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May 20, 2019, 2:07 pm
Lee Percy, ACE, has worked with director Barbet Schroeder from the Academy Award-winning film, "Reversal of Fortune" to "Murder by Numbers." Lee also edited the Academy Award-winning "Boys Don't Cry," and the critically acclaimed film, "Maria Full of Grace." He also worked on "The Ice Harvest" for director Harold Ramis as well as Sundance Film Festival 2009 nominee "Taking Chance."More information about Manhattan Edit Workshop and the classes offered visit: https://:www.mew...
May 18, 2019, 3:35 am
One of Avengers: Endgame’s big spoilers is the fact that several main characters go back in time to New York during the major clash that occurred there during The Avengers (2012). Staging scenes that offered glimpses of the past battle, but also other ‘angles’ or characters within that past world was a huge logistical challenge, including for the visual effects artists on the film.
May 17, 2019, 8:02 pm
Evan Schiff started his film industry career at the Stan Winston animatronic studio in 1999 working on such films as Jurassic Park III and Terminator 3: Rise of the Machines. His work as a VFX editor or assistant editor include work on Sky Captain and the World of Tomorrow, Rocky Balboa and Pan’s Labyrinth, Rambo,... The post ART OF THE CUT with Evan Schiff, editor of “John Wick 3” appeared first on ProVideo Coalition.
May 16, 2019, 4:15 am
Visual ideas fly by at breakneck speed as Barcelona motion designer Albert Oriol animates 26 letters and 10 numbers submitted by 36 different artists. Click through to the Vimeo page for a complete list of Oriol’s collaborators. The post 36 Days of Type — An Animated Collaboration appeared first on Studio Daily.
May 13, 2019, 12:48 pm
The Sight, Sound & Story: Post Production Summit will take place at the NYIT Auditorium Theater on Broadway in New York City on June 13. This year’s line-up features editors Mary Jo Markey, ACE (Star Wars — Episode VII: The Force Awakens, Star Trek, Mission Impossible III, Charlie’s Angels), Continue reading → May 13, 2019 The post Sight, Sound & Story focuses on editing, June 13 in NYC appeared first on Randi Altman's postPerspective.
May 11, 2019, 7:12 am
Barnstorm VFX, the company behind the visual effects on Amazon Studios’ “The Man in the High Castle” (pictured above), “HBO’s Silicon Valley” and CBS’ “Strange Angel,” has opened a new facility in Vancouver, British Columbia. The move positions the boutique digital effects, design and production shop to take advantage of expanding work north of the border as well as British Columbia’s highly competitive tax incentives.
May 9, 2019, 3:56 am
Vivid Ideas and SFF Present Talking Editing In conjunction with the Sydney Film Festival and Vivid Sydney, the ASE invites you to meet two of Australia's master Editors who will be discussing their films featured in the 2019 Sydney Film Festival. Nick Meyers ASE ("Palm Beach") and Dany Cooper ASE ("Judy & Punch") will be […]
May 2, 2019, 9:17 am
Sarah Broshar started as an editorial assistant on Sky Captain and the World of Tomorrow in 2004. Broshar was editing by 2009, but her big break was as an assistant editor on Steven Spielberg’s Adventures of Tin Tin under legendary editor, Michael Kahn, ACE. On Spielberg’s Bridge of Spies she moved up to Additional Editor... The post ART OF THE CUT WITH “Pet Sematary” editor, Sarah Broshar appeared first on ProVideo Coalition.
Gordon sits down with the Sound Design team (Just nominated for an Oscar) for A Quiet Place. Ethan Van der Ryn and Erik Aadah ...
Gordon sits down with Wyatt Smith to discuss the editing of Mary Poppins Returns and the challenges the film presented him in ...
Gordon sits down with Chayse Irvin to discuss his approach to shooting BlacKkKlansman and his theories about cinematography.
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