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March 9, 2012, 9:33 pm
Unfortunately, you are not always in complete control of a project from start to finish. As a motion graphics artist, you will often be excluded from the field production stage. Footage will be shot without you (and often without regard to your needs).
October 24, 2008, 6:29 pm
It may be hard for anyone who works professionally with video to imagine it, but time code as we know it is about to change. Recognizing that innovations in digital acquisition and post have rendered the nearly 40-year-old approach to video time code obsolete, the process for defining a 21st-century standard for time code is well underway in SMPTE. That doesn't mean it's too late to have some say in the process — but you'd better hurry. A good place to start is the upcoming SMPTE Annual...
October 23, 2008, 6:28 pm
His dilligence and creativity brought him to the next step of his career at RKO: assistant editor. Wise built on his knowledge of film employed as an assistant editor on the Fred Astaire-Ginger Rogers movie, CAREFREE (1938). Then, with William Hamilton and Henry Berman as his editing guides, Wise worked on Garson Kanin's BACHELOR MOTHER (1939;) the critically acclaimed and popular HUNCHBACK OF NOTRE DAME, (1939); and Mark Sandrich's THE STORY OF VERNON AND IRENE CASTLE (1939).
October 23, 2008, 6:25 pm
The Academy of Canadian Cinema and Television has announced the winners in the Gemini Industry awards for drama, variety and comedy were announced yesterday. Congratulations to the editors who won in their categories.
October 22, 2008, 6:22 pm
Back in August, the American Cinema Editors staged the first EditFest at Universal Studios. In this comprehensive event (co-sponsored by the Editors Guild and Avid), more than two dozen of the profession’s current and rising stars fanned out over four separate panels to show clips, share reminiscences, discuss the creative impact and business of editing, and offer career advice to a combined and eager audience of students and working pros. Following are some of the highlights of those panels.
October 21, 2008, 6:20 pm
The Academy of Canadian Cinema & Television have announced the winners of the first of three industry award evenings. In total, 32 awards were presented. To see the winners in the film editing category you can look to the link below.
October 20, 2008, 6:19 pm
The list continues to grow. We are adding films as soon as we get them. We just received Don't Look Now edited by Graeme Clifford. With it our reader also submitted a review by the infamous Roger Ebert.
October 20, 2008, 6:17 pm
Anne joins Jenni to share her experiences of having worked on nearly 50 films, what it's like to look into the eyes of some of the world greatest actors, how it was to edit one of the cinematic masterpieces of all time - Lawrence of Arabia - and how she raised a dynasty of film industry children.
October 16, 2008, 12:23 pm
Alan Heim has become a force in the film editing world with work on such films as: All That Jazz, Network, American History X, and The Notebook. He is also the producer of The Cutting Edge: The Magic of Movie Editing. Check out his IMDB listing for more information
Gordon sits down with the Sound Design team (Just nominated for an Oscar) for A Quiet Place. Ethan Van der Ryn and Erik Aadah ...
Gordon sits down with Wyatt Smith to discuss the editing of Mary Poppins Returns and the challenges the film presented him in ...
Gordon sits down with Chayse Irvin to discuss his approach to shooting BlacKkKlansman and his theories about cinematography.
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