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November 11, 2018, 8:33 am
Jason Bowdach showed an overview of Cinema Grade.
Cinema Grade is a modern NEW color grading plugin built from the ground up. It runs along side Premiere Pro, DaVinci Resolve & FCPX and allows users for the first time to reach in and touch their images and grade them directly in your viewer.
Hosted by Michael Horton.
October 30, 2018, 8:56 am
This session looks at key new features in Adobe Premiere Pro, Audition and Media Encoder in Adobe’s updates for Spring, 2019. Join host, Larry Jordan, as he illustrates key new features in each of these three applications.
October 23, 2018, 4:35 am
A pink sky has become a predominant feature in many music videos. Is it a symbol of teenage freedom, late evening adventures, innocence of youth? I’m sure there are experts out there who could spend hours decoding the meaning and popularity behind the rise of pink skies in rap and alternative music videos. But perhaps it just comes down to Instagram influencers. Who knows?
October 19, 2018, 5:37 am
DaVinci Resolve is quickly becoming the hottest NLE on the market, which isn’t surprising since you can download a copy for free with access to 90 percent of its features. However, while most free versions of programs like this offer a simplified form of the premium version, DaVinci Resolve does not. As a result, loading up the software for the first time can be very daunting.
August 4, 2018, 4:20 pm
Blackmagic Design announced that Deadpool 2, the highly anticipated sequel in the 20th Century Fox/Marvel franchise, was colored by EFILM Senior Colorist Skip Kimball using DaVinci Resolve software. The irreverent series, starring Ryan Reynolds as a wisecracking reluctant superhero, is unique not only because of its main character, but also for the style of imagery used to […]
The post
DEADPOOL 2 GRADED IN DAVINCI RESOLVE STUDIO BY EFILM’s SKIP KIMBALL
appeared first on lappg.
July 30, 2018, 12:32 pm
Color correction and color grading are the final steps in making our images look their best. In this session, Larry Jordan takes a closer look at the improved color tools in Final Cut Pro 10.4 and illustrates how to use them to enhance your images.
June 9, 2018, 9:12 am
This is part 2 of my After Effects diary on the Xian project, and in it I’ll be looking at colour grading. If you missed part 1, I mentioned that the Xian project marked several milestones for me, and that I had been trying to cram so many different subjects together that it had taken me two years and four attempts just get to part 1 out. The mistake I had been making was to confuse two distinct topics – compositing and colour grading – which is interesting in hindsight, as the theme of this article is the importance of keeping them separate.
March 23, 2018, 3:15 am
Primavera de 2018. Se habla tanto del HDR (High Dynamic Range) que ya es imposible seguir manteniendo que es una moda pasajera y es el momento -sí aún no lo has hecho- de subirse al carro. Aunque alguien pueda pensar lo contrario, esta es una tecnología que, a nivel de producción, está al alcance de [...]
La entrada TUTORIAL: HDR con DaVinci Resolve y UltraStudio 4K Extreme 3 se publicó primero en finalcutpro.es.
March 13, 2018, 6:18 am
Grouping instruments in Pro Tools brings along a great deal of control and functional commonality. But when recording, sometimes all you need is to recall a selection of tracks without grouping faders, mutes, and other functions. In this free video tutorial, we will show you how to quickly jump between groups of unrelated tracks and put them into Record Ready, Solo, Input, or Mute when tracking and overdubbing.
January 31, 2018, 10:17 am
Avery Peck's YouTube series of DaVinci Resolve color grading tutorials are just what you need to master this elusive post-production process.
Gordon Sits down with Christopher Tellefsen to discuss A Quiet Place.
Gordon sits down with Marcus Schioler, Antoine Rotondo, & Marc-André Ferguson to discuss the big announcement at A ...
Gordon sits down with Joe Walker to discuss Steve McQueen's new film Widows.
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