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February 21, 2012, 4:39 pm
In the past half-year, I've used FCP-X nearly exclusively for my corporate video editing. In that time, I've had to to deliver a wide range of work for a very diverse group of recognizable national clients – often under very tight deadlines. I doubt I could have hit these deadlines while delivering the same quality without FCP-X. That's based on looking back at what I've done, the deadlines, the programs and client requirements and how FCP-X often helped me work faster and more efficiently...
May 31, 2016, 12:39 pm
Make plans to join us in Seattle, WA, September 27 through October 2. Come to AVW to advance your video editing and motion graphics skills, meet the Adobe Premiere Pro and Adobe After Effects engineers, and connect with top peers and industry experts.
May 31, 2016, 9:22 am
Following Don Shay’s review of Peter Ellenshaw’s autobiography, Cinefex presented an online review of another literary property by a visual effects giant, the first exhaustive authorized volume in which Ray Harryhausen discussed his own life and work – resurrected here at the Cinefex Vault as another one for the ages.
May 31, 2016, 7:40 am
May 31th, 2016. Frame.io unveiled today an all new iOS app that gives editors, producers, artists, and filmmakers of all stripes the ability to share, review and collaborate on videos wherever they are.
May 31, 2016, 5:10 am
In this tutorial we look at a number of tricks for optimising scenes in Cinema 4D. Two of the biggest problems when working with 3D animation, are slow editor playback and long render times. In this tutorial, Tim looks at various methods of increasing both playback whilst working and speed when rendering.
May 30, 2016, 4:24 pm
After years of dormancy, the animation art market has been sizzling for the last couple years. In June, it’ll be more heated than ever when three houses will hold major animation art auctions within the span of eight days.
Gordon sits down with Nicholas Monsour to discuss the editing of Keanu. They talk about the films timing and how tone shifts ...
There's one tool I've always wanted to have as a part of my editing room arsenal and that's iZotope's RX ...
Gordon talks to Andy Donahue from Killer Tracks about their music library, getting stems, and more!
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