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February 21, 2012, 4:39 pm
In the past half-year, I've used FCP-X nearly exclusively for my corporate video editing. In that time, I've had to to deliver a wide range of work for a very diverse group of recognizable national clients – often under very tight deadlines. I doubt I could have hit these deadlines while delivering the same quality without FCP-X. That's based on looking back at what I've done, the deadlines, the programs and client requirements and how FCP-X often helped me work faster and more efficiently...
July 31, 2014, 4:01 pm
Oscar-winning film editor and sound designer Walter Murch and director Jon Favreau discuss the editing of The Conversation and the viewer response to Chef at...
July 31, 2014, 4:00 pm
Dean first explains the difference between Trapcode Particular, Form and Mir, so this is a very educational introduction to the Trapcode particle generators for Adobe After Effects. This is from a seminar he did for the South Dakota Advertising Federation.
July 31, 2014, 3:59 pm
Paul Trillo’s A Truncated Story of Infinity considers the limitless schema of possibilities that unfold over the course of a series of moments. The eight minute film — recently featured on Short of the Week — also boasts some pretty impressive practical effects for a budget of $10,000. I asked Paul to break down the means behind each technique, which he notes may not “the correct way” to render an effect, even if they look pretty fine to me.
July 31, 2014, 3:59 pm
Now that the mysterious, so-called “12 Year Project” has hit theaters under the name “Boyhood,” Richard Linklater is very deservedly receiving all the plaudits in the world for successfully shepherding such a daunting, ambitious and ultimately touching project to fruition. After all, he had to cast, finance, write and direct the years-long tale of a young Texan millennial — all while keeping all participants engaged and involved, which may have been the hardest part of all.
July 31, 2014, 5:01 am
Whether yours is “Call Me Maybe,” “Who Let the Dogs Out,” “Mickey,” or something equally infectious, at one time or another, you’ve probably had a fragment from a catchy (or obnoxious) tune stuck in your head.
July 31, 2014, 5:00 am
New York, NY — If it’s about audio, it’s at AES!, and registration is now open to attend the biggest audio event of the year – the AES137 Convention in Los Angeles, California. The AES is gearing up to take over the Los Angeles Convention Center, October 9-12, 2014, located in the revitalized L.A.
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Editor Sam Pollard discusses sound design using as seen in "4 Little Girls." For more information on Editfest NY pl ...
Editor Tom Haneke discusses the importance of cataloging using examples from "My Generation." For more information ...
Editor Robert Eisenhardt, A.C.E. discusses the importance of choosing the correct tone as seen in "Valentino: The Last E ...
Bryan Atkinson and Gordon Burkell sit down to discuss his article on the making of Hannibal.
Christopher and Gordon discuss Moneyball and Capote.
In this episode, Gordon talks to Christopher about editing the movie Kids and talks about Art and photography’s influen ...