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  • AOTG

    Washington Post, What Makes the Cut?

    March 27, 2010, 12:38 pm
    To Appreciate the Art of Film Editing, You Have to Start With a Frame of Reference. How do we know within the first 10 minutes of "Slumdog Millionaire" that it's going to be a fanciful, time-shifting, rag-to-riches fable about a plucky orphan boy set in the slums of Mumbai?

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  • Other Postings By Member

    • Building a Scene with Sound Design in Editors' Lou
      EDITING

      Building a Scene with Sound Design in Editors' Lou

      May 7, 2018, 9:11 am
      AlphaDogs' series of educational videos about the benefits of professional post production continues with this episode, where Terence demonstrates how professional audio post production can enhance a project by building up a scene through added sound design.

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    • Faster, Together Presents Steve Hullfish
      EDITING

      Faster, Together Presents Steve Hullfish

      May 7, 2018, 9:11 am
      Steve Hullfish has interviewed some of the tops minds in feature film editorial for Art of the Cut. Perhaps you’ve even read his interview with Jeffrey Ford, the editor of Avengers – Infinity War. Steve is prolific writer and a feature film editor himself. He has credits on movies like War Room, Courageous, and The Oprah Winfrey Show. His personal experience alone makes Steve qualified to speak on editing technique. In fact, Steve has written numerous books on the topic.

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    • THE MUMMY: VFX Breakdown by DNEG
      VFX

      THE MUMMY: VFX Breakdown by DNEG

      May 7, 2018, 5:06 am
      DNEG created a lot of sequences such as the desert village battle, Ahmanet’s tomb, Henry Jekyll’s transformations into Hyde or the sandstorm in London for this new version of THE MUMMY...

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    • Attend Sight, Sound, and Story in NYC for Free
      EDITING

      Attend Sight, Sound, and Story in NYC for Free

      May 7, 2018, 5:06 am
      If you're a full time post production worker in the US that makes less than the median income where you live, you might have some trouble making the next leap in your career. It's hard to say yes to opportunities that would enrich your work life and help you build connections to climb the ladder when your finances limit your choices. That's why Blue Collar Post Collective created the Professional Development Accessibility Program (PDAP).

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    • Pixar and the Craft of Storytelling
      EDITING

      Pixar and the Craft of Storytelling

      May 7, 2018, 5:06 am
      18 movies produced. 17 movies #1 at the box office. Worldwide B.O. gross over $11 billion. Average B.O. per film: $650M+ by far the highest average per film of any studio in Hollywood history.

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    • LOST BOY VFX Breakdown – Post Panic
      VFX

      LOST BOY VFX Breakdown – Post Panic

      May 5, 2018, 3:07 pm
      Following in the footsteps of SUNDAYS, their debut concept short success which turned heads worldwide last year, comes LOST BOY, the hugely awaited punk sci-fi feature project which is next in-line from visionary outfit PostPanic Pictures.

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    • AOTG
      SOUND

      Tutorial - Parallel EQ - A Useful Technique Or A B

      May 5, 2018, 9:24 am
      In this premium video tutorial, Pro Tools Expert team member Julian Rodgers considers the case for parallel EQ. Is it useful? Is it just using an equaliser "wrong"?

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    • Oscar-winning editor, Tom Cross, ACE, discusses hi
      EDITING

      Oscar-winning editor, Tom Cross, ACE, discusses hi

      May 5, 2018, 9:24 am
      Tom Cross, ACE, is an Oscar winner for his editing of Whiplash. He was last nominated for an Oscar for Best Editing for La La Land, for which he won the ACE Eddie. He was also nominated for an Eddie for his work on Joy. Art of the Cut has interviewed Tom twice before: for Joy and again for La La Land.

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    • THE RITUAL: Ben White - VFX Supervisor - Nvizible
      VFX

      THE RITUAL: Ben White - VFX Supervisor - Nvizible

      May 4, 2018, 9:17 am
      Ben White began his VFX career at Mill Film in 1998. He then worked at Framestore and MPC before joining Nvizible. He has worked on many films such as GLADIATOR, THE DARK KNIGHT, AVATAR, MAN OF STEEL and FANTASTIC BEASTS AND WHERE TO FIND THEM.

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    • Avid, Adobe, Blackmagic: Talking With Titans at NA
      EDITING

      Avid, Adobe, Blackmagic: Talking With Titans at NA

      May 4, 2018, 9:17 am
      As much as each year's NAB Show is about what's completely new, it's about hearing what's new from the industry's most enduring companies. Creative COW Contributing Editor Hillary Lewis sat down with representatives from three of the biggest titan companies in production and post -- Avid's David Colantuoni, Adobe's Laura Williams Argilla, and Blackmagic Design's Dan May -- to discuss the thought process behind their releases, what people might overlook, and their outlooks on the future of the industry.

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