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June 23, 2017, 4:17 am
Blue Bolt delivered 527 shots for the second season of this Viking-era epic. We created extensive set extensions and locations, bringing 9th century Saxon England to life. Among the most notable creations was a fully CG Viking ship that features repeatedly throughout episode 3, including in a spectacular storm sequence.
June 22, 2017, 12:41 pm
A video essay exploring the art of film editing and its manipulation of space and time to both narrative and psychological ends.
June 21, 2017, 12:34 pm
"I fight only to protect apes." 20th Century Fox has released a new featurette for War for the Planet of the Apes, focusing on the groundbreaking, unbelievable VFX work in the movie. Weta is the VFX studio responsible for bringing to life all of the apes in the movie, which is amazing because they didn't use a single real ape yet it's almost impossible to tell that they aren't real. Seriously. Weta has been improving with each of these three modern Apes movies, and this one has their best work yet.
June 21, 2017, 4:53 am
Blue-Bolt – Sole VFX vendor on Brad Pitt’s new poignant comedy about American troops in the aftermath of the Afghanistan troubles. Work included the creation of CG planes, digital set extensions, split screens and green screen replacements.
June 19, 2017, 4:46 pm
A veteran of independent film, Keith Reamer has edited such films as "The Ballad of Little Jo," starring Ian McKellan, "I Shot Andy Warhol," starring Lili Taylor, and Three Seasons, winner of Grand Jury Prize at the 1999 Sundance Film Festival. Keith also cut "Stephanie Daley," which received the Waldo Salt Award at the 2006 Su...
June 19, 2017, 4:45 pm
In this episode, the gang talks about the value of focus and the issues surrounding a lack thereof.
June 16, 2017, 5:35 am
Congratulations to UPP for their great way to thank their team about their work on WONDER WOMAN!
June 15, 2017, 4:24 am
Blackmagic Design's Paul Saconne showed off the "Holy Wow"
DaVinci Resolve 14 beta, the new tool for editing, color correction and audio post production.
Hosted by Michael Horton.
Stuart joins Gordon to discuss A Series of Unfortunate Events for Netflix and what the difference is between working for Broa ...
In this episode of The Cutting Room, we explain just where we have been for the past four months. We'll begin regularly ...
Joe Walker joins Gordon to discuss the editing of Denis Villeneuve's film Arrival. They focus on Time and manipulating t ...
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