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July 14, 2020, 4:57 pm
“Clients need to have the confidence that no matter what problems arise you have the skills, to provide intelligent solutions and deliver the project to their liking,” says colorist Rob Pizzey. What Company do you work for? Goldcrest Post Production London Can you describe Goldcrest and the services it provides? Continue reading → July 13, 2020 The post Behind the Title: Goldcrest London colorist Rob Pizzey appeared first on postPerspective.
July 2, 2020, 1:02 pm
SGO and Digital Vision World have launched DVO Tools for Mistika - a seamless integration of the world-class image processing tools for both of SGO’s full-finishing solutions - Mistika Ultima and Mistika Boutique. It can also be used in conjunction with Mistika Workflows for batch processing of media files. Mistika users are now able to [...]
June 30, 2020, 1:26 pm
Creative color grading can change the storyline and create a clear visual juxtaposition between good and bad, rich and poor, success and failure.
June 23, 2020, 1:31 pm
Color is one part of the creative process that has distinct advantages to being completed in person. Typically, you’re working with the original footage, which can be quite large and hard to transfer over the internet. If you’re the client, it’s best to see exactly what the colorist is seeing. If you’re the colorist, you definitely want your client approving the color on your color calibrated monitor.
June 22, 2020, 1:29 pm
Go Hollywood with over a dozen FREE Premiere Pro Lumetri looks! These free movie-inspired color grading presets will instantly add a dramatic look to your project.
June 19, 2020, 12:50 pm
Today, we’re going to take a look at the three ways to store and load looks in DaVinci Resolve, along with the advantages and disadvantages of each.
June 15, 2020, 1:05 pm
In HBO’s emotionally devastating limited series I Know This Much is True, Mark Ruffalo portrays identical twin brothers Dominick and Thomas Birdsey — a pair of men who might look alike and share the same difficult childhood experiences but who are actually quite different. Thomas has schizophrenia that has caused him to frequently act out in frightening and erratic ways, Continue reading → June 12, 2020 The post Collaborating on color for HBO’s I Know This Much is True appeared fir...
June 2, 2020, 1:15 pm
Paul Ensby, a third-generation Technicolor employee, will be returning to the studio’s London facility this month. Following in his grandfather and father’s footsteps, he worked in Technicolor’s London film laboratory in the early ‘90s. Ensby then landed a role as a 35mm trainee feature grader before becoming a full-fledged color grader, working with directors such as Ridley Scott, Continue reading → June 1, 2020 The post Senior colorist Paul Ensby rejoins Technicolor in London...
May 23, 2020, 3:21 pm
Editors often shy away from final color correction. However, the budget on many projects doesn’t include room for a dedicated colorist. Maybe it’s time you learned the right way to perform a grading session, instead of just playing with sliders and color wheels. Moviola.com’s color correction course will get you up to speed in just [...]Read More...
Gordon sits down with Shawn Paper to discuss Crashing, editing, and the new film The Broken Hearts Gallery.
Gordon Sits down with Arielle Kilker and David Nordstrom, the Supervising Editors of Netflix's hit documentary series Ch ...
Gordon sits down with Sam Ejnes, Re-Recording Mixer, and Pete Nichols, SFX Editor, who helped craft the sound for Mythic Ques ...
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