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  • AOTG

    After mocking Final Cut X, Conan editors tease CS6

    March 18, 2012, 3:50 pm
    When Apple first showed off Final Cut Pro X last summer, the jeers came quickly from the editing industry. The lack of multi-cam support and frustrating options for importing and exporting XML files were just two of the woes that editors faced if they upgraded. But not everyone reacted so angrily to the new version.

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  • Other Postings By Member

    • AOTG
      VFX

      Six foundations of After Effects

      July 1, 2015, 4:16 pm
      Get an overview of the six foundational areas of After Effects.

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    • AOTG
      ANIMATION

      Creating a Low Poly Medieval House in Blender pt2

      July 1, 2015, 4:16 pm
      The seams are the lines from where the mesh gets unstitched to unwrap it onto the UV Editor, for further texturing and painting.

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    • AES Announces Program Details for 59th Internation
      SOUND

      AES Announces Program Details for 59th Internation

      July 1, 2015, 4:15 pm
      The AES 59th International Conference, with an emphasis on sound reinforcement engineering and technology, is fast approaching. Program details have been announced for the event, taking place July 15 - 17, 2015, at McGill University in Montreal, Canada. This is the first AES International Conference in over 25 years dedicated to large scale sound reinforcement, public address, and live sound.

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    • AOTG
      VFX

      Defining layers

      July 1, 2015, 4:15 pm
      Learn about the different kinds of layers within the After Effects Composition.

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    • AOTG
      VFX

      Adding and adjusting keyframes

      July 1, 2015, 4:15 pm
      Find out how to add and adjust key frames in After Effects.

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    • How to Create 3D LUTs
      ANIMATION

      How to Create 3D LUTs

      July 1, 2015, 12:38 pm
      My workflow on set is to load all the 3D LUTs that I have created for a feature or TV pilot into my Flanders CM250 OLED lighting monitor. The monitor can hold up to 16 LUTs. I designed a total of sixteen LUTs on Need for Speed, four LUTs for Fathers and Daughters and currently fourteen LUTs for Into the Badlands. Each LUT has to be linked to your specific camera’s sensor to be the most accurate.

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    • AOTG
      ANIMATION

      DreamWorks Animation Hires Dan Berger

      July 1, 2015, 12:37 pm
      DreamWorks Animation has hired former Fox communications executive Dan Berger as head of corporate communications for the company, filling the void left by Chip Sullivan who took at job over at NBC in corporate communications in April.

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    • Modern Family Editor on the Trickiest Episode
      EDITING

      Modern Family Editor on the Trickiest Episode

      July 1, 2015, 9:24 am
      Tony Orcena has edited 32 episodes of Modern Family, but the one he gets asked about most was one of the most discussed comedy episodes of 2015. This was the episode that was filmed entirely on a variety of personal devices—phones, computers—as Claire, stuck at an airport, is desperately trying to track down Haley after an argument. “Connection Lost” was a first for television, and it couldn’t have been possible with Orcena’s editing skills.

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    • Adobe Creative Meet Up – Rencontres créatives d
      EDITING

      Adobe Creative Meet Up – Rencontres créatives d

      July 1, 2015, 9:21 am
      Share experiences, exchange knowledge about how, discover the creative work of the community, more than 250 participants gathered at the Adobe Creative Meet Up, which was held Thursday, June 25 in Paris.

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    • How To EQ A Live Sound System
      EDITING

      How To EQ A Live Sound System

      July 1, 2015, 9:21 am
      Many live sound engineers sometime make life difficult for themselves by confusing when to use the various types of EQ. For instance, if you use your board EQ more for tuning the room, you'll find that it will take you longer to tune the system every night. Instead, the board EQ should be used for just EQing the mics to either the vocals or instruments onstage, while the system EQ is used to tune the room. That way, there's only one set of equalizers that change from venue to venue.

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