Be a part of a unique online community that connects post production professionals and film academics worldwide.
You'll have access to personalize your news feed, access to Live Post Talks and much more. Contribute to the community by posting interesting post production content.
April 10, 2012, 9:14 am
On the NAB 2012 exhibit floor...Render Rocket, set to be in the CloudMediaHUB Booth N3222I, offers everything 3d artists need to immediately access massive rendering power for their jobs with up-to-date render software, a web-based render manager and tons of processors. This cloud-based rendering service is launching free, unlimited test renders as we gear up for NAB.
February 6, 2019, 11:36 am
Red Giant Universe 3.0 was released recently. It boasts a new dockable Dashboard that makes it simple to explore and apply effects and presets in Adobe Premiere Pro and After Effects. It also brings five new text generation effects, presets for every tool, and the option to save customized presets.
February 6, 2019, 8:09 am
Gordon sits down with the Sound Design team (Just nominated for an Oscar) for A Quiet Place. Ethan Van der Ryn and Erik Aadahl worked with Foley One in Toronto to create the unique sound design for A Quiet Place, including creating a soundless feel. Learn how they did it!
February 6, 2019, 7:32 am
Looking for some more creativity when working with audio tracks in your edit? With track stems, you can create a whole new sound for your project.
February 6, 2019, 7:32 am
HitFilm developer FXhome has released Imerge Pro 2.0, the latest version of the still image-editing tool, adding a new GPU-accelerated RAW conversion engine and support for 16-bit image export.
February 6, 2019, 7:32 am
Running out of space on your hard drive? Here are some of the best-in-class options that keep up with an editor’s workflow requirements.
February 6, 2019, 7:32 am
Between Saving Private Ryan and Ready Player One—the critically acclaimed adaptation of Ernest Cline’s 2011 novel—VFX supervisor Roger Guyett has been along for the ride on two of the most demanding projects of Steven Spielberg’s career.
February 6, 2019, 7:31 am
The 17th annual VES Awards are being handed out tonight at the Beverly Hilton in Los Angeles, and Deadline will be live-blogging the affair and updating the winners list live. Patton Oswalt is hosting the Visual Effects Society’s gala, which celebrates the best VFX artistry and innovation in film, animation, TV, commercials and video games across 24 categories.
February 6, 2019, 7:31 am
Congratulations to our User POR160893 for a perfect score of 100% when predicting the 2019 Visual Effects Society winners on Tuesday. He is actually tied with three other perfect people — Andre, leonardo martinelli and annamberg — but has a better point score total of 6,217 by using the 500 super bets wisely.
February 6, 2019, 7:31 am
The winners were announced tonight for the 17th annual VES Awards, recognizing outstanding visual effects artistry and innovation in film, animation, television, commercials, and video games.
February 6, 2019, 7:31 am
Marvel’s “Avengers: Infinity War” was the big VFX winner at the 17th annual VES Awards Tuesday at the Beverly Hilton, grabbing four prizes, including photoreal feature. And Sony’s animated Oscar favorite, “Spider-Man: Into the Spider-Verse,” also scored four awards, including animated feature.
Gordon sits down with the Sound Design team (Just nominated for an Oscar) for A Quiet Place. Ethan Van der Ryn and Erik Aadah ...
Gordon sits down with Wyatt Smith to discuss the editing of Mary Poppins Returns and the challenges the film presented him in ...
Gordon sits down with Chayse Irvin to discuss his approach to shooting BlacKkKlansman and his theories about cinematography.
Choose what Post News gets sent directly to your E-Mail, daily or weekly.
Get your post news on your favourite Apple device, when you want it where you want it.
Get your post news on your favourite Android device with the AOTG Android App.