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March 19, 2012, 4:08 pm
Boris FX, the leading developer of integrated VFX and workflow technology for video and film, today announced that Boris Continuum Complete 8 for Sony Vegas Pro (BCC 8 for Vegas Pro) is now available. Based on the Open Effects Association (OFX) platform, BCC 8 for Vegas Pro delivers over 175 comprehensive VFX and compositing filters to 64-bit and 32-bit versions of Sony Vegas Pro v11 and v10. Audio-driven effects creation, 3D particle effects, and enhanced lens flares and glows headline...
February 21, 2017, 6:24 am
Alexandre De Franceschi, ASE (Australian Screen Editors) has been an editor for more than 30 years, cutting over a dozen feature films in addition to a career as a sought-after commercial editor. He has edited numerous TV series and feature films with director Jane Campion and John Curran and recently edited Lion, the critically acclaimed The post ART OF THE CUT editing Best Picture nominee “LION” appeared first on ProVideo Coalition.
February 20, 2017, 5:27 pm
La La Land, this year’s big Oscar nominee, is the first feature film to have a female sound editing team nominated. Millie Iatrou and Ai-Ling Lee, were co-supervising sound editors on the film. Ai-Ling was also tasked with sound design and shared mixing duties with legendary re-recording mixer Andy Nelson (2 Oscar wins among his The post La La Land-28 Weeks of Post Audio-Week 15 appeared first on ProVideo Coalition.
February 20, 2017, 11:17 am
A collaboration between Pixar Animation Studios and Khan Academy, sponsored by Disney, the Pixar in a Box project will have six new lessons in 2017. Discover what storyteller means at Pixar and learn to be one. Pixar in a Box is a behind-the-scenes look at how Pixar artists do their jobs. It started in 2015, The post Pixar in a Box reaches Season 3 appeared first on ProVideo Coalition.
February 20, 2017, 6:17 am
If you’re a Media Composer editor looking to add After Effects to your editing toolkit, this first of a two part webinar series is a no-brainer! I’m always surprised with I talk with Avid Media Composer editors, and I ask them about how much the use Adobe’s After Effects. I think the main reason that The post After Effects Bootcamp for Avid Editors – Part 1 appeared first on ProVideo Coalition.
February 17, 2017, 10:52 am
Imagine William Gibson’s cyberpunk universe and sci-fi products like Blade Runner, Terminator, Escape from New York, Aliens, Akira or Tetsuo the Iron Man and you’ve the inspiration for the short film from filmmaker Nicola Piovesan. The Kickstarter campaign has now 11 days to go, and reached close to €14,000 of a €18,000 goal, with nearly The post Attack of the Cyber Octopuses: Sci-Fi without CGI appeared first on ProVideo Coalition.
February 16, 2017, 1:15 pm
In this lesson, Kevin P McAuliffe talks about the newest features in version 8.8 of Avid Media Composer, including the return of two much anticipated features, PhraseFind and ScriptSync. Media Composer has hit some huge milestones in the last 1-2 years. The additions of both larger than HD projects, as well as custom project sizes The post Let’s Edit with Media Composer – What’s New in 8.8 appeared first on ProVideo Coalition.
February 15, 2017, 12:34 pm
We are back after a short break! This week on MacBreak Studio, Steve Martin from Ripple Training shows us how you can create custom camera archives with Final Cut Pro X. We have discussed the benefit of creating camera archives before importing your footage in previous MacBreak Studio episodes so if you aren’t aware of the The post Creating custom camera archives in Final Cut Pro X appeared first on ProVideo Coalition.
February 14, 2017, 8:24 pm
Today’s Art of the Cut is with the editing team behind the critically acclaimed HBO series Westworld. Discussing their work on the series are editors Andrew Seklir, Tanya Swerling, Mark Yoshikawa and post production producer (and Westworld pilot editor), Stephen Semel. You can watch some free episodes here. HULLFISH: Why don’t you each tell me The post ART OF THE CUT with the editors of “Westworld” appeared first on ProVideo Coalition.
February 14, 2017, 8:24 pm
Vertical Video Syndrome was something people laughed at when the first videos appeared in YouTube, but even YouTube had to bow to the power of portrait mode video. The future is – also – 9:16. When, in 2015, the app YouTube for Android allowed users to view portrait mode videos properly with their smartphones, it The post Vertical video: a video editing solution for smartphone users appeared first on ProVideo Coalition.
February 14, 2017, 7:16 am
There are a wide variety of factors contributing to the quality of sounds that we hear in our lives throughout the day. The pitches, the frequency, the loudness and how the spaces interact with the sounds, contribute to the ultimate blend of it all. Reverberation is a physical trait, defined in physics as – the The post Reverb-28 Weeks of Post Audio-Week 14 appeared first on ProVideo Coalition.
Sebastián Sepúlveda joins Gordon to discuss the editing of the film Jackie. They explore how structuring a real ...
Stuart joins Gordon to discuss A Series of Unfortunate Events for Netflix and what the difference is between working for Broa ...
In this episode of The Cutting Room, we explain just where we have been for the past four months. We'll begin regularly ...
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