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May 17, 2019, 8:03 pm
In a nod to the increasing demand for top-shelf color services in the era of peak TV — especially from the 4K-friendly and HDR-hungry likes of Netflix and Amazon Prime — Santa Monica VFX studio A52 has launched a new color-grading and finishing department, A52 Color. Colorists Paul Yacono and Daniel de Vue will be operating […] The post A52 Ups Its Color Game with Paul Yacono, Daniel de Vue, and Dedicated, HDR-Ready Studio Space appeared first on Studio Daily.
May 1, 2019, 12:39 pm
FotoKem’s Atlanta and Burbank facilities both worked on the post production — from digital dailies through finishing with a full ACES finish — for Universal and Legendary Pictures’ film, Little. From producer Will Packer (Girls Trip, Night School, the Ride Along franchise) and director/co-writer Tina Gordon (Peeples, Continue reading → May 1, 2019 The post Little’s dailies-to-ACES finishing workflow via FotoKem appeared first on Randi Altman's postPerspective.
April 29, 2019, 1:20 pm
World renown and respected supervising colorist Peter Doyle, whose large body of work includes on The Lord of the Rings trilogy, has joined London’s Warner Bros. De Lane Lea’s (WBDLL) new picture services division. Doyle brings with him extensive technical and creative expertise acquired over a 40- year career. Doyle has graded 12 of the 100 highest-grossing films of all time including the Harry Potter film series. Continue reading → April 29, 2019 The post Colorist Peter Doyle join...
April 26, 2019, 6:20 am
By Debra Kaufman Senior colorist Andreas Brueckl has graded a wide range of projects, from feature films to over 1,000 commercials, in Europe, the Middle East and Asia. He began his career at Bavaria Film/Cinepost in Germany, then freelanced across Europe and the Middle East before landing at 1000Volt in Istanbul, where he was lead colorist for almost four years. Continue reading → April 23, 2019 The post Colorist Andreas Brueckl on why he has embraced ACES workflow appeared first on Ra...
April 17, 2019, 11:00 am
Colorfront, which makes on-set dailies and transcoding systems, has rolled out new 8K HDR capabilities and updates across its product lines. The company has also deepened its technology partnership with AJA and entered into a new collaboration with Pomfort to bring more efficient color and HDR management on-set. Colorfront Transkoder is a post workflow tool for handling UHD, Continue reading → April 17, 2019 The post Colorfront at NAB showing 8K HDR, product updates appeared first on Ra...
April 17, 2019, 6:23 am
Sean Dunckley joined Light Iron New York’s studio in 2013, where he has worked on episodic television and features films. He finds inspiration in many places, but most recently in the photography of Steven Shore and Greg Stimac. Let’s find out more… NAME: Sean Dunckley COMPANY: LA- and NYC-based Light Iron CAN YOU DESCRIBE YOUR COMPANY? Continue reading → April 16, 2019 The post Color Chat: Light Iron’s Sean Dunckley appeared first on Randi Altman's postPerspective.
April 3, 2019, 1:59 pm
By Brady Betzel I am constantly looking to educate myself, no matter what the source — or subject. Whether I am learning how to make a transition in Adobe After Effects from an eSports editor on YouTube to Warren Eagles teaching color correction in Blackmagic’s DaVinci Resolve on FXPHD.com, I’m always beefing up my skills. Continue reading → April 3, 2019 The post Review: Mzed.com’s Directing Color with Ollie Kenchington appeared first on Randi Altman's postPerspective.
Gordon sits down with the Sound Design team (Just nominated for an Oscar) for A Quiet Place. Ethan Van der Ryn and Erik Aadah ...
Gordon sits down with Wyatt Smith to discuss the editing of Mary Poppins Returns and the challenges the film presented him in ...
Gordon sits down with Chayse Irvin to discuss his approach to shooting BlacKkKlansman and his theories about cinematography.
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