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April 11, 2010, 6:02 pm
Tewksbury, Mass, 2010-03-08 Avid¬Ć (NASDAQ: AVID) today unveiled the Avid Integrated Media Enterprise – an open framework for businesses to address the rapid changes in the media industry. Avidâ€™s newly-expanded Interplay¬Ć product family, introduced today, is the foundation of the new framework. The Integrated Media Enterprise framework is built around three fundamental components...
June 20, 2009, 2:15 pm
The Editors Association of France has been added to our associations list.
June 19, 2009, 2:13 pm
"No one goes to Jordan with just two days notice." This is what my sister's well-traveled Washington, DC insider friend said when she heard that our picture editing team had to get our crew and equipment packed up to head off to the Middle East. But that's exactly what The Hurt Locker team did during the height of the Iraq invasion’s "surge."
June 18, 2009, 2:06 pm
The management team at Avid has spent a lot of time spreading a message about a new "openness" initiative at the company, and one of the first concrete embodiments of that philosophy is the decision to support customers' use of Final Cut Pro on Avid's Unity MediaNetwork and Isis shared-storage systems. (Avid doesn't want to say which third-party tools, specifically, they're looking at now, but the most logical next step would be to qualify Adobe's CS4 suite of creative apps.) StudioBytes...
June 17, 2009, 2:05 pm
At CineGear 2009, a group of top-notch ACE editors—Mark Goldblatt, Michael Tronnick, Maryann Brandon, Maysie Hoi and Tina Hersch—got together to showcase some of their more challenging editing sequences and describe what’s going on in the business today.
June 15, 2009, 2:04 pm
Star Trek took the editorial team on a wild, sometimes bumpy, adventure that included battling workflow bottlenecks, alliances with visual effects outfits, warp-speed sync issues and fighting off intergalactic pirates. We spoke with first assistant editor Julian Smirke about boldly going to the final editorial frontier.
June 15, 2009, 2:03 pm
So here I am on the bus heading back to Toronto and I have twelve hours to spare so I should recap what happened on Saturday. Unfortunately, Thelma Schoonmaker didn’t make it to the panel, which upset a lot of people. However, the ACE handled this well, they had everyone stay at the end of the day for Pizza and Beer. This gave the students and assistants there a chance to mingle and get their name out.
Gordon Burkell sits down to discuss Selina MacArthur's Emmy nominated work on Black Mirror's USS Callister.
Gordon Burkell sits down with Beth Morgan to discuss the costume design for GLOW.
Gordon Burkell sits down with Tanya Swerling to discuss her work on the show GLOW.
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