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August 22, 2008, 2:25 pm
Ben Hershleder is an old friend from film school who now works as an Avid Certified Instructor and freelance editor. Ben's credits include two years at E Entertainment television editing such shows as "True Hollywood Story", "The Howard Stern Show", and "Celebrity Profile," among others. As a freelance editor, he's cut independent feature films and most recently an episode of the upcoming Fox series, "In Search Of," produced by Haxan Films (the guys who made The Blair Witch Project).
August 21, 2008, 2:22 pm
A Sunday morning may not have seemed the most appropriate time to screen the controversial film In the Cut . But a respectable (and not so respectable) crowd turned up at Sydney’s Chauvel Cinema on 23 November for the ASE screening, then adjourned upstairs to pry into the cutting process with editor Alexandre de Franceschi.
August 21, 2008, 2:21 pm
Ken Sallows ASE, recent winner of the IF award for Best Editing for Gettin’ Square, is back home in Melbourne before embarking on another feature film in January. He talks here with Trevor Holcomb (ASE Vic Committee) about his experiences cutting Gettin’ Square and Missing Tom.
August 19, 2008, 2:15 pm
Only a handful of insiders really know what Carrie, Miranda, Samantha and Charlotte have been up to these past few years. It is tantalizing to think about: the gossip, the canoodling, the shoes. These four beloved characters, who became pop-culture icons during the series' six-year run on HBO, will be a welcome sight for millions of ardent fans when Sex and the City: The Movie hits theaters this May.
August 18, 2008, 2:13 pm
Universal Pictures’ The Incredible Hulk, directed by Louis Leterrier, stars Edward Norton as the tortured scientist who’s been poisoned by gamma radiation. Interestingly, Leterrier chose three editors to cut the feature. Here we talk to Rick Shaine, who shares editing credits with John Wright and Vincent Tabaillon, about the film’s workflow and the challenges of cutting an effects-heavy film.
August 18, 2008, 2:10 pm
It’s like some kind of dream for an editor — you get an endless supply of tapes, or digital files, and your job is to shape the content into a winning TV program that will engross skads of viewers once it’s passed muster with your producers, your director and the network. But there is no script. And you have to turn out a fresh, great-looking show every week. And the competition for those viewers could not be more fierce. And the tapes just keep coming and coming. It could...
August 14, 2008, 2:04 pm
As a music editor, one of my most time-consuming tasks is just finding music, and I have always clung to the wish that I could find a one-stop place to shop for source music. And, taking that wish a step further, that after finding, cutting and clearing those obligatory "name artist" soundtrack tunes, I wish I could type in a few keywords and then head off to the beach. For me, that wish was answered when I discovered MasterSource’s online music library and accompanying MasterSearch...
August 14, 2008, 2:01 pm
Assistant editor Kyle Gilman’s career path has forked in many directions, including a series of roads less traveled, as he works his way toward his first, inevitable, full editor position. Following his unconventional path, this past year the 28-year-old served as assistant on three features––all of them due for release this year: Choke (September) and Blind Date (TBA), both of which premiered at the Sundance Film Festival in January, and Lake City (TBA), which had its first screening...
August 9, 2008, 2:54 pm
James Haygood got his big break back in the mid-1980s, when he connected with a young music-video director named David Fincher. The happy collaboration led to A-list editorial credits for Haygood, including Madonna's "Vogue" and The Rolling Stones' "Love Is Strong," a number of TV commercials, and eventually feature-film work — The Game, Fight Club, and Panic Room. More recently, he worked as co-editor (with Spike Jonze regular Eric Zumbrunnen) on Where the Wild Things Are, and took up...
Gordon sits down with Michelle Miller to discuss the makeup of PEN15
Gordon sits down with Tony Kearns to discuss editing Black Mirror: Bandersnatch.
Jim Flynn and Gordon sit down to discuss the editing of The Haunting of Hill House.
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