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May 6, 2019, 12:42 pm
In low-budget filmmaking, there are two major hurdles in attaining the ever-elusive status of “high production value.” Namely, sound and color. If your sound lacks clarity and particularly if your color lacks depth, then your film lacks luster and falls short of that “professional” sheen.
March 20, 2019, 6:25 am
Filmmakers, editors and budding colorists often ask me some variation of : How do I fix white balance issues in post? Or – What’s the best method for fixing color temperature?
March 8, 2019, 11:48 am
In our previous lesson of our look at learning BlackMagic Design’s DaVinci Resolve, we talked about working with 3rd party LUT’s. In this lesson, I want to I want to talk our earlier discussion on Keyframing a little farther, and discuss Keyframes in the Color Module.
February 14, 2019, 6:22 pm
In our last lesson, in our look at learning DaVinci Resolve, we talked about working with Curves, and how you can use them to independently adjust the highlights, midtones and shadows of your YRBG levels. In this lesson, I want to move on and talk about Windows, or masks, as they are more commonly referred to.
December 20, 2018, 2:01 pm
In our previous lesson of our look at learning BlackMagic Design’s DaVinci Resolve, we discussed color correcting the Lift, Gamma and Gain luminance levels by working with the Primaries Bars inside of the Color Module of DaVinci Resolve. Well, this lesson is all about Color, and we’re going to use the Color Wheels to correct the color of the Lift, Gamma and Gain of a shot that needs color correcting.
November 11, 2018, 8:33 am
Jason Bowdach showed an overview of Cinema Grade.
Cinema Grade is a modern NEW color grading plugin built from the ground up. It runs along side Premiere Pro, DaVinci Resolve & FCPX and allows users for the first time to reach in and touch their images and grade them directly in your viewer.
Hosted by Michael Horton.
October 30, 2018, 8:56 am
This session looks at key new features in Adobe Premiere Pro, Audition and Media Encoder in Adobe’s updates for Spring, 2019. Join host, Larry Jordan, as he illustrates key new features in each of these three applications.
October 23, 2018, 4:35 am
A pink sky has become a predominant feature in many music videos. Is it a symbol of teenage freedom, late evening adventures, innocence of youth? I’m sure there are experts out there who could spend hours decoding the meaning and popularity behind the rise of pink skies in rap and alternative music videos. But perhaps it just comes down to Instagram influencers. Who knows?
October 19, 2018, 5:37 am
DaVinci Resolve is quickly becoming the hottest NLE on the market, which isn’t surprising since you can download a copy for free with access to 90 percent of its features. However, while most free versions of programs like this offer a simplified form of the premium version, DaVinci Resolve does not. As a result, loading up the software for the first time can be very daunting.
August 4, 2018, 4:20 pm
Blackmagic Design announced that Deadpool 2, the highly anticipated sequel in the 20th Century Fox/Marvel franchise, was colored by EFILM Senior Colorist Skip Kimball using DaVinci Resolve software. The irreverent series, starring Ryan Reynolds as a wisecracking reluctant superhero, is unique not only because of its main character, but also for the style of imagery used to […]
The post
DEADPOOL 2 GRADED IN DAVINCI RESOLVE STUDIO BY EFILM’s SKIP KIMBALL
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Gordon sits down with the Sound Design team (Just nominated for an Oscar) for A Quiet Place. Ethan Van der Ryn and Erik Aadah ...
Gordon sits down with Wyatt Smith to discuss the editing of Mary Poppins Returns and the challenges the film presented him in ...
Gordon sits down with Chayse Irvin to discuss his approach to shooting BlacKkKlansman and his theories about cinematography.
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