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November 15, 2018, 2:20 pm
On examination of those behind the filmic curtain—creating the sonic palette through which to feel a world—any number of descriptors seem to apply. Magicians, wizards and puppet masters who have trained themselves in the art of emotional manipulation, sound editors are too often among those craftsmen and women taken for granted, when the reality is that no film could function, or pull the audience in toward the screen, without their dedicated, passionate work. The supervising sound editors behind Paramount Pictures’ surprise horror smash A Quiet Place—deftly directed by John Krasinski—Erik Aadal and Ethan Van der Ryn are among those whose contributions are so undeniable that they happen to elevate the craft as a whole.
November 14, 2018, 7:32 am
In this free video tutorial, brought to you with the support of Waves, we continue our series of videos in which we set out to discover the best Waves plug-ins for mix bus and mastering applications. In this episode we check out Waves Infected Mushroom plug-in.
October 31, 2018, 4:31 am
Some of the big differences between Pro Tools and Pro Tools Ultimate software are well known. Most of us understand that surround work is Ultimate only for example. There lots of small differences which aren’t as well understood and one which I want to draw attention to today is Auto Fades.
September 25, 2018, 10:34 am
Dolby was at IBC showing Dolby Vision, its HDR distribution system. Dolby was demonstrating how to master and create Dolby Vision metadata in the color grading suite. Their V.4.0 tools were also on display.
September 25, 2018, 5:53 am
This week, we take a look at audio mixing for FCP X projects. The short answer is that, while FCP X excels at audio editing, it isn’t that great for audio mixing.
September 22, 2018, 5:50 am
Dolby was at IBC showing Dolby Vision, its HDR distribution system. Dolby was demonstrating how to master and create DolbyVision metadata in the color grading suite. Their V.4.O tools were also on display.
September 18, 2018, 5:31 am
Dialogue scenes are some of the most ubiquitous scenes in filmmaking, but crafting them is anything but routine. There are so many different kinds of techniques that you can employ to make your characters' on-camera conversations more dynamic, cinematic, and evocative, as well as entertaining and informative to your audience. In this video, the team over at The Film Look goes over one often overlooked area of dialogue scenes: sound design.
September 6, 2018, 12:47 pm
Sound always plays a particularly important role in the horror genre, but A Quiet Place takes this a step further, making sound itself a key element of the story. So in this video I talk to the sound designers of the film, Erik Aadahl and Ethan Van der Ryn, to learn more about the ways sound can be used in storytelling.
Gordon sits down with Michelle Miller to discuss the makeup of PEN15
Gordon sits down with Tony Kearns to discuss editing Black Mirror: Bandersnatch.
Jim Flynn and Gordon sit down to discuss the editing of The Haunting of Hill House.
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