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March 7, 2009, 12:17 pm
Part V of my interview with Chris Dickens. In this segment I ask Chris if he had any indication that the film was going to be the worldwide phenomenon it has turned out to be. I also ask him what it is like to be in the center of the awards season vortex.
March 7, 2009, 12:16 pm
As editors, who often live with a film for an extended period of time, it becomes like one of your children. In this segment I ask Chris about sequences from Slumdog he is especially proud of, or ones that hold a special place in his heart. We talk about some of the directors he admires who have influenced him, his fondness for stories told in a non-linear way and how his director Danny Boyle encouraged him to take risks and try new ideas while cutting the film.
March 6, 2009, 12:15 pm
In Parts III and IV Chris and I go on to speak about technical issues and the fact that the film was a hybrid; shot on both 35mm film and digital. Chris cuts on the Avid, and the complexity of post production was compounded by the fact that the 35mm elements were shot 3-perf, a technique where the exposed image fills the entire surface area of the frame without any matte area or "wasted space". 3-perf is an excellent solution when shooting in 1:1.85 aspect ratio because it reduces the cost...
March 6, 2009, 12:14 pm
Here is Part II of my interview with Chris Dickens, award winning film editor of this year’s Slumdog Millionaire. In this installment I ask Chris how he connected with Danny Boyle and what were some of the of the more creatively challenging aspects of making the film.
March 6, 2009, 12:12 pm
Today we present Part I of a multi-part series with award winning film editor Chris Dickens. Chris is the recipient of this years "triple crown" of editing awards for his work on "Slumdog Millionaire", for which he took home the American Cinema Editor’s (A.C.E.) EDDY Award, the British Academy of Film an Television Arts (BAFTA) award and the Academy of Motion Picture Arts and Sciences, Academy Award.
November 24, 2008, 7:38 pm
Inside the Editors' Studio offers insight into the real world of editing. Moderated by Harry B. Miller III, ACE, and hosted by Joe Byron and the Los Angeles Film School, this four-part series covers editing for feature films, TV shows, and documentaries.
November 24, 2008, 7:36 pm
Inside the Editors' Studio offers insight into the real world of editing. Moderated by Harry B. Miller III, ACE, and hosted by Joe Byron and the Los Angeles Film School, this four-part series covers editing for feature films, TV shows, and documentaries.
November 24, 2008, 7:33 pm
Inside the Editors' Studio offers insight into the real world of editing. Moderated by Harry B. Miller III, ACE, and hosted by Joe Byron and the Los Angeles Film School, this four-part series covers editing for feature films, TV shows, and documentaries.
November 24, 2008, 7:31 pm
Inside the Editors' Studio offers insight into the real world of editing. Moderated by Harry B. Miller III, ACE, and hosted by Joe Byron and the Los Angeles Film School, this four-part series covers editing for feature films, TV shows, and documentaries.
October 12, 2008, 6:08 pm
Ryerson University has posted a video of Bill Nichols lecture on reenactments. A great insight into film documentary reenactments and useful for editing. When you go to the video it streams via Windows Media 9 and some people have had trouble. If thats the case enter this web address into your media player to check it out. mms://www.windowsmedia.ryerson.ca/dmpstreams/2009Kodak/nichols/stream1.asx
Gordon sits down with Marco Capalbo to discuss editing for Werner Herzog and crafting Fireball: Visitors from Darker Worlds. ...
Editor Mikeel Nielsen and Sound Designer Nicolas Becker discuss creating the film The Sound of Metal. We explore how to make ...
Jody McVeigh-Schultz and Lane Farnham discuss tackling HBO's documentary series McMillion$, a series that explores the f ...
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