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  • AOTG

    Five Ways I Think FCP-X is Changing Editing

    February 21, 2012, 4:39 pm
    In the past half-year, I've used FCP-X nearly exclusively for my corporate video editing. In that time, I've had to to deliver a wide range of work for a very diverse group of recognizable national clients – often under very tight deadlines. I doubt I could have hit these deadlines while delivering the same quality without FCP-X. That's based on looking back at what I've done, the deadlines, the programs and client requirements and how FCP-X often helped me work faster and more efficiently...

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  • Other Postings By Member

    • Is 2016 the Year Films Stop Mattering?
      EDITING

      Is 2016 the Year Films Stop Mattering?

      August 29, 2016, 5:36 am
      IF YOU WANTED to pinpoint the moment this year when it became clear that moviegoing had devolved from Culture-Conquering Pastime to merely Something to Do When the Wi-Fi’s Down, consider the weekend of April 22 to April 24. On that Friday, with no other major new films opening in theaters, Universal Pictures released The Huntsman: Something Something Swordfart, a $115 million sequel to a movie that made nearly $400 million worldwide.

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    • TAKASHI UCHIDA’S FRAME BY FRAME PERFECTION
      EDITING

      TAKASHI UCHIDA’S FRAME BY FRAME PERFECTION

      August 29, 2016, 5:36 am
      Film editor Takashi Uchida’s career may have only recently launched in Hollywood, but its gotten an action packed start. Following graduation from USC’s School of Cinematic Arts, the Tokyo-born auteur jumped in, headlong, to high profile jobs on such features as Actors Anonymous and Jessica Darling’s IT LIST. But Takashi always makes time to explore every aspect of creative film making, a fact underscored by his work on the charming stop animation short The Healing Tree.

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    • AOTG
      VFX

      Up and Up and VFX

      August 29, 2016, 5:35 am
      This Coldplay music video with VFX by Vania Heymann (who also co-directed the clip and GloriaFX and others just won the MTV VMA for Best Visual Effects. Check out the behind the scenes video which shows how some of the contrasting VFX were achieved – some very neat comp work and clever design in there.

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    • AOTG
      VFX

      INDEPENDENCE DAY - RESURGENCE: VFX Breakdown

      August 29, 2016, 5:35 am
      Trixter presents their VFX work on INDEPENDENCE DAY – RESURGENCE...

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    • AOTG
      COLOR

      Advanced Color Grading in Lumetri

      August 28, 2016, 5:56 am
      In this tutorial, I'll show you some tips for stacking corrections and working smarter while doing some advanced color grading in the Lumetri Color panel in Premiere CC 2015.3

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    • AOTG
      SOUND

      The Top 5 Acoustic Treatment Errors

      August 28, 2016, 5:56 am
      In this video Dennis Foley discusses the top 5 errors in acoustic treatment.

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    • AOTG
      ANIMATION

      6 Ways 'Sausage Party' Got Away With Screwing Its

      August 27, 2016, 6:12 am
      If you are reading this, you may be familiar with Sausage Party, which at the time of this writing is on its way to becoming one of the most successful talking-food movies of all time. You might have read some stuff about how raunchy or funny it is or isn't. I don't care about any of that. Whether they made a masterpiece or a turd, they apparently did it by treating their animators like trash.

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    • Mr. X Showreel 2016
      VFX

      Mr. X Showreel 2016

      August 26, 2016, 8:43 am
      Brand new showreel by Mr. X featuring their VFX work on BEN-HUR, CRIMSON PEAK, VIKINGS, PENNY DREADFUL and many more...

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    • ‘Black Sails’ VFX Supervisor Erik Henry
      VFX

      ‘Black Sails’ VFX Supervisor Erik Henry

      August 26, 2016, 8:43 am
      “I think television in general right now is just going through an amazing sort of heyday,” declares “Black Sails” VFX Supervisor Erik Henry during our recent webcam chat (watch above). As he explains, “the quality of effects work in at least cable or pay television certainly rivals film.” Henry scored an Emmy nomination for his work on season three of the Starz series, which imagines the exploits of Captain Flint (Toby Stephens) and Long John Silver (Luke Arnold) 20 years before the events of Robert Louis Stevenson’s classic pirate yarn “Treasure Island.”

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    • AOTG
      ANIMATION

      THE EVOLUTION OF STOP-MOTION

      August 26, 2016, 4:41 am
      With the release of Kubo and the Two Strings, it is a perfect moment to go back in time and see the evolution of stop-motion animation throughout the years.

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