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February 8, 2012, 10:04 am
Back in January news broke that reality television producers Bunim/Murray were switching their post-production facilities from Final Cut Pro to Avid Media Composer. This probably didn't come as a great shock to anyone who follows post-production as the release of Final Cut Pro X had left many people (especially those in the broadcast world) a bit stunned at its lack of broadcast features.
December 23, 2016, 7:27 am
This tutorial series is designed for Premiere Editors to get a quick look at the important, fundamental differences in Avid Media Composer, so they can get up to speed editing quickly! I always find these tutorials to be a little tricky to…..”get right”. Many editors might think that this is a tutorial series designed to The post Get Started Fast with Media Composer for Adobe Editors — Part 1 appeared first on ProVideo Coalition.
December 22, 2016, 5:11 am
I tell people straight up that FCP X is the best NLE I have ever used: Sean Lander – Preditor Sean Lander is an award-winning editor and producer from Melbourne, Australia. He has also been an accredited Avid trainer. Sean is part of a team working on a four-part prime-time investigative documentary television series. He The post Why Final Cut Pro X? A Preditor’s POV appeared first on ProVideo Coalition.
December 21, 2016, 10:20 am
This week on MacBreak Studio, I show Ripple Training’s Steve Martin a new feature in Motion 5.3. The Motion update isn’t nearly as extensive as the Final Cut Pro X update, but it does sport a new user interface that matches the looks of Final Cut Pro 10.3, including the rearrangement of several UI elements. The post Using the Align To behavior in Motion 5.3 appeared first on ProVideo Coalition.
December 21, 2016, 10:19 am
With a price of $119.99 for the program, one aspect of ON1 Photo RAW that is sure to appeal to many is the fact that you have one license allowing to install the program on up to five computers. This unique feature is not new, but I am somehow amazed that ON1 has decided to The post ON1 Photo RAW: the family editor appeared first on ProVideo Coalition.
December 20, 2016, 3:56 pm
Sometimes you set out to answer an easy query and wind up questioning fundamental assumptions. Playing with test charts shouldn’t trigger an existential crisis, but you never know… Recently the folks at DSC Labs asked me to test an experimental color chart using a new surface finish. Their simple question: are the colors on the The post What is “Correct” Color? appeared first on ProVideo Coalition.
December 19, 2016, 3:04 pm
Two new updates from Blackmagic. For the DaVinci Resolve 12.5.4 update, the big news is adding support for the new MacBook Pro Touch Bar. The Touch Bar is a multi-touch retina display strip at the top of the new Macbook Pro keyboard that allows immediate access to the most common tools when they are needed. The post Updates to Blackmagic’s DaVinci Resolve and Fusion appeared first on ProVideo Coalition.
December 19, 2016, 3:04 pm
When recently Cognition completed VR post for “Underwater” they did more than that: they allowed senior colorist Mike Eaves to color-grade the video in real time and view the results in 360 space. The production of a new 360 video created by Soma Fashion Network for the HTC Vive virtual reality system was the background The post Color-grading Underwater in real time appeared first on ProVideo Coalition.
December 19, 2016, 6:37 am
Jabez Olssen has had a career any editor would be envious of, from his first assistant editor gig on Lord of the Rings: Fellowship of the Ring. He also edited The Lovely Bones, all three Hobbit movies and, most recently, Rogue One: A Star Wars Story. And as an additional editor got to work with The post ART OF THE CUT with Jabez Olssen on editing “Rogue One” appeared first on ProVideo Coalition.
December 17, 2016, 4:12 pm
The sounds of Westworld will come back to us in 2018, when the new season begins. But if you already miss it, you can watch the show now, in different ways. Maybe exploring the sound, if you haven’t before, which is an important part of the story. Let’s do this exercise. Look at one episode The post Westworld: a challenging playground for the sound team appeared first on ProVideo Coalition.
December 16, 2016, 2:58 pm
If you’ve just arrived to the world of video, chances are that names like DaVinci Resolve are more popular to you than Premiere Pro. Both are NLEs, but there is a huge difference between them: price. DaVinci Resolve is FREE. The number of NLEs available on the market has not changed much since 2015, but The post FREE Video Editing Software: 2017 guide appeared first on ProVideo Coalition.
Tom Cross and Gordon Burkell sit down to discuss the editing of Hostiles and how to work with footage to affect the pacing an ...
Gordon Burkell interviews Paul Machliss about timing and editing Baby Driver.
Gordon Burkell interviews Kenneth Branagh and Patrick Doyle about composing music and specifically composing the song Never F ...
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