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  • AOTG

    Q/A: FotoKem's New Color Guru, Joseph Slomka

    April 10, 2012, 3:21 pm
    Last month, FotoKem named Joseph Slomka VP and Principal Color Scientist for digital post-production and creative picture services. That's a heady title. In post-production, color science is everything. Digital techniques bring with them the potential for perfect image reproduction throughout the post process but also new opportunities for misinterpreting, mismanaging, or otherwise mishandling data and metadata in ways that can frustrate cinematographers and directors.

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  • Other Postings By Member

    • David Moritz on working with Wes Anderson
      EDITING

      David Moritz on working with Wes Anderson

      March 2, 2015, 11:56 am
      Here’s part two of my interview with David Moritz, originally recorded during Editors Retreat 2015. David’s work began after he started as a music editor and transitioned to editor under the mentorship of Richard Marks. He began working with Wes Anderson when Wes directed his first feature, Bottle Rocket. Since then his career has taken off and he’s become one of the top editors and fixers in the industry.

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    • AOTG
      VFX

      Making of Bingle 'Chimpfall'

      March 2, 2015, 10:41 am
      Bingle's "Chimpfall," featuring Joni the skydiving chimpanzee, who shows us just how easy it is to get a Bingle car insurance quote, even in mid air. Find out how…

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    • Autodesk announces Maya LT 2016
      ANIMATION

      Autodesk announces Maya LT 2016

      March 2, 2015, 10:40 am
      Indie-game-focused version of Maya to get new brush-based sculpting and UV workflows, PBR shading.

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    • AOTG
      ANIMATION

      Unity 3d Tutorial Realistic Soft Bodies / Making a

      March 2, 2015, 10:39 am
      Step by step guide to making a more realistic soft body using a skinned mesh. This is useful for items we want to throw that aren't solid and we want to thro...

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    • House of Cards Look
      COLOR

      House of Cards Look

      March 2, 2015, 5:59 am
      To be clear, House of Cards has excellent cinematography. Every shot is composed with precision and austere elegance, all emphasizing the cold, calculating world of Frank Underwood. In this podcast interview, the series cinematographer Igor Martinovik elaborates on how the show uses its visual style to emphasize its story; for instance...

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    • Interviews of the Week #9
      VFX

      Interviews of the Week #9

      March 2, 2015, 5:59 am
      Ian Hunter is in the world of special effects for more than 25 years. He is one of the co-founder of New Deal Studios. He has worked on many films such as BATMAN RETURNS, PITCH BLACK, WAR OF THE WORLDS or THE DARK KNIGHT. He just won the Oscar and BAFTA for Best Visual Effects for INTERSTELLAR.

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    • AOTG
      VFX

      How to Fix Flyaways in Photoshop

      March 2, 2015, 5:57 am
      Learn a quick and easy way to fix flyaway hair in Photoshop.

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    • Part 2 with Sol Rogers - The Industry and Career L
      VFX

      Part 2 with Sol Rogers - The Industry and Career L

      March 2, 2015, 5:57 am
      Part 2 of the really great and insightful interview with Sol Rogers! Covering a lot of really great industry advice and career advise based on his lengthy experience in the industry as well as lecturing at London universities.

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    • AOTG
      SOUND

      Featured Member : JODY THOMAS, FOLEY ARTIST

      March 2, 2015, 5:57 am
      I am a freelance Foley Artist. Have shoes will travel! I work at all the major studios. I also own my own boutique Foley stage, The Sync Tank.

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    • AOTG
      EDITING

      WILL LABOR REMAIN RELEVANT?

      March 2, 2015, 5:56 am
      The start of a new year prompts us to step back momentarily from our day-to-day concerns, reflect upon the long view, and make resolutions for our future. This column affords a similar opportunity to take stock of the bigger picture. Ordinarily we focus on what post-production employees have accomplished through their solidarity, but let’s cut from our usual close-ups of Local 700 organizing to a wide shot of the state of the American labor movement.

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