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  • AOTG

    Five Ways I Think FCP-X is Changing Editing

    February 21, 2012, 4:39 pm
    In the past half-year, I've used FCP-X nearly exclusively for my corporate video editing. In that time, I've had to to deliver a wide range of work for a very diverse group of recognizable national clients – often under very tight deadlines. I doubt I could have hit these deadlines while delivering the same quality without FCP-X. That's based on looking back at what I've done, the deadlines, the programs and client requirements and how FCP-X often helped me work faster and more efficiently...

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  • Other Postings By Member

    • AOTG
      VFX

      ColorFast: Primary Correction | Tutorial

      June 27, 2016, 4:37 pm
      ColorFast: Primary Correction | Tutorial

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    • AOTG
      VFX

      VFX of Supergirl

      June 27, 2016, 4:37 pm
      Visual effects work on "Supergirl" by Deluxe's Encore VFX and supervised by Armen Kevorkian.

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    • AOTG
      VFX

      Legends of Tomorrow S2 VFX Breakdown

      June 27, 2016, 4:37 pm
      A look at the visual effects on CW's "Legends of Tomorrow;" work by Deluxe's Encore VFX and supervised by Armen Kevorkian.

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    • The third dimension in Apple's Motion -and beyond
      EDITING

      The third dimension in Apple's Motion -and beyond

      June 27, 2016, 7:17 am
      In this latest tutorial from Motion guru Fox Mahoney, he takes a deep look into the advanced 3D features using fonts in the application. This is pushing Motion's 3D capabilities to the limit.

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    • Review: Avid Pro Tools 12.5
      SOUND

      Review: Avid Pro Tools 12.5

      June 27, 2016, 7:17 am
      Like many, I have been keeping a careful eye on the developments Avid has been making with Pro Tools. The company has seen some tough times recently and end users have been sceptical about the constant flow of updates. Plug-in and third-party software manufacturers have had to play catch up, providing new 64-bit AAX versions of its products. However, there is apparently light at the end of the tunnel, and in my opinion Pro Tools has something to shout about again.

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    • CG Garage Podcast #77 | Sally Slade – Magnopus
      VFX

      CG Garage Podcast #77 | Sally Slade – Magnopus

      June 27, 2016, 7:16 am
      We speak to Sally Slade, a former VFX Technical Director, now working as a developer at Magnopus. We speak about how she became a Technical Director at Digital Domain and Scanline, worked in Los Angeles and Vancouver, and landed a job at Magnopus. She now is focused on interesting projects in Augmented Reality.

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    • Remove Cadence Non-Destructive to the Video Source
      EDITING

      Remove Cadence Non-Destructive to the Video Source

      June 27, 2016, 7:16 am
      Here is what I found attempting to use the Avid Media Composer to remove video cadence making a clean progressive video frame. The master clip current 'Field Motion' clip selection in the bin column is the default for some 'Refresh Sequence' commands making this already part of a workflow. Now the fun is if there are sources that one would like to remove the video cadence.

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    • AOTG
      VFX

      Watch How the ‘Orphan Black’ F/X Team Made th

      June 26, 2016, 9:26 am
      As we enter Emmy season — nomination voting runs through June 27 — Yahoo TV will be spotlighting performances, writing, and other contributions that we feel deserve recognition. Last year, Emmy voters righted a wrong by rewarding Tatiana Maslany’s remarkable performance(s) as Orphan Black’s multiple

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    • Adobe AE Puppet Tool : Adobe After Effects Tutoria
      VFX

      Adobe AE Puppet Tool : Adobe After Effects Tutoria

      June 26, 2016, 9:26 am
      Become a puppet master by learning how to use the Puppet Tool in Adobe After Effects! This intermediate-level tutorial from After Effects guru Tobias will show you how the Puppet Tool allows you to add joints and animations to bring life to any static image!

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    • AOTG
      VFX

      The VFX of Flash

      June 26, 2016, 9:26 am
      Behind-the-scenes of season two of CW's "The Flash." Visual effects by Deluxe's Encore VFX and supervised by Armen Kevorkian.

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