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April 12, 2012, 3:51 pm
This two-part video presentation looks behind the scenes at two different building projection projects – a small scale production for New Year's Eve in Melbourne, Australia, and a large scale event for the Alfa Bank in Russia – the largest building projection ever staged to date. In part 2 we take a detailed look at the After Effects workflow used to create the animations for the Melbourne projections, and how the ZBorn Toy and Freeform plugins were used.
April 20, 2015, 2:31 pm
It’s common to re-use the same effects and settings throughout an Adobe After Effects project to create a consistent look - for example, when treating text or a logo. But all too often, clients change their minds during a project, forcing you to go back and change every instance of that identical text or logo treatment. Wouldn’t it be nice to edit only one example, and have those changes ripple through every identical usage of that treatment throughout your After Effects project?
April 20, 2015, 5:05 am
On the last day of NAB 2015 I grabbed a cameraman and wandered around the south hall and grabbed a few interviews in the booths of some products and services I found interesting. Monitors were one category I wanted to check out so I made a stop at both EIZO and Flanders Scientific. Pardon the shaky cam as I think we got some good info.
April 20, 2015, 5:04 am
April 18, 2015, 7:48 am
For the same reason that many people prefer to read outdoors with a greyscale Kindle as opposed to doing so with an iPad or color Kindle Fire, I paid US$200 to have my MacBook Air screen transplanted to a high-quality color matte panel: We can’t stand the glare! The only company that currently offers this transplant (to my knowledge) can only do it with a non-Retina screen. The above photo illustrates the difference between the ultra glare on the new 12-inch MacBook versus with my 11" Mac...
April 18, 2015, 7:48 am
The first day of NAB has wrapped and here's all the announcement highlights in a video that is less than 5 min.
There are so many types of comedies – slapstick, screwball, romantic, satirical, dark – but only one way to do it ...
Gordon sits down with Aaron Butler a film editor who has recently transitioned from feature documentaries to feature fiction ...
What do you do to unwind at the end of a long day in the cutting room?
What drives you nuts that you wish people on set would stop doing?
There are films we all recognize to have great sound but what ones have you seen that needs more recognition and why?
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