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June 9, 2020, 1:14 pm
Screen International’s Americas editor Jeremy Kay ran an online session with Framestore’s Fiona Walkinshaw, Weta Digital’s David Conley and Industrial Light & Magic’s Rob Bredow to chat about what their companies have been doing in terms of working remotely, and what the situation looks like moving forward.
June 8, 2020, 1:25 pm
Now that Westworld season 3 has aired, the team behind the show’s impressive visual effects has revealed exactly how they made the series’ robots come to life. In a short Vimeo clip, DNEG illustrates how a combination of VFZ wizardry helped to create Westworld’s bleak dystopian landscape, along with the processes used for modeling robots and filming the show’s iconic car chases. Take a look below, but be warned, there are a fair few spoilers.
June 1, 2020, 12:58 pm
Come have a look at the work of RISE on the crazy chase sequence in London for FAST & FURIOUS PRESENTS HOBBS & SHAW...
May 29, 2020, 1:06 pm
“The most important thing was authenticity,” says visual effects supervisor John Heller of his recent television work. He crafted effects for Showtime’s noir period piece “Penny Dreadful: City of Angels” as well as HBO’s detective thriller “The Outsider.” Both series uniquely demand that he deliver supernatural elements within stories that are grounded in reality. Watch the exclusive video interview above.
Gordon sits down with Sam Ejnes, Re-Recording Mixer, and Pete Nichols, SFX Editor, who helped craft the sound for Mythic Ques ...
Kyle Gilman discusses the editing of Unbreakable Kimmy Schmidt: Kimmy Vs. The Reverend. This film is a "Pick your own ad ...
Doug Abel sits down with Gordon to discuss editing Netflix's hit, Tiger King. They discuss getting through the mounds of ...
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