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February 23, 2012, 3:37 pm
The craft of editing video/film/whatever you want to call it, is a skill. The operation of a non-linear editing system is one thing but what about the craft? How do you learn what makes a good edit and what doesn't? I don't know if I have the answers but I've cut many projects, with about 65-70 percent destined for broadcast.
September 3, 2015, 9:15 am
Use Pomfort Live Grade Pro and Air Grade and the Flanders Scientific DM250 OLED with CFE3 for real-time LUT updates over IP for quick and easy look preview and distribution in production environments without the need for a standalone LUT box.
September 3, 2015, 9:14 am
We caught up with Yuta Shimizu, Lighting Supervisor at Image Engine, to find out what he was excited about at SIGGRAPH this year, hear about some of his challenges on Jurassic World, and how the daily challenges of the VFX industry are what keep him motivated.
September 3, 2015, 4:42 am
Maxim Jago is literally “the guy that wrote the book on Avid and Adobe Premiere.” He’s also an award winning director, tech author, award winning screenwriter, futurist…you name it, this guy knows something about it.
This thread is for those interested in discussing Drunk History and the process behind the editing.
The day footage hits your desk, so do stacks of production documents—scripts, storyboards, transcripts, shot logs, audio...
This discussion thread is for the The Cutting Room episode where Gordon interviews Wyatt Smith, editor of Nine, Ricki and ...
Gordon sits down with Timothy after a journey that included flat tires, missing people, and more. Enjoy this interview with C ...
Gordon sits down with Wyatt Smith, editor of Nine, Ricki and the Flash, Into the Woods, Thor II, and more! They discuss how h ...
In June 2015, Gordon hosted a panel for Manhattan Edit Workshop's "Sight, Sound and Story" event. The panel wa ...
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