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October 6, 2016, 9:25 am
LONDON — Technicolor LA recently gave Clint Eastwood’s biographical drama Sully the full Baselight HDR color grade treatment to achieve its pristine look for IMAX. Produced by Malpaso Productions, the film tells the true story of pilot Chesley "Sully" Sullenberger, portrayed by Tom Hanks, and applauds him as a hero after he safely landed US Airways Flight 1549 in the Hudson River in New York back in 2009.
August 19, 2016, 3:27 pm
The technology and engineering behind ACES, the open-source Academy Color Encoding System, may be complex but the idea is simple: bring footage from multiple high-resolution cameras and camera types on a single shoot, or across a variety of shoots, into the same … more » The post 7 Reasons Why ACES Color Science Is Changing the Grade appeared first on Studio Daily.
August 19, 2016, 5:27 am
More leading facilities in China adopt Baselight; new functionality and products complete end-to-end finishing workflow LONDON — 19 August 2016: As China increases its professional post-production market sector, growing rapidly with content creation and adopting sophisticated workflows, FilmLight is planning a major presence at BIRTV 2016 (stand 8B21, 24–27 August, China International Exhibition Centre, Beijing). As ...
June 28, 2016, 10:04 pm
A blog post from Elle Schneider on the Digital Bolex site reveals the sad news: after 30 June 2016 at 11:59 PDT (that’s this Thursday night, folks), the D16 digital cine camera will no longer be sold. The website and support functions will continue, but the camera itself will no longer be available. No details were provided behind The post Last Call: Digital Bolex D16 to be Discontinued appeared first on ProVideo Coalition.
June 13, 2016, 12:35 pm
Veteran colorist, telecine operator and color workflow specialist Lou Levinson has been named a Fellow of the Colorist Society International (CSI). Levinson’s career is impressive. He has worked with many top directors and cinematographers in Hollywood, including Steven Spielberg and Janusz Kaminski. As a telecine colorist Levinson has worked on Raiders of the Lost Ark, Continue reading →June 13, 2016
June 10, 2016, 2:01 am
NEW YORK — Industrial Color (http://industrialcolor.com), a 25-year-old creative studio known for its high-end fashion and beauty work, has added editor Bruce Ashley and executive producer Gary Giambalvo to its staff. According to company COO Mathieu Champigny, the appointments represent a strategic step in the company’s growth strategy to targeting advertising and branded content production.
June 9, 2016, 12:20 pm
After a public beta that opened at NAB, Blackmagic Design has released the final version of DaVinci Resolve 12.5 for download. Shots were fired at Adobe Premiere Pro last year, when DaVinci Resolve 12 first added a robust editorial toolset to its … more » The post Blackmagic Design Releases DaVinci Resolve 12.5 appeared first on Studio Daily.
June 9, 2016, 6:44 am
Massive update now available for Hollywood’s fastest growing professional editor! Blackmagic Design today announced that the final release of DaVinci Resolve 12.5, its professional editing and color correction software, is now available for download from the Blackmagic Design website. DaVinci Resolve 12.5 is a massive update with over 1,000 enhancements and 250 new features which ...
June 6, 2016, 9:26 am
Snell Advanced Media (SAM) said that its Quantel Rio is the first finishing system to support the color science embedded in the Panavision Millennium DXL camera system announced last week. The DXL camera features something called Light Iron Color, a proprietary image-mapping … more » The post SAM Says Quantel Rio Supports Color Science in Panavision DXL appeared first on Studio Daily.
May 16, 2016, 4:54 pm
Steven Spielberg’s color timer, Dale Grahn, has been named a Fellow of Colorist Society International (CSI). With hundreds of major film credits including, Saving Private Ryan, War of the Worlds, Minority Report, Gladiator and Predator, Grahn has shaped much of the look of modern cinema, Continue reading →May 16, 2016
Gordon sits down with the Sound Design team (Just nominated for an Oscar) for A Quiet Place. Ethan Van der Ryn and Erik Aadah ...
Gordon sits down with Wyatt Smith to discuss the editing of Mary Poppins Returns and the challenges the film presented him in ...
Gordon sits down with Chayse Irvin to discuss his approach to shooting BlacKkKlansman and his theories about cinematography.
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