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  • AOTG

    Ninth Annual FCPUG Las Vegas SuperMeet

    April 6, 2010, 5:42 pm
    Join the FCPUG Network, including BOSFCPUG, LAFCPUG, SF Cutters and other FCPUG and digital video user groups around the Globe in Las Vegas during NAB Show 2010 for the largest gathering of FCP, Avid and Adobe editors, HDSLR filmmakers and digital content creators and Gurus on the Planet. Digital Filmmakers attending NABShow 2010 will also "Get Seen" by screening their content in the ARRI Open Screen Theatre.
    Join the FCPUG Network, including BOSFCPUG, LAFCPUG, SF Cutters and other FCPUG and digital video user groups around the Globe in Las Vegas during NAB Show 2010 for the largest gathering of FCP, Avid and Adobe editors, HDSLR filmmakers and digital content creators and Gurus on the Planet. Digital Filmmakers attending NABShow 2010 will also "Get Seen" by screening their content in the ARRI Open Screen Theatre.


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  • Other Postings By Member

    • AOTG
      VFX

      How to use Adobe Capture CC

      May 3, 2018, 5:06 am
      Adobe Capture CC is a fantastic app that enables you to find fonts and colours simply by taking a photo. You may be wondering what fonts have been used in your favourite magazine, for example, or you may wish to take colour references from an object or scenery. In this article we'll run through three ways to get the most from Capture CC. You can find the app on the iOS App Store or Google Play.

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    • AOTG
      VFX

      LOST IN SPACE: VFX Breakdown by Mackevision

      May 3, 2018, 5:06 am
      Have a look at the spaceship and environments work by Mackevision for LOST IN SPACE...

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    • AOTG
      EDITING

      BLADE RUNNER 2049: The Art of Master and Wide Shot

      May 2, 2018, 5:13 pm
      BLADE RUNNER 2049: The Art of Master and Wide Shots from Jorge Luengo Ruiz on Vimeo.

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    • Editor Alan Edward Bell Uses Fusion 9 Studio on Re
      VFX

      Editor Alan Edward Bell Uses Fusion 9 Studio on Re

      May 2, 2018, 12:17 pm
      Fremont, CA – May 2, 2018 – Blackmagic Design today announced that Editor Alan Edward Bell used its visual effects (VFX) and motion graphics software, Fusion 9 Studio, while editing the film “Red Sparrow.”

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    • PACIFIC RIM - UPRISING: Peter Chiang - VFX Supervi
      VFX

      PACIFIC RIM - UPRISING: Peter Chiang - VFX Supervi

      May 2, 2018, 8:52 am
      In 2015, Peter Chiang explained the work of DNEG on EXODUS: GODS AND KINGS. He then worked on STAR TREK BEYOND. Today he tells us about PACIFIC RIM: UPRISING.

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    • The 7 Signs Of An Amateur Mix
      SOUND

      The 7 Signs Of An Amateur Mix

      May 2, 2018, 8:52 am
      Before you can even delve into creating a great mix, it’s good to be aware of the traits of one that isn’t there yet. These 7 signs of a amateur mix come from the 4th edition of my Mixing Engineer’s Handbook and are useful in picking out problem areas, looking at it from a global level instead of examining individual tracks. Does your mix have any of these characteristics?

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    • Motionographer  Motion Awards: 2017 Winners
      VFX

      Motionographer Motion Awards: 2017 Winners

      May 2, 2018, 8:52 am
      We are excited to present the winners of the 2017 Motion Awards by Motionographer...

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    • AOTG
      VFX

      ANNIHILATION: VFX Reel by Nvizible

      May 2, 2018, 4:13 am
      Nvizible have released the showreel of their work on ANNIHILATION...

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    • AOTG
      VFX

      Furious 7 VFX Breakdown by Weta Digital

      May 2, 2018, 4:13 am
      When Paul Walker tragically passed away halfway through filming Furious 7, Weta Digital were called upon to carry out the sensitive task of completing Paul’s performance. Relying on a combination of methods such as referencing previous footage, doing body scans of Paul’s brothers and some meticulous compositing, Weta Digital enabled Paul’s legacy to live on.

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    • AOTG
      EDITING

      Netflix's re-edit of ‘Arrested Development’ se

      May 1, 2018, 4:23 pm
      Not everyone loved the fourth season of Arrested Development. Each episode focused on one character and full storylines didn't really come together until the very end of the season. Because the storytelling was so different from that of earlier seasons, some fans of the show found the latest installment to be a little off-putting. And that's why way back in 2014, the show's creator, Mitch Hurwitz, said he would be re-editing the show's fourth season, rearranging the scenes so that they flow chronologically rather than having each episode focus on a single character. Now, well over three years later, Hurwitz has announced that the shuffled fourth season will debut on Netflix this Friday.

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