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  • AOTG

    Dalet Broadens Integration Options with NLEs

    April 9, 2012, 3:05 pm
    Paris, France – April 9, 2012 – Dalet Digital Media Systems today announced more flexible and comprehensive integration support with several non-linear editing platforms. The Dalet Xtend module, originally created to facilitate a more fluid workflow between the Dalet Media Asset Management platform and Apple Final Cut Pro systems, is being expanded to include similar media and metadata exchange capabilities with Avid Media Composer, Avid NewsCutter, Adobe Premiere, and other NLEs.

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  • Other Postings By Member

    • AOTG
      VFX

      Motion Capture for Mowgli

      December 28, 2018, 6:51 am
      over at Vanity Fair, Mowgli: Legend of the Jungle director and motion capture star Andy Serkis provides an extensive breakdown of a scene involving Christian Bale’s performance as Bagheera the panther. Serkis talks about the intentionally unrealistic design of the animals, especially when it comes to their faces, and how motion capture made it possible.

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    • AOTG
      ANIMATION

      Realsoft ships Realsoft 3D 8

      December 28, 2018, 6:51 am
      Realsoft has released Realsoft 3D 8, the latest version of its 3D modelling and animation package, and the first major update to the software in close to a decade.

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    • AOTG
      SOUND

      Most popular SFX Libraries

      December 27, 2018, 5:24 pm
      Want to know what sound effects libraries that have amazed sound designers this year? Here are 14 of the SFX libraries that were most popular in 2018, in no particular order...

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    • AOTG
      EDITING

      Editor's Guild Leader Rebukes IATSE President

      December 27, 2018, 5:24 pm
      “He was not interested in what I had to say and was completely unwilling to have a conversation with me about the negotiation issues that were so deeply important to the livelihoods of our members,” she wrote. Citing 2018 as “a year of great awakening for our guild,” she recalled how her members stood ready to strike for shorter workdays and more funding for their pension plan – only to have their demands ignored by Loeb.

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    • AJA Video Systems releases KUMO 1616-12G Compact 1
      EDITING

      AJA Video Systems releases KUMO 1616-12G Compact 1

      December 27, 2018, 5:24 pm
      Before 2018 ends, AJA introduces another solution for deep color workflows over SDI, at up to 4K and 8K resolutions, which will be widely used next year. Meet the KUMO 1616-12G.

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    • AOTG
      VFX

      Mowgli VFX Supervisor On creating the Legend

      December 27, 2018, 10:10 am
      Nigel Denton-Howes told us about Prime Focus’s work on THE EXPENDABLES 3 in 2014. He then joined Framestore and worked on AVENGERS: AGE OF ULTRON. He talks to us today about his work as Overall VFX Supervisor on MOWGLI – LEGEND OF THE JUNGLE.

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    • The Sound of Mary Poppins Returns
      SOUND

      The Sound of Mary Poppins Returns

      December 26, 2018, 8:51 am
      In this exclusive conversation we talk with Supervising sound editors and sound designers Renee Tondelli and Eugene Gerty about their recent work on Mary Poppins Returns directed by Rob Marshall and features Emily Blunt, Lin-Manuel Miranda, Ben Whishaw, Emily Mortimer, Meryl Streep, Colin Firth and surprise performances from Dick Van Dyke and Angela Lansbury.

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    • AOTG
      VFX

      Universal has two VFX bombs

      December 25, 2018, 8:49 am
      Universal is ending the year on a sour note thanks to back-to-back bombs of its two vfx-driven films: Christian Rivers’ Mortal Engines and Robert Zemeckis’ Welcome to Marwen. The failure of these films, which could reach between $150-200 million, will have a negative effect on other studios as well, who will now be more reluctant to invest in original vfx-driven films, continuing Hollywood’s reliance on franchises, sequels, and reboots for the foreseeable ftuure.

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    • AOTG
      EDITING

      Kelley Slagle on making Eye of the Beholder

      December 24, 2018, 10:44 am
      Making a film about the things you love is what Eye of the Beholder is all about. Three years on the road and one at the editing console, all because of a passion: the classic Dungeons & Dragons tabletop game.

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    • Editing Spider-Man: Into the Spider-Verse
      EDITING

      Editing Spider-Man: Into the Spider-Verse

      December 23, 2018, 7:16 am
      Robert Fisher Jr. most recently served as lead editor on Sony Pictures Animation’s computer-animated Spider-Man: Into the Spider-Verse, now in theaters. Robert has been a member of the Sony Pictures Animation family since 2009 having worked on both Cloudy with a Chance of Meatballs films and the short, The Smurfs: A Christmas Carol.

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