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February 21, 2012, 1:05 pm
Editor Josh Diamond discusses the use of multiple timelines as seen in "Blue Valentine." For more information on Editfest NY please go to editfestny.com. This video was produced by Manhattan Edit Workshop and edited by John Schlirf.
August 18, 2008, 2:10 pm
It’s like some kind of dream for an editor — you get an endless supply of tapes, or digital files, and your job is to shape the content into a winning TV program that will engross skads of viewers once it’s passed muster with your producers, your director and the network. But there is no script. And you have to turn out a fresh, great-looking show every week. And the competition for those viewers could not be more fierce. And the tapes just keep coming and coming. It could...
August 14, 2008, 2:04 pm
As a music editor, one of my most time-consuming tasks is just finding music, and I have always clung to the wish that I could find a one-stop place to shop for source music. And, taking that wish a step further, that after finding, cutting and clearing those obligatory "name artist" soundtrack tunes, I wish I could type in a few keywords and then head off to the beach. For me, that wish was answered when I discovered MasterSource’s online music library and accompanying MasterSearch...
August 14, 2008, 2:01 pm
Assistant editor Kyle Gilman’s career path has forked in many directions, including a series of roads less traveled, as he works his way toward his first, inevitable, full editor position. Following his unconventional path, this past year the 28-year-old served as assistant on three features––all of them due for release this year: Choke (September) and Blind Date (TBA), both of which premiered at the Sundance Film Festival in January, and Lake City (TBA), which had its first screening...
August 12, 2008, 1:59 pm
The Austrailian Screen Editors Guild is calling for entries in its annual ASE "Elephant Stamp" Awards The categories include: Short Film, Television Dramea, Television Non-Drama, Documentary, Commercial and Feature Film.
August 9, 2008, 2:54 pm
James Haygood got his big break back in the mid-1980s, when he connected with a young music-video director named David Fincher. The happy collaboration led to A-list editorial credits for Haygood, including Madonna's "Vogue" and The Rolling Stones' "Love Is Strong," a number of TV commercials, and eventually feature-film work — The Game, Fight Club, and Panic Room. More recently, he worked as co-editor (with Spike Jonze regular Eric Zumbrunnen) on Where the Wild Things Are, and took up...
August 8, 2008, 2:56 pm
They say everything comes in threes. On September 9, Warner Home Video releases three home entertainment packages—a high-definition Blu-ray and two standard-definition boxed sets––of the restored How the West Was Won, MGM’s 1962 all-star Western epic that was one of only two narrative features shot entirely in the original Cinerama three-panel widescreen process (The Wonderful World of the Brothers Grimm was the other). The film won three Academy Awards––Best Screenplay (James R. Webb)...
August 5, 2008, 1:43 pm
Seminar One: Moderated by Randy Roberts A.C.E. with panelists, Tina Hirsch A.C.E., Maysie Hoy A.C.E., Bonnie Koehler A.C.E., Carol Littleton A.C.E., Stephen Lovejoy A.C.E., and Michael Tronick. This Panel discusses how each of the panelists got their break in film editing. (Edit Fest 2008)
Gordon sits down with the Sound Design team (Just nominated for an Oscar) for A Quiet Place. Ethan Van der Ryn and Erik Aadah ...
Gordon sits down with Wyatt Smith to discuss the editing of Mary Poppins Returns and the challenges the film presented him in ...
Gordon sits down with Chayse Irvin to discuss his approach to shooting BlacKkKlansman and his theories about cinematography.
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