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June 29, 2009, 2:59 pm
At the FCPUG Supermeet in London, Walter takes to the stage to talk about Tetro, the latest film written and directed by Francis Ford Coppola. The conversation extends to other work Murch has done and reveals the heart of modern day filmmaking using Final Cut Pro as the editor.
June 3, 2009, 1:49 pm
This was sent to me by a reader of Scott Simmons Blog with the request that I post it for everyone to see. A very interesting look into editing, this short documentary was made by an editor for the BBC. The editor is Bill McKenna and he was recently made Editor of the Year.
March 20, 2009, 12:31 pm
Frank Capria has been at the forefront of digital content creation technologies since its earliest beginnings. New England based Capria was one of the first adopters of digital editing on the Avid Media Composer upon the systems release in 1989. His credits include work on landmark PBS series including, Eyes on the Prize, Frontline, Nova and American Experience. In 2001 Frank went on to found Kingpin Interactive, a New Media services company, which created award winning programming, websites...
March 7, 2009, 12:17 pm
Part V of my interview with Chris Dickens. In this segment I ask Chris if he had any indication that the film was going to be the worldwide phenomenon it has turned out to be. I also ask him what it is like to be in the center of the awards season vortex.
March 7, 2009, 12:16 pm
As editors, who often live with a film for an extended period of time, it becomes like one of your children. In this segment I ask Chris about sequences from Slumdog he is especially proud of, or ones that hold a special place in his heart. We talk about some of the directors he admires who have influenced him, his fondness for stories told in a non-linear way and how his director Danny Boyle encouraged him to take risks and try new ideas while cutting the film.
March 6, 2009, 12:15 pm
In Parts III and IV Chris and I go on to speak about technical issues and the fact that the film was a hybrid; shot on both 35mm film and digital. Chris cuts on the Avid, and the complexity of post production was compounded by the fact that the 35mm elements were shot 3-perf, a technique where the exposed image fills the entire surface area of the frame without any matte area or "wasted space". 3-perf is an excellent solution when shooting in 1:1.85 aspect ratio because it reduces the cost...
March 6, 2009, 12:14 pm
Here is Part II of my interview with Chris Dickens, award winning film editor of this year’s Slumdog Millionaire. In this installment I ask Chris how he connected with Danny Boyle and what were some of the of the more creatively challenging aspects of making the film.
Jim Flynn and Gordon sit down to discuss the editing of The Haunting of Hill House.
Gordon sits down with Tyler Cook to discuss editing Glow!
Gordon sits down with Evan Ahlgren and Gary Roach to discuss the editing of Paramount's Yellowstone.
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