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March 20, 2009, 12:31 pm
Frank Capria has been at the forefront of digital content creation technologies since its earliest beginnings. New England based Capria was one of the first adopters of digital editing on the Avid Media Composer upon the systems release in 1989. His credits include work on landmark PBS series including, Eyes on the Prize, Frontline, Nova and American Experience. In 2001 Frank went on to found Kingpin Interactive, a New Media services company, which created award winning programming, websites...
August 5, 2008, 9:42 am
In this segment Dan gives us some great insights into the feature film editorial process. We discuss topics such as what it’s like screening the "first cut" with the director and starting out on the directors cut, bringing the length of IRON MAN down from 3.5 to it’s final running time of 2 hours, exploring variations of the film and reinventing scenes, and something he fondly refers to as "index card death row".
August 3, 2008, 9:39 am
Today we present Part II of my interview with Dan Lebental, film editor of Paramount Pictures and Marvel Entertainment’s, IRON MAN. In this segment Dan talks about his experience cutting on the Avid Media Composer, working with the visual effects team (upwards of 800 people) at ILM and the economics and intricacies of cutting a film with nearly 1000 visual effects shots. We go on to discuss the state of, and need for, industry accepted digital post production workflows. Finally, we talk...
Gordon sits down with Evan Ahlgren and Gary Roach to discuss the editing of Paramount's Yellowstone.
Gordon Sits down with Rosanne Tan, Justin Krohn, and Franklin Peterson to discuss their editing of the show Homecoming.
Gordon and Azin Samari sit down to discuss the four-part documentary Lorena that recounts the Lorena and John Bobbit saga.
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