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August 11, 2017, 9:37 am
Steven Soderbergh prefers to forgo the "possessory credits" that put his name front and center at the beginning of his movies, and he’s done so much highly varied work over his long and astonishingly prolific career that his style (and he has a lot of style) has come to be considered highly adaptable rather than highly recognizable.
July 8, 2017, 5:39 pm
It’s now been over two years since “Mad Max: Fury Road” first raced into our hearts, and yet we still can’t stop thinking about it almost every single day. Fortunately, neither can most cinephiles. Every month there appears to be a new exploration of the action movie, breaking down one of its pitch perfect visual elements. The latest video essay comes from Fandor, and it breaks down the color grading that makes “Fury Road” such an eye-popping visual experience.
Gordon sits down with Evan Ahlgren and Gary Roach to discuss the editing of Paramount's Yellowstone.
Gordon Sits down with Rosanne Tan, Justin Krohn, and Franklin Peterson to discuss their editing of the show Homecoming.
Gordon and Azin Samari sit down to discuss the four-part documentary Lorena that recounts the Lorena and John Bobbit saga.
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