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June 25, 2013, 4:25 am
We’ll get Tutorial Tuesday going with this interesting piece which is almost a documentary. John Hess traces the evolution of the screen shape from the silent film days through the widescreen explosion of the 50s, to the aspect ratio of modern digital cameras.
May 22, 2013, 5:09 pm
Every cut is a form of judgment, whether it takes place on the set or in the editing room. A cut reveals what matters and what doesn’t. It delineates the essential from the non-essential. To examine the cuts of a filmmaker is to uncover an approach to cinema.
January 26, 2013, 9:46 am
At some point I lost track of (and most interest in) all the hand-wringing articles about Photoshop and body image. Even so, I found this talk by model Cameron Russell interesting. She’s unusually sharp (her mom founded ZipCar, it turns out) and compares images of her with the real person.
November 12, 2012, 10:04 am
DB here: In connection with our textbook, Film Art: An Introduction, we’ve created several videos examining film techniques. Thanks to Peter Becker and Kim Hendricksen of Criterion Classics and Janus Films, we’ve been able to include clips from film classics, from Ashes and Diamonds to Ugetsu Monogatari. Because our publisher McGraw-Hill sponsored the production of...
Gordon sits down with Michelle Miller to discuss the makeup of PEN15
Gordon sits down with Tony Kearns to discuss editing Black Mirror: Bandersnatch.
Jim Flynn and Gordon sit down to discuss the editing of The Haunting of Hill House.
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