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July 30, 2020, 1:04 pm
How to use a Home Theater AVR via HDMI as a Playback Engine in Pro Tools ▶️ https://www.avid.com/pro-tools Follow Avid Pro Tools: https://facebook.com/avidprotools https://instagram.com/avid.protools https://twitter.com/avidprotools https://www.linkedin.com/showcase/avid-pro-tools https://www.snapchat.com/add/avidtechnology https://www.tiktok.com/@avidtechnology
July 24, 2020, 1:34 pm
Join us live for the Avid Online Learning session — Maestro | News: Building single execution logic graphics. Check out our calendar to watch this and more live videos on https://www.avid.com/online-learning Follow Avid: https://facebook.com/avid https://instagram.com/avidtechnology https://twitter.com/avid https://www.linkedin.com/company/avid-technology https://www.snapchat.com/add/avidtechnology https://www.tiktok.com/@avidtechnology
July 24, 2020, 1:34 pm
Whether you’re a team of two, an organization of thousands, or anything in between, Avid MediaCentral accelerates your workflow, scaling from the simplest to the most sophisticated solutions for post production, news, sports, and asset management. LEARN MORE ▶️ http://www.avid.com/products/mediacentral Follow Avid: https://facebook.com/avid https://instagram.com/avidtechnology https://twitter.com/avid https://www.linkedin.com/company/avid-technology https://www.snapchat.com...
July 23, 2020, 1:29 pm
If you look at Iron Man's first suit, the Mark 1, and compare it to the hero's nanotech suit from "Avengers: Infinity War" and "Avengers: Endgame," a lot has changed, but it's not just the technology in the world of the Marvel Cinematic Universe. Animation tech has also evolved in the real world to make this suit possible on the big screen. We spoke with some of the VFX artists who worked on Iron Man’s suit over the past 11 years including Industrial Light & Magic, Weta Digital, Cinesite/Trixter, The Embassy, and Framestore to find out what challenges they faced along the way and how they were able to make the suit look so real.
July 21, 2020, 1:41 pm
When Zack Snyder and Warner Bros. first started considering their timeline for releasing the Snyder Cut they weren't accounting for the coronavirus pandemic. Though they initially thought that the virus' spread would result in the film needing to be put on the backburner, it turned out that now was the perfect time to do it. In an interview with Beyond the Trailer, Snyder himself opened up about the editing process for the movie which continues unhindered even though the virus has shut down film sets in the United States for months. There's one drawback for Snyder though, since he's editing at home he just wants to focus on editing.
July 20, 2020, 1:21 pm
Congratulations to the teams of Framestore to have won the BAFTA for Special, Visual and Graphic Effects for HIS DARK MATERIALS!
Gordon sits down with documentary editor and producer Kathryn Robson to discuss storytelling and her work on the hit Netflix ...
Gordon sits down to talk to Emmy Nominated editors Kate Sanford & Tim Streeto to discuss their work on the Marvelous Mrs. ...
Gordon sits down with Wade Barnett(Supervising Sound Editor) and David Barbee (Sound Designer) to discuss their work on Amazo ...
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