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February 21, 2012, 4:39 pm
In the past half-year, I've used FCP-X nearly exclusively for my corporate video editing. In that time, I've had to to deliver a wide range of work for a very diverse group of recognizable national clients – often under very tight deadlines. I doubt I could have hit these deadlines while delivering the same quality without FCP-X. That's based on looking back at what I've done, the deadlines, the programs and client requirements and how FCP-X often helped me work faster and more efficiently...
April 21, 2014, 7:22 am
Ever leave a week of production with 60TB of data?? Yea… me neither. Marc Bach has a unique position creating original content for DirectTV and tells an AMAZING story about how his boss decided to let him usher in a new era of workflow for their environment with 12 edit suites making content for “Audience”, on DirectTV.
April 21, 2014, 7:22 am
When I headed to the NAB Show last week(ish), part of my (personal) mission was to learn a little more about companies I didn’t know much about. Not just ask someone or read some Wikipedia stuff, but actually get to know what their missions are in post-production right now. I found that if I just went up to an industry peer and asked about Grass Valley, they’d give me a bit of “oh, they’re still around?” I mentioned to someone that I had just been to a Quantel press conference and they quipped something about how the six people that use their stuff will be happy to see the updates.
April 20, 2014, 9:47 am
Our new sponsor is… you’ll have to listen. What happens when two podcasters walk into a room with mics on stands and headphones on the table. Ben Consoli was in California shooting a job and he and I went to dinner… eventually we ended up sitting down to record and we had a long discussion about the first sponsor for The Grill.
April 19, 2014, 2:28 pm
Oliver Hohn is working for over 5 years in the compositing at RISE. He has participated on various movies such as PERCY JACKSON & THE OLYMPIANS: THE LIGHTNING THIEF, CAPTAIN AMERICA: THE FIRST AVENGER, CLOUD ATLAS or IRON MAN 3.
April 19, 2014, 2:27 pm
With the latest release of Autodesk Maya came the ability to use (easily) the new mental ray layering shader library, or MILA as it is known. Although MILA is not really new, its has been brought forward and, MILA in Maya 2015 has been integrated into the Maya interface.
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