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February 21, 2012, 4:39 pm
In the past half-year, I've used FCP-X nearly exclusively for my corporate video editing. In that time, I've had to to deliver a wide range of work for a very diverse group of recognizable national clients – often under very tight deadlines. I doubt I could have hit these deadlines while delivering the same quality without FCP-X. That's based on looking back at what I've done, the deadlines, the programs and client requirements and how FCP-X often helped me work faster and more efficiently...
August 29, 2016, 5:36 am
IF YOU WANTED to pinpoint the moment this year when it became clear that moviegoing had devolved from Culture-Conquering Pastime to merely Something to Do When the Wi-Fi’s Down, consider the weekend of April 22 to April 24. On that Friday, with no other major new films opening in theaters, Universal Pictures released The Huntsman: Something Something Swordfart, a $115 million sequel to a movie that made nearly $400 million worldwide.
August 29, 2016, 5:36 am
Film editor Takashi Uchida’s career may have only recently launched in Hollywood, but its gotten an action packed start. Following graduation from USC’s School of Cinematic Arts, the Tokyo-born auteur jumped in, headlong, to high profile jobs on such features as Actors Anonymous and Jessica Darling’s IT LIST. But Takashi always makes time to explore every aspect of creative film making, a fact underscored by his work on the charming stop animation short The Healing Tree.
August 29, 2016, 5:35 am
This Coldplay music video with VFX by Vania Heymann (who also co-directed the clip and GloriaFX and others just won the MTV VMA for Best Visual Effects. Check out the behind the scenes video which shows how some of the contrasting VFX were achieved – some very neat comp work and clever design in there.
August 27, 2016, 6:12 am
If you are reading this, you may be familiar with Sausage Party, which at the time of this writing is on its way to becoming one of the most successful talking-food movies of all time. You might have read some stuff about how raunchy or funny it is or isn't. I don't care about any of that. Whether they made a masterpiece or a turd, they apparently did it by treating their animators like trash.
August 26, 2016, 8:43 am
“I think television in general right now is just going through an amazing sort of heyday,” declares “Black Sails” VFX Supervisor Erik Henry during our recent webcam chat (watch above). As he explains, “the quality of effects work in at least cable or pay television certainly rivals film.” Henry scored an Emmy nomination for his work on season three of the Starz series, which imagines the exploits of Captain Flint (Toby Stephens) and Long John Silver (Luke Arnold) 20 years before the events of Robert Louis Stevenson’s classic pirate yarn “Treasure Island.”
Gordon sits down with Federico Brusilovsky to discuss the editing of commercials and rebuilding older brands. He cuts in LA f ...
With the release of FRONTLINE'S latest 360 project, "Night of the Storm", Kenzie Audette reveals the post prod ...
Gordon sits down with Nicholas Monsour to discuss the editing of Keanu. They talk about the films timing and how tone shifts ...
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