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April 10, 2012, 3:21 pm
Last month, FotoKem named Joseph Slomka VP and Principal Color Scientist for digital post-production and creative picture services. That's a heady title. In post-production, color science is everything. Digital techniques bring with them the potential for perfect image reproduction throughout the post process but also new opportunities for misinterpreting, mismanaging, or otherwise mishandling data and metadata in ways that can frustrate cinematographers and directors.
March 2, 2015, 11:56 am
Here’s part two of my interview with David Moritz, originally recorded during Editors Retreat 2015. David’s work began after he started as a music editor and transitioned to editor under the mentorship of Richard Marks. He began working with Wes Anderson when Wes directed his first feature, Bottle Rocket. Since then his career has taken off and he’s become one of the top editors and fixers in the industry.
March 2, 2015, 10:39 am
Step by step guide to making a more realistic soft body using a skinned mesh. This is useful for items we want to throw that aren't solid and we want to thro...
March 2, 2015, 5:59 am
To be clear, House of Cards has excellent cinematography. Every shot is composed with precision and austere elegance, all emphasizing the cold, calculating world of Frank Underwood. In this podcast interview, the series cinematographer Igor Martinovik elaborates on how the show uses its visual style to emphasize its story; for instance...
March 2, 2015, 5:59 am
Ian Hunter is in the world of special effects for more than 25 years. He is one of the co-founder of New Deal Studios. He has worked on many films such as BATMAN RETURNS, PITCH BLACK, WAR OF THE WORLDS or THE DARK KNIGHT. He just won the Oscar and BAFTA for Best Visual Effects for INTERSTELLAR.
March 2, 2015, 5:57 am
Part 2 of the really great and insightful interview with Sol Rogers! Covering a lot of really great industry advice and career advise based on his lengthy experience in the industry as well as lecturing at London universities.
March 2, 2015, 5:56 am
The start of a new year prompts us to step back momentarily from our day-to-day concerns, reflect upon the long view, and make resolutions for our future. This column affords a similar opportunity to take stock of the bigger picture. Ordinarily we focus on what post-production employees have accomplished through their solidarity, but let’s cut from our usual close-ups of Local 700 organizing to a wide shot of the state of the American labor movement.
Here’s part two of my interview with David Moritz, originally recorded during Editors Retreat 2015. David’s work ...
Here's the post production news for the past week. This includes Dreamworks News, Blackmagic News, Oscars, and more!
One thing I love to do is tinker with things. Because of this, I find myself adding things to my post production toolbox that ...
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