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April 2, 2010, 4:52 pm
Video editors and producers frequently have to deal with photos. This is especially true of many documentaries where a large portion of the story consists of still images. No motion film or video was available to preserve that given event.
January 14, 2021, 6:07 pm
Western Digital acquired SanDisk in 2016, and since then has expanded the popular brand among creators beyond the familiar memory cards and USB flash drives to include portable SSDs.
January 13, 2021, 5:33 pm
In the vast history of film and video, there’s perhaps no cinematic or editing technique more recognizable or powerful than the montage. Movie-lovers like us see it in cheesy hits from the 1980s and 1990s like Bloodsport and Dirty Dancing. We see it in critically acclaimed art films like The Godfather and Citizen Kane. We even see its classical roots in Battleship Potemkin (1925) and recreated and homaged in The Untouchables (1987).
January 13, 2021, 5:33 pm
Sound design legend Randy Thom shares what it took to create the sound for George Clooney's 'The Midnight Sky'...
January 13, 2021, 5:32 pm
Let’s have a look at the motion graphics work and the creation of the alien planet Kepler 23 made by the teams of One of Us for the Netflix movie, The Midnight Sky:
January 13, 2021, 5:32 pm
Both Mike Matzdorff and I are professional career editors who work on multiple edit systems. We’ve realized that most NLEs are variations on a theme—source clips, tracks, insert, and overwrite. Final Cut Pro X stands alone with a truly unique approach to editing including its ability to cut with no tracks and a magnetic timeline. This results in a vastly different and more efficient editing workflow with significant advantages, if you learn the ropes.
January 13, 2021, 5:32 pm
Let’s have a look at the seamless work by VFX Legion made on Black Box, one of the movies from the Welcome to Blumhouse anthology...
January 13, 2021, 1:48 pm
Autodesk’s acquisition of Discreet Logic in 1999 established its leading role as a software provider to the media and entertainment industry. It also brought in exceptional talent, including Diana Colella, whose two-decade rise at Autodesk has now reached a new peak.
January 13, 2021, 1:48 pm
Proxies are smaller, low-resolution versions that serve as a substitute for the original camera media when your computer is not powerful enough to smoothly handle high-resolution material or demanding codecs. Since the Final Cut Pro 10.4.9 update, a few things have changed regarding proxies. I’ll show you a few new ways to work with proxies in Final Cut Pro in this Quick Tip video.
January 12, 2021, 6:11 pm
Take a look at the tutorial below for tips on shooting a film like an editor. When you’re done, follow up with the step-by-step transcription of this tutorial below it.
January 12, 2021, 6:10 pm
In 2014, Dan Levitan told us about the work of Hammerhead on The Expendables 3 and then worked at Psyop and FuseFX on a various shows including War Dogs, The Last Man On Earth, Station 19 and Veronica Mars.
Gordon sits down with Marco Capalbo to discuss editing for Werner Herzog and crafting Fireball: Visitors from Darker Worlds. ...
Editor Mikeel Nielsen and Sound Designer Nicolas Becker discuss creating the film The Sound of Metal. We explore how to make ...
Jody McVeigh-Schultz and Lane Farnham discuss tackling HBO's documentary series McMillion$, a series that explores the f ...
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