Be a part of a unique online community that connects post production professionals and film academics worldwide.
You'll have access to personalize your news feed, access to Live Post Talks and much more. Contribute to the community by posting interesting post production content.
March 24, 2012, 9:25 am
RED Digital Cinema and Adobe teamed up recently to do a live online seminar and tutorial on the RED R3D workflow with Adobe Premiere Pro. The recording of that event is available free at the link below. This hour-long tutorial covers the following...
July 22, 2016, 5:51 am
In one way or another, Conrad Buff IV has played a part in the post of some of the most iconic cinema of the last forty years: “Return of the Jedi,” “Raiders of the Lost Ark,” “E.T.,” “Ghostbusters,” “Spaceballs,” “The Abyss,” “Terminator 2” and “Titanic.” 33 credits as editor, 11 more as assistant editor or The post ART OF THE CUT WITH Oscar Winner CONRAD BUFF IV, ACE on “The Huntsman: Winter’s War” appeared first on ProVideo Coalition.
July 21, 2016, 4:52 am
Japan’s last manufacturer of VHS VCRs, Funai Electric Company, will end production of the recorders this month, as reported by Anime News Network. Funai sold 750,000 VHS machines last year, but it’s getting harder to get parts from suppliers and the market is declining, so it’s the end of the line for the format after 40 The post R.I.P., VHS VCRs appeared first on ProVideo Coalition.
July 20, 2016, 12:09 pm
This week on MacBreak Studio, I show Steve Martin from Ripple Training how you can turn a flat logo into a 3D animation by using the text features of Motion. Now you may ask, what does text have to do with making a logo 3D or animating it? Well, one of the interesting things about The post Creating and animating 3D logos in Motion appeared first on ProVideo Coalition.
July 19, 2016, 5:45 am
In this lesson, Kevin P McAuliffe answers a great viewer question about the Audio Ducking feature in Media Composer, and whether it’s possible to drop super long VO’s into your timelines, with no editing done to them, and still work with Audio Ducking, or is it based on the in and out points of edited The post Let’s Edit with Media Composer – ADVANCED – Audio Ducking In-Depth appeared first on ProVideo Coalition.
July 18, 2016, 5:14 am
Earlier this summer I was hired on a job to edit same day content for CMA Music Festival. It’s one of the biggest music festivals around and they produce a good bit of content that shows nightly at the stadium as well as online. Working with our friends at Taillight TV the weeklong job required The post Real-world, same-day editing with the Lumaforge Jellyfish and Adobe Premiere Pro appeared first on ProVideo Coalition.
July 14, 2016, 12:16 pm
If it’s high-quality four-track audio recording for music, film, podcasting, and beyond that you need, take a look at the H4n Pro, sometimes presented as “the filmmaker’s favorite”. Zoom has taken everything creators love about the original H4n and brought it to the next level. Featuring advanced microphones, high-performance mic preamps, and an extremely low noise The post Better sound with the new H4n Pro appeared first on ProVideo Coalition.
July 12, 2016, 9:48 am
What makes a project good to work on? I’ve worked on more productions than I can remember but some projects were definitely more enjoyable to work on than others. There were projects I thought would be great but turned out to be nightmares, and projects that sounded mundane that turned out to be hugely rewarding. The post AE Project Diary: 3) Ausgrid appeared first on ProVideo Coalition.
July 11, 2016, 5:57 am
In this lesson, Kevin P McAuliffe talks about working with Look Up Tables (LUT’s) inside of Media Composer. They’re not as simple to get installed in Media Composer as they are in other applications, as they are treated more like AMA Linked to parameters, as opposed to effects, but once installed, they can be worked The post Let’s Edit with Media Composer – ADVANCED – Working with LUT’s appeared first on ProVideo Coalition.
July 9, 2016, 6:24 am
Art of the Cut caught up with Oscar winning editor, Tom Cross, as he was cutting his upcoming feature, “La La Land.” We talked mostly about his last feature, “Joy,” but also had an extensive exploration of his editing of the film that won him an Oscar, “Whiplash.” HULLFISH: You’ve been nominated for awards by The post ART OF THE CUT with Tom Cross, ACE of “Whiplash,” “JOY,” and “La La Land” appeared first on ProVideo Coalition.
July 7, 2016, 9:29 am
Photographers and videographers using lots of batteries tend to organize a system to know which are good to use and which ones are kicked. I use plastic boxes that hold sets of 4 AA batteries and place the used ones with the top down, using as a guide a small icon of a battery on The post Rogue Indicator Battery Pouch: a battery organizer appeared first on ProVideo Coalition.
Gordon sits down with Federico Brusilovsky to discuss the editing of commercials and rebuilding older brands. He cuts in LA f ...
With the release of FRONTLINE'S latest 360 project, "Night of the Storm", Kenzie Audette reveals the post prod ...
Gordon sits down with Nicholas Monsour to discuss the editing of Keanu. They talk about the films timing and how tone shifts ...
Choose what Post News gets sent directly to your E-Mail, daily or weekly.
Get your post news on your favourite Apple device, when you want it where you want it.
Get your post news on your favourite Android device with the AOTG Android App.