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September 3, 2017, 6:50 am
Ah, audio… Although many would think that good filmmaking is primarily down to the images, the truth is that this is in fact an audiovisual medium – and note that the “audio” comes before the “visual”. You are a lot more likely to forgive footage that’s a little shaky or a little noisy and chalk it up to style. Dodgy audio, though? That’s bound to sitck out like a sore thumb.
August 21, 2017, 9:13 am
The Pro Tools | MTRX features a user customizable monitor section which can be controlled via EUCON. Learn how to lock the MTRX monitor profile to the S6 and control sources, speakers and cue mixes from the Master Touch and Master Automation Modules.
August 12, 2017, 6:03 am
Christopher Nolan's Dunkirk is a nerve-wracking movie. Three separate storylines tell the tale of the famed World War II evacuation in a intense two hours of film. A lot of that feeling has to do with how the film's score uses Shepard tones — layered sound waves that simulate a constant ascent in tone — to create a sensation of building tension.
July 26, 2017, 5:02 pm
Marvel has released a short featurette from its Guardians of the Galaxy, Vol 2 Blu-ray/DVD focusing on designing Baby Groot, and it includes comments from overall vfx supe Christopher Townsend and the concept art and practical build required for on-set shooting. Check it out below.
July 17, 2017, 5:16 am
SoundWorks Collection has published an Interview with Sound Editor and Sound Designer Eric Norris about his recent work on Spiderman Homecoming. You can listen to it here.
July 11, 2017, 5:18 am
In this video Pro Tools Expert Technical Editor, James Ivey takes a look at the new updated version of the Antelope Audio Zen Studio Plus USB and Thunderbolt interface. In a real world recording session using full drum kit, bass and acoustic and electrics guitars James shows off the stunning sonic quality of this small yet mighty portable interface.
June 5, 2017, 5:10 am
Oscar-winning editor and sound designer Walter Murch once said that editing is a lot like cooking—you have to know which ingredients to add and which ones to leave out. If that's true, then sound design is a lot like baking a cake—it's all about layering and knowing which accents to add to make it look (sound) appetizing. For those who may not have the budget to hire a professional, designing sound on your own can be quite a challenge, but this video from Kris Truini shows you five steps that will help guide you through the process.
Gordon sits down with Michelle Miller to discuss the makeup of PEN15
Gordon sits down with Tony Kearns to discuss editing Black Mirror: Bandersnatch.
Jim Flynn and Gordon sit down to discuss the editing of The Haunting of Hill House.
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