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  • Avid Receives ACE's First Ever Tech Award

    Avid Receives ACE's First Ever Tech Award

    February 16, 2010, 9:06 am
    From a tech-centric point of view, the highlight of the evening was ACE’s first-ever Technical Excellence Award, which went to the Media Composer. Avid CEO Gary Greenfield was there to receive it, and many Avid folk were on hand to share in the festivities.

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  • Other Postings By Member

    • AOTG
      EDITING

      Senior Colorist Alex Berman Joins Goldcrest Post

      January 22, 2021, 1:29 pm
      NEW YORK CITY— Senior Colorist Alex Berman has joined the team at Goldcrest Post. Berman brings more than 20 years of experience in color grading and credits across feature films, episodic television, documentaries, and commercials. His recent work includes The Family for Netflix and executive producer Alex Gibney, College Behind Bars for WETA, Washington, and executive producer Ken Burns, and Hip Hop: The Songs That Shook America for AMC and producers Ahmir “Questlove” Thompson and Tarik “Black Thought” Trotter. He has also graded advertising campaigns for United Healthcare, Ralph Lauren, and other national brands.

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    • AOTG
      VFX

      The VES Announces 2021 Board of Directors’ Offic

      January 22, 2021, 1:29 pm
      Lisa Cooke was named board chair and is the first woman elected to lead the organization; other officers include Emma Clifton Perry, David Tanka, Jeffrey Okun, and Gavin Graham.

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    • AOTG
      EDITING

      The Gentle Editing of 'First Cow'

      January 22, 2021, 1:29 pm
      Welcome to The Queue — your daily distraction of curated video content sourced from across the web. Today, we’re watching a video essay about the gentle editing of Kelly Reichardt‘s First Cow.

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    • AOTG
      EDITING

      Influencers: Sofia Coppola and Editor Sarah Flack

      January 22, 2021, 1:29 pm
      Influencers: Coppola has relied on her long-time editor to carve out the unique rhythms and tonal balance of her films, while giving her the confidence to follow her distinctive voice.

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    • AOTG
      VFX

      Talking Monsters with VFX Super Denis Berardi

      January 21, 2021, 12:30 pm
      Filmmaker Paul W.S. Anderson extends his relationship with Japanese video game publisher Capcom beyond the Resident Evil franchise with the new action-packed sci-fi movie Monster Hunter. Partnering with Anderson on this year-end thrill ride are producers Jeremy Bolt and Dennis Berardi, who also serves as the visual effects supervisor on the cinematic adaptation.

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    • AOTG
      VFX

      Behind the scenes of this 'Stranger Things' monste

      January 21, 2021, 12:30 pm
      In this fun exploration featuring Rodeo FX’s animation supervisor Yvon Jardel, the studio breaks down the Tom/Bruce monster they worked on for season 3 of Stranger Things.

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    • AOTG
      VFX

      His Dark Materials - Season 2: Russell Dodgson –

      January 21, 2021, 12:29 pm
      Russell Dodgson has been working at Framestore for over 10 years and before taking care of the visual effects of the His Dark Materials series, he worked on projects such as Harry Potter and the Deathly Hallows: Part 1, Black Mirror and Mars.

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    • AOTG
      EDITING

      MLK/FBI Director and Editor on Building a Fruitful

      January 21, 2021, 12:29 pm
      MLK/FBI director Sam Pollard and editor Laura Tomaselli on their Do's and Don'ts of a great director-editor collaboration.

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    • AOTG
      VFX

      EGG VFX Names Aled Rhys Jones Head of Department

      January 20, 2021, 1:33 pm
      EGG VFX has named Aled Rhys Jones as new head of department. During the challenges of the 2020 COVID pandemic, the company’s team of 12 artists worked through two lockdowns in conjunction with Milk VFX in London and delivered over 400 shots in less than 27 weeks for Intergalactic (Sky, TX Q2 2021). The team also delivered over 150 shots for The Christmas Waltz, which was the 2nd highest rated cable broadcast in the US over the Christmas period. Jones’ leadership was a key factor in both projects delivering to high standards, on time and on budget.

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    • AOTG
      COLOR

      Why Most Movies are Shot with Two Dominant Colors

      January 20, 2021, 1:32 pm
      You can date a film based on its use of black and white film stock. You can date a film based on its use of Technicolor. And mark my words, orange and teal contrast is going to be inseparable from the early 21st century.

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