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March 25, 2020, 1:18 pm
By Karen Moltenbrey A couple of decades or so ago, studios needed the exceptional power of a machine offered by the likes of SGI for complex visual effects. Non-specialized PCs simply were not cut out for this type of work. But then a sea change occurred, and suddenly those big blue and purple boxes were being replaced with options in the form of workstations from companies such as Sun, Continue reading → March 24, 2020 The post Visual Effects appeared first on postPerspective.
March 19, 2020, 12:19 pm
SGO has released an enhanced version of the industry-adopted optical flow stitching solution Mistika VR, adding integration for the new RED 6K Komodo digital cinema camera together with license activation improvements. In addition, a new “Offline mode” has been added to the SGO Activation Tool, allowing users to easily activate their licenses without an internet [...]
March 9, 2020, 12:08 pm
Many befores & afters readers will probably know I also write as a freelancer for a bunch of other VFX, CG, animation and film publications. These include magazines such as VFX Voice and 3D World, as well as online sites like Polygon.
February 28, 2020, 10:37 am
• Vignetting With More Controls, Options and Flexibility to Enhance Drama Problem: You're looking for a new way of adding more drama and impact in your shots and simple vignetting's not working. The post VIGNETTE: Instant Gravitas To Make More Impact appeared first on NewBlue.
February 27, 2020, 2:57 pm
To bring The Mandalorian to life, Industrial Light & Magic (ILM) and Epic Games — along with production technology partners Fuse, Lux Machina, Profile Studios, Nvidia and ARRI — have introduced a new way to shoot VFX-heavy projects in collaboration with Jon Favreau’s Golem Creations. The new virtual production workflow allows filmmakers to capture a significant amount of complex visual effects shots in-camera using realtime game engine technology (Epic’s Unreal Engine) and LED scree...
February 20, 2020, 2:36 pm
CHICAGO — Creative production studio Flavor (www.flavor.tv) has added Rob Churchill to its Chicago staff as VFX director. According to Cutters Studios, which is a partner studio to Flavor, the announcement also involves Churchill becoming a partner in the launch of a new production venture, which will be announced in the days to come.
February 15, 2020, 2:48 pm
There's no shortage of movies that use visual effects, but only a few have been totally cutting-edge and crazy when it comes to green screen.
February 14, 2020, 1:37 pm
Screen inserts are one of the most common effects done in everything from Hollywood blockbusters to corporate videos. So why are they done so badly? Because, more often than not,...
February 6, 2020, 10:03 pm
If you have ever wondered how to create commercial quality visual effects that rises to the caliber you envisioned in your mind? If you have then make sure to check out eMtimo's Spectrum ST4 which is here to get that job done. Check out their blog post to learn about some of the VFX techniques you can use with the Spectrum ST4.
February 6, 2020, 2:22 pm
LONDON – Technicolor’s MPC (mpcfilm.com) has launched a new episodic visual effects division. The effort is a response to increased demand for content brought on by streaming platforms. MPC, which is known for its photoreal VFX and animation work, will now offer episodic directors and producers access to the studio’s technology and talent - the same talent behind a number of recent blockbusters, including The Lion King, 1917, Detective Pikachu and Godzilla: King of The Monsters.
The filmmakeru.com team explores the history of color in film in our series Birth of an Art. From coloring in single frames ...
Gordon sits down with Ivan Victor to discuss his work editing 68 Whiskey.
Gordon sits down to discuss the VFX of The Lion King with VFX supervisor Rob Legato
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