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June 29, 2009, 2:59 pm
At the FCPUG Supermeet in London, Walter takes to the stage to talk about Tetro, the latest film written and directed by Francis Ford Coppola. The conversation extends to other work Murch has done and reveals the heart of modern day filmmaking using Final Cut Pro as the editor.
June 3, 2009, 1:49 pm
This was sent to me by a reader of Scott Simmons Blog with the request that I post it for everyone to see. A very interesting look into editing, this short documentary was made by an editor for the BBC. The editor is Bill McKenna and he was recently made Editor of the Year.
March 20, 2009, 12:31 pm
Frank Capria has been at the forefront of digital content creation technologies since its earliest beginnings. New England based Capria was one of the first adopters of digital editing on the Avid Media Composer upon the systems release in 1989. His credits include work on landmark PBS series including, Eyes on the Prize, Frontline, Nova and American Experience. In 2001 Frank went on to found Kingpin Interactive, a New Media services company, which created award winning programming, websites...
March 7, 2009, 12:17 pm
Part V of my interview with Chris Dickens. In this segment I ask Chris if he had any indication that the film was going to be the worldwide phenomenon it has turned out to be. I also ask him what it is like to be in the center of the awards season vortex.
March 7, 2009, 12:16 pm
As editors, who often live with a film for an extended period of time, it becomes like one of your children. In this segment I ask Chris about sequences from Slumdog he is especially proud of, or ones that hold a special place in his heart. We talk about some of the directors he admires who have influenced him, his fondness for stories told in a non-linear way and how his director Danny Boyle encouraged him to take risks and try new ideas while cutting the film.
March 6, 2009, 12:15 pm
In Parts III and IV Chris and I go on to speak about technical issues and the fact that the film was a hybrid; shot on both 35mm film and digital. Chris cuts on the Avid, and the complexity of post production was compounded by the fact that the 35mm elements were shot 3-perf, a technique where the exposed image fills the entire surface area of the frame without any matte area or "wasted space". 3-perf is an excellent solution when shooting in 1:1.85 aspect ratio because it reduces the cost...
Gordon sits down to discuss the VFX of The Lion King with VFX supervisor Rob Legato
In this bonus episode, Gordon sits down with Dan Deleeuw, the visual effects supervisor for Avengers: Endgame.
Gordon sits down with Jinmo Yang to discuss the editing of Parasite, the hit Korean film and a must see for everyone.
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