises: The Creation & Impact of The Dark Knight Trilogy’ on YouTube, a lengthy doco on the trilogy. There’s some fun VFX shots and behind the scenes material here, including a few pieces of Two-Face test footage.
September 4, 2020, 12:20 am
Sound design is like color grading for your ears. If you’re a filmmaker and you’re trying to take your work to the next level, there are few skills more important to master than sound design. So whether you’re just starting out with sound design, you want to add some new tips and tricks to your utility belt, or you just want some killer sound design inspiration, we’ve got you covered. Bookmark this page to have everything you need for amazing sound design all in one place.
August 26, 2020, 4:57 pm
On Watchmen, VFX supervisor Erik Henry was presented with a project of incredible ambition and scale, finding in the series the opportunity to bring myriad worlds and time periods to life, while offering a fresh take on an iconic comic book world.
August 25, 2020, 1:13 pm
HBO’s Perry Mason re-boot is set in LA in the 1930s. This meant, of course, that several scenes needed the visual effects treatment to appear to be that period. Below, Digital Domain VFX supervisor Mitch Drain explains his studio’s work on that aspect of the show in augmenting street scenes, crafting a cable-car and fitting into the film noir look of the show.
August 24, 2020, 1:16 pm
It feels like things are moving rapidly with virtual production. Inspired by the success of The Mandalorian (both from an audience point of view and in terms of its use of LED walls and real-time rendering techniques), several filmmakers and studios have been experimenting with the technology in a big way.
Gordon sits down with Wade Barnett(Supervising Sound Editor) and David Barbee (Sound Designer) to discuss their work on Amazo ...
Gordon sits down with Shawn Paper to discuss Crashing, editing, and the new film The Broken Hearts Gallery.
Gordon Sits down with Arielle Kilker and David Nordstrom, the Supervising Editors of Netflix's hit documentary series Ch ...
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