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May 18, 2019, 3:35 am
One of Avengers: Endgame’s big spoilers is the fact that several main characters go back in time to New York during the major clash that occurred there during The Avengers (2012). Staging scenes that offered glimpses of the past battle, but also other ‘angles’ or characters within that past world was a huge logistical challenge, including for the visual effects artists on the film.
May 16, 2019, 10:25 am
By Brady Betzel With the influx of end users searching for alternatives to Mac Pros, as well as new ways to purchase workstation-level computing solutions, there is no shortage of opinions on what brands to buy and who might build it. Everyone has a cousin or neighbor that builds systems, right? I’ve often heard people say, Continue reading → May 16, 2019 The post Review: CyberPower PC workstation with AMD Ryzen appeared first on postPerspective.
May 16, 2019, 4:15 am
Santa Monica-based visual effects studio a52 has launched a new custom-built space called a52 Color. It focuses on color grading and finishing. a52 Color is now home to a52 colorist Paul Yacono and new hire Daniel de Vue, who joins from London where he was head of color at Glassworks. a52 Color is able to offer clients access to combined or end-to-end services from its network of affiliated companies, Continue reading → May 15, 2019 The post VFX house a52 launches a52 Color appeared firs...
May 13, 2019, 5:58 am
We’ve seen Hulk in a lot of Marvel films, but never like this. Avengers: Endgame features the fully computer-generated Bruce Banner (Mark Ruffalo) character in a form where Banner has merged his intelligence with the Hulk’s, well, Hulkish-ness. That required a whole new approach on the part of visual effects, which had to capture Ruffalo and then bring a performance to life that was somewhat closer to the human actor than they had done previously.
May 11, 2019, 7:12 am
Barnstorm VFX, the company behind the visual effects on Amazon Studios’ “The Man in the High Castle” (pictured above), “HBO’s Silicon Valley” and CBS’ “Strange Angel,” has opened a new facility in Vancouver, British Columbia. The move positions the boutique digital effects, design and production shop to take advantage of expanding work north of the border as well as British Columbia’s highly competitive tax incentives.
May 10, 2019, 3:52 am
Think digital crowds are too expensive for your indie budget short film? Think again. If you’ve ever watched a behind-the-scenes doco on The Lord of the Rings, you’ve probably marveled at the hordes of digital extras that populated the battle scenes. These artificially intelligent digital “agents” were created using the Massive crowd simulation software that... The post Digital Extra Crowds for Free with Miarmy appeared first on ProVideo Coalition.
May 8, 2019, 4:27 pm
Santa Monica’s Timber, known for its VMA-winning work on the Kendrick Lamar music video “Humble, provided visual effects and post production for the latest music video from 2 Chainz, featuring E-40 and Lil Wayne — 2 Dolla Bill. The video begins with a group of people in a living room with the artist singing, Continue reading → May 8, 2019 The post 2 Chainz’ 2 Dolla Bill gets VFX from Timber appeared first on Randi Altman's postPerspective.
May 6, 2019, 10:00 am
Unconventional Cloth Simulation Using cloth simulation to create bizarre head animations. A different kind of cloth simulation Cloth simulations use to be a task for highly skilled technicians that had access to pretty hefty computer hardware. Doing this work on a home machine was not really an option unless you had lots of time to... The post Unconventional Cloth Simulation appeared first on ProVideo Coalition.
Gordon sits down with the Sound Design team (Just nominated for an Oscar) for A Quiet Place. Ethan Van der Ryn and Erik Aadah ...
Gordon sits down with Wyatt Smith to discuss the editing of Mary Poppins Returns and the challenges the film presented him in ...
Gordon sits down with Chayse Irvin to discuss his approach to shooting BlacKkKlansman and his theories about cinematography.
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