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July 5, 2011, 3:09 pm
Tobe Carey, producer/director at Willow Mixed Media near Woodstock, NY, made extensive use of Grass Valley EDIUS 6.0 HD nonlinear editing software to edit his award-winning documentary, The Catskill Mountain House and The World Around.
July 5, 2011, 3:08 pm
You are invited to the July 13th Los Angeles Post Production Group meeting at 7pm. Final Cut Pro X & Metadata Metadata guru Philip Hodgetts will join us and explain how Final Cut Pro X uses metadata. Final Cut Pro X is built entirely on metadata for media management unlike Final Cut Pro 7 and earlier so this is essential to learn.
July 5, 2011, 3:04 pm
Colorist/Finisher, Patrick Inhofer, shares insights, techniques, workflows and tools acquired during a decade of color correcting with non-linear software. Patrick will provide real-world grading examples, a renewed understanding of key concepts and a discussion on how ProRes...
July 5, 2011, 3:03 pm
Peter Fasciano, former Avid whiz and current consultant via his company Imagenda, provides a look at the basics for 3D image acquisition and production along with the creative challenges and language related to this new technology.
July 4, 2011, 9:09 am
Understanding the editor's job of combining pictures, words, and audio into a cohesive and engaging body of work is essential for all filmmakers. Apple's Final Cut Pro has become the preferred software choice for many professional editors. This hands-on course introduces students to the primary features and the basic interface of Final Cut Pro.
July 3, 2011, 3:20 pm
Just a quick reminder to SAVE THE DATE: October 11 - 13, 2011. The New York Post Production Conference in New York City. The show features dozens of expert training sessions for video, TV, film and new media professionals.
July 3, 2011, 9:59 am
This five-day intensive course provides students with exposure to the core skills, workflow, and concepts involved in nonlinear editing on Avid Media Composer system. Covers editing and effects techniques for both Macintosh and Windows systems. Session time is divided between demonstration and hands-on practice, with ample time for experimentation with sample material. This course is also appropriate for Avid Symphony users.
July 2, 2011, 1:26 pm
I made a change to the User Forum we support for the group. I had originally thought that segmenting topics might be useful. In the end, however, I believe this probably only served to stifle communication and use of the Forum. To this end there is now on one main topic, Final Cut Pro and all of the earlier threads have been moved under this one topic. This makes it easier to see what people are talking about and hopefully will liven up the discussion forum.
July 2, 2011, 1:16 pm
Industry blogs and Twitter feeds have been exploding over the past two weeks, as pro editors vent their frustration over features — mostly having to do with import/export functions and other collaborative workflow issues — that have gone missing from Final Cut Pro X, even as Final Cut Pro 7 has been deleted from the Apple catalog. Apple promises that various fixes are in the works, but some users have threatened to switch NLEs entirely rather than wait out the chaos.
Paul Leonard-Morgan joins Gordon Burkell to discuss composing with Philip Glass for Amazon's Tales from the Loop.
Celia Haining, editor of The Crown, joins Gordon Burkell to discuss editing for story.
The filmmakeru.com team explores the history of color in film in our series Birth of an Art. From coloring in single frames ...
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