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February 14, 2020, 1:40 pm
Flavio Diniz’s new FD UVToolkit unwraps objects in three simple steps. Many 3D users don’t mind tasks like weighting or UVing. Many do, however. Creating UV’s and unwrapping 3D models into 2D projections is an
February 14, 2020, 1:39 pm
Whether you are trying to change a color scheme on a stock clip to match a company’s branding or you’d just simply like a different color on an actor’s outfit, knowing how to change colors within your footage is a very important tool for correcting footage.
February 13, 2020, 1:52 pm
Nick Greenawalt shows how you can create reactive shadows in Ae using a Color Controller. Adobe After Effects relies heavily on writing expressions to do a lot of heavy work. Even in the most straightforward
February 13, 2020, 1:52 pm
Motion Desk’s new tool for After Effects allows you to reveal any part of a layer. Have you ever wished that there was an easy way in After Effects to make layers weave in front
February 12, 2020, 1:19 pm
David Palley shows two ways to create a rolling or coiling rig in Autodesk Maya. Having an object roll or coil up into itself is something that you will often see for creature tails and
February 12, 2020, 1:19 pm
Gleb Alexandrov looks into the Blender Weighted Normal modifier as a game-changer for hard surface work. When creating models, you can substitute “tricks” for more detail. As an example, instead of beveling all your edges,
February 12, 2020, 1:18 pm
Ben Marriott shows how you can get a paper cutout stop motion look in After Effects using Shape Layers. You can get that stop motion look in After Effects without having to create stop motion
February 12, 2020, 1:16 pm
I always find that rendering/exporting/outputting out of any application to be very hit and miss. Obviously, the less options there are, the easier it is, however, in the case of...
February 12, 2020, 1:16 pm
Ilove the Avid Editors of Facebook page. It’s such a great place to get a real sense of how everyone is using an application. There was a great question posted there earlier this week on Exporting. To be honest, I’ve been using Media Composer for so long, I’ve gone through the gamut of exporting types from QT Same As Source, QT Reference and now onto MXF Exports. Most editors, from what I’ve seen, shy away from this (not so) new way of exporting but there are some very big advantages to working this way, and one specific one that will really save your butt on the Friday of a long weekend, when a client calls saying they want a change made to their three hour epic! Enjoy!
February 11, 2020, 5:23 pm
In this tutorial, we’ll show you how to prepare your foreign language content for translation and how to generate subtitles from those translations in AVID.
The filmmakeru.com team explores the history of color in film in our series Birth of an Art. From coloring in single frames ...
Gordon sits down with Ivan Victor to discuss his work editing 68 Whiskey.
Gordon sits down to discuss the VFX of The Lion King with VFX supervisor Rob Legato
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