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May 9, 2016, 11:01 am
“Unwrapped VR images routinely demand high resolutions and the additional GPU memory of the Quadro M6000 will help Mistika users
April 27, 2016, 2:39 pm
London-based Lipsync Post has appointed Tom Russell to the role of colorist, effective immediately. Russell will work across feature films, TV drama and commercials alongside the existing grading team. The post Lipsync Post Hires Colorist Tom Russell appeared first on Below the Line.
April 26, 2016, 1:44 pm
LONDON — Lipsync Post (www.lipsyncpost.co.uk) has appointed Tom Russell colorist. He will work across feature films, TV drama and commercials, alongside the studio’s existing grading team.
April 17, 2016, 2:06 pm
After the monumental failure of 3D on the consumer front five years ago, Ang Lee tries to convince us (again) that somehow watching movies in 3D captured in 4K at 120 frames per second is the best things since movies got sound. Apparently the latest 3D presentation of his latest movie “Billy Lynn’s Long Halftime Walk” at NAB in Vegas yesterday was some earth shattering event leaving people in awe of the exquisite cinematic visuals that apparently were indistinguishable from real life…
April 14, 2016, 12:22 pm
MADRID, SPAIN — SGO (www.sgo.es) is previewing the advanced Immersive Reality Toolset of its Mistika post production system at NAB. The new toolset combines the company’s stereo 3D functionality with a new virtual reality mode.
April 7, 2016, 9:35 am
MADRID, SPAIN — SGO (www.sgo.es) is announcing a number of new developments to its popular HDR/HFR/VR-capable Mistika color/finishing system. According to the company, new feature set for Mistika will equip professionals with virtual toolsets and workflows. With an NAB focus on VR in post, SGO will reveal at the show 3D feature-sets, VR mode and VR device connections, depicting how Mistika provides color grading, HDR, stereo and compositing in virtual reality in just one system.
March 30, 2016, 4:16 pm
FilmLight has announced some details of its upcoming Baselight 5.0 software, including a departure from color-grading norms. Citing a desire to adopt controls that "accurately mimic the way the eye appreciates color," the new Baselight's flagship feature, Base Grade, will emphasize … more » The post Baselight Says There’s a Better Way to Color Than Lift/Gamma/Gain appeared first on Studio Daily.
March 29, 2016, 9:40 am
FilmLight announced that it will introduce Baselight 5.0, the new version of its high-performance color finishing system, at NAB in Las Vegas in April. With over 50 new features, Baselight 5.0 introduces new ways for colorists and other creative artists to work. The post FilmLight to Introduce Baselight 5.0 at NAB appeared first on Below the Line.
Gordon sits down with the Sound Design team (Just nominated for an Oscar) for A Quiet Place. Ethan Van der Ryn and Erik Aadah ...
Gordon sits down with Wyatt Smith to discuss the editing of Mary Poppins Returns and the challenges the film presented him in ...
Gordon sits down with Chayse Irvin to discuss his approach to shooting BlacKkKlansman and his theories about cinematography.
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