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March 9, 2012, 9:33 pm
Unfortunately, you are not always in complete control of a project from start to finish. As a motion graphics artist, you will often be excluded from the field production stage. Footage will be shot without you (and often without regard to your needs).
July 17, 2010, 11:33 am
It’s probably been a busy week or two over in the UK for somebody as Digital Heaven, maker of useful tools for Final Cut Studio, has updated two of their products to version 2.0. If you’re a fan of BigTime or Loader (both for Final Cut Pro) then these updates might be for you.
July 17, 2010, 11:28 am
American Cinema Editor's EditFest LA is returning August 6 - 7, 2010 to Universal Studios! The editors of Quantum Solace, Pulp Fiction, The Sugarland Express, E.T., Apocalypse, Burn Notice, Tron, Glee and more! Please click here for more information.
July 17, 2010, 11:27 am
I’ve created a start-to-finish workflow on how you can create a 3D stereoscopic workflow in Adobe Premiere Pro CS5 using complementary tools that are on the market today. It’s a must see for anyone getting started with 3D Stereo. This seven-part series covers Active, Passive and Anaglyph viewing as well how to play your videos on a consumer 3D TV. It’s a ton of information so I broke up the series into bite-sized pieces. Let me know if you have any questions and enjoy!—Dave
July 16, 2010, 4:20 pm
After a over a decade of working for Disney in various capacities (actor, editor, and producer), Les Perkins went solo, creating an editing suite in a set-off part of his home in Glendale, CA. His advice on setting up a system, "Make sure it’s comfortable and ergonomically sound – your butt’s going to spend long hours in that seat."
July 16, 2010, 10:56 am
I’ve had several requests for tutorials on Pan and Zoom, so this week and next, this will be out topic. This week, we’ll look into Avid’s own Pan & Zoom effect. It is used to, well, pan and zoom into images that are larger than your sequence dimensions without quality loss (as would occur if you imported the image into a bin and then used, say, a 3D Warp for panning and zooming).
July 16, 2010, 10:51 am
A special event focused on helping pros save time and money by streamlining post production workflows. Mingle with industry colleagues, explore the latest Avid products, ask questions, and learn smarter, faster, and easier ways of working. Product highlights will include: Media Composer 5, ICON, Pro Tools|HD, Euphonix controllers and Video Satellite. Stereoscopic workflows will also be addressed.
July 16, 2010, 10:50 am
Thanks to an upcoming piece of software we’re working on I’ve been spending a lot of time within the CS5 workflow environment, particularly looking at metadata and the Story workflow, and I’ve come to the conclusion that we’ve been so blinded by the Mercury Engine’s performance that we might not have seen where they’re heading. And I like what I see.
July 15, 2010, 3:06 pm
Part 3 in our series with Bill Warner, Founder and inventor of the Avid Media Composer. In this segment Bill explains how his frustration in dealing with linear tape inspired him to create Avid. He then goes on to tell us the series of circumstances that got him from idea to first prototype.
Paul Leonard-Morgan joins Gordon Burkell to discuss composing with Philip Glass for Amazon's Tales from the Loop.
Celia Haining, editor of The Crown, joins Gordon Burkell to discuss editing for story.
The filmmakeru.com team explores the history of color in film in our series Birth of an Art. From coloring in single frames ...
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