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  • AOTG

    Five Ways I Think FCP-X is Changing Editing

    February 21, 2012, 4:39 pm
    In the past half-year, I've used FCP-X nearly exclusively for my corporate video editing. In that time, I've had to to deliver a wide range of work for a very diverse group of recognizable national clients – often under very tight deadlines. I doubt I could have hit these deadlines while delivering the same quality without FCP-X. That's based on looking back at what I've done, the deadlines, the programs and client requirements and how FCP-X often helped me work faster and more efficiently...

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  • Other Postings By Member

    • How To Quit Your Job
      EDITING

      How To Quit Your Job

      September 17, 2014, 11:29 am
      What if we told you that quitting your job could be a very positive and productive part of your career? Find out how on this week's Management Tips.

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    • The Colour of Beer
      COLOR

      The Colour of Beer

      September 17, 2014, 11:29 am
      Years ago, artist and photographer Angelica Dass began a project of cataloging every variant of human skin tone with a corresponding Pantone color. This chromatic inventory served as both a comment on diversity and a celebration of color. In a less lofty, but certainly more drunkifying examination, a designer has matched the labels of beer cans with the color of the brew within.

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    • AOTG
      ANIMATION

      Pixar, U2: And the Horrific Feeling of Losing All

      September 17, 2014, 11:29 am
      We trust our hard drives and journals with our most precious creative output. This is what happened when Toy Story 2, U2, and John Steinbeck lost their work.

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    • Behind-the-Scenes Look at 'Game of Thrones'
      VFX

      Behind-the-Scenes Look at 'Game of Thrones'

      September 17, 2014, 11:29 am
      Welcome remarks from industry vet Scott Ross and an extensive look at the visual effects behind HBO's Game of Thrones kicked off the second Trojan Horse was a Unicorn (THU) international VFX, game and animation festival, Wednesday in Troia, Portugal.

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    • David Fincher: 'Studios Treat Audiences Like Cattl
      EDITING

      David Fincher: 'Studios Treat Audiences Like Cattl

      September 17, 2014, 11:29 am
      Filmmaker David Fincher (Se7en, Zodiac) has spoken about his dissatisfaction with the by-the-numbers approach most major studios have to making films.

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    • Why small is beautiful when it comes to VFX
      EDITING

      Why small is beautiful when it comes to VFX

      September 17, 2014, 11:29 am
      This content has been brought to you in association with HP ZED, a 'pop up shop' for creatives in London's Soho from Monday 29 September to Friday 10 October 2014. Register for ZED today and don't miss our special lunchtime session on Should you work for a big studio or boutique agency?

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    • AOTG
      EDITING

      Put Post First: Save Time & Money in Productio

      September 17, 2014, 11:28 am
      Saving In this trailer for a Business andMarketing training series at WalterBiscardi....

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    • AOTG
      VFX

      After Effects Quick Tip: Set Matte Effect

      September 17, 2014, 11:28 am
      Its like a track matte, but different. have you ever seen this effect before in After Effects? it has a pretty cool advantage over the usual track matte, it ...

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    • AOTG
      SOUND

      Ideal Acoustic Diffuser Placement Guide

      September 17, 2014, 11:28 am
      Want to know how to position a sound diffuser in your room? In today's video I'm going to show you how to position your sound diffusers based on the type of...

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    • AOTG
      VFX

      3D Film Pioneer Barry Sandrew Takes On New Venture

      September 17, 2014, 11:28 am
      CARLSBAD, Calif., Sept. 17, 2014 /PRNewswire/ -- Today Legend3D, Inc.—an industry pioneer in 2D-to-3D conversion technology and services—Founder, Chief Technical Officer and Chief Creative Officer Dr. Barry Sandrew announced his departure from the company to focus on entrepreneurial endeavors. In 2000, Sandrew founded Legend3D with funding from angel investors and a handful of employees. Leveraging his extensive visual effects and digital imaging expertise—which includes 14 VFX patents and 23 years of feature film and TV experience—he and his colleagues built Legend3D into one of industry's leading 2D-to-3D conversion studios.

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