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March 14, 2012, 8:39 am
This two-day advanced class will help you achieve better results from this comprehensive application. Building on concepts from After Effects Level 1 and Level 2 classes, this course covers all about alphas (straight vs. pre-multiplied alphas, working with Photoshop...
October 4, 2018, 9:05 am
As with many folk in the film industry, the absence of Nvidia options from Apple’s line of laptops forced me to look at Windows offerings. A not inconsiderable amount of research led me to the conclusion that Alienware would be the best match in terms of power (quad-core top-of-the-line Intel CPU, and full GTX 1080 graphics card). And I have to say I loved it…when it worked. And that, dear friends, is the beginning of our cautionary tale.
October 4, 2018, 4:11 am
Come have a look at this VFX breakdown by Spanish studio El Ranchito about their work on JURASSIC WORLD – FALLEN KINGDOM...
October 4, 2018, 4:11 am
Planar tracking software now includes the 360-degree tracking tools from Mocha VR, supports GPU-accelerated object removal.
October 3, 2018, 12:36 pm
When it comes to cinema production, there are a number of demands that suggest the ability to correctly monitor HDR on set or location would be of great benefit for production teams. About two years ago, there was discussion at an event at the Dolby Theatre in London about Netflix productions using HDR for much of their delivery. In talking to production teams, we heard that they were struggling a bit on-set. One reason was that they couldn’t view HDR with the standard monitoring systems they had. And, they couldn’t clearly see how much detail was actually coming out in the background of scenes as they were working with SDR displays.
October 3, 2018, 6:24 am
This is Allan McKay. Welcome to Episode 160! This is going to be a bit of different Episode. One of the key things I’ve gotten hundreds of emails about are from people who are not in a creative industry — but who want to pursue their dream of being an artist: Having their creative outlet not just be a hobby but their career!
October 3, 2018, 6:23 am
(Fremont, CA--October 2, 2018) Blackmagic Design announced today that Japanese post house Incolor installed DaVinci Resolve Advanced Panel and DaVinci Resolve Studio. Incolor, founded in 2015 by prominent photographer Shoji Uchida, specializes in remote grading by foreign colorists for commercials and music videos.
October 3, 2018, 6:22 am
FREMONT, Calif.--(BUSINESS WIRE)--Oct 2, 2018--Blackmagic Design today announced that it has joined the new Netflix Post Technology Alliance and that DaVinci Resolve, its professional editing, visual effects, motion graphics, color correction and audio post production software, was chosen for three of the alliance’s four technology categories: “Color Grading,” “Editorial” and “IMF & Media Encoding.” Blackmagic Design’s URSA Mini 4.6K and URSA Mini Pro were also chosen in the alliance’s “Camera” category.
October 3, 2018, 6:22 am
The Post Technology Alliance is a program for manufacturers of products that generate or manage any kind of sound data, image data, or metadata from production through post. The alliance is aimed at bringing together industry leaders committed to work closely with Netflix to innovate production workflows and support creatives globally.
October 3, 2018, 6:22 am
In this free tip, Pro Tools Expert team member Julian Rodgers demonstrates how to automatically timestretch clips to fit the edit selection when dragging from the clips list.
October 3, 2018, 6:22 am
We all know the trivia. The Millennium Falcon is the ship that made the Kessel Run in less than 12 parsecs. The hunk of junk on first sight may not have impressed Luke Skywalker, but that bit of bluster achieved boyish respect for the smug pirate behind the wheel. Although, what the hell does that actually mean? Isn’t a parsec a measure of distance and not time? How can you travel A to B in a shorter amount of space? New York and California don’t get closer or farther apart from each other.
Gordon sits down with Joe Walker to discuss Steve McQueen's new film Widows.
Gordon sits down with Barry Brown to discuss his work on editing BLACKkKLANSMAN, Spike Lee's latest film.
Gordon Burkell sits down to discuss Selina MacArthur's Emmy nominated work on Black Mirror's USS Callister.
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