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  • Want to see Adobe Audition CS6 at work?

    Want to see Adobe Audition CS6 at work?

    April 13, 2012, 2:48 pm
    While Adobe Audition CS6 is announced but not yet released, Adobe has given the Digital Production Buzz special permission to use it next week in our booth to record and edit all our interviews and coverage at the 2012 NAB Show.

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  • Other Postings By Member

    • F8 OF THE FURIOUS: Philippe Soeiro - VFX Superviso
      VFX

      F8 OF THE FURIOUS: Philippe Soeiro - VFX Superviso

      May 29, 2017, 9:12 am
      Before joining Rodeo FX in 2015, Philippe Soeiro was at Eclair Numerique where he worked on numerous projects such as THE PIANIST, ALEXANDER, THE TRANSPORTER or THE NINTH GATE. Then he joined Autodesk to work as Lead Product Designer for Flame / Smoke. At Rodeo FX, he worked on CENTRAL INTELLIGENCE and THE SPACE BETWEEN US.

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    • AOTG
      SOUND

      Using EQ for Audio Editing – reduce plosives, cr

      May 29, 2017, 9:12 am
      How to use the ReaEQ plugin for cleaning up annoying noises in a vocal, such as plosives and fizzy effs, and reducing click bleed in drum tracks.

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    • SIGGRAPH 2017 : iridescence, réflexion et diffrac
      VFX

      SIGGRAPH 2017 : iridescence, réflexion et diffrac

      May 29, 2017, 9:12 am
      On the occasion of the SIGGRAPH 2017, French researchers will present publications on the models of materials.

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    • GHOST IN THE SHELL: VFX Breakdown by Atomic Fictio
      VFX

      GHOST IN THE SHELL: VFX Breakdown by Atomic Fictio

      May 29, 2017, 9:12 am
      Really cool VFX breakdown by Atomic Fiction about their work on GHOST IN THE SHELL...

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    • BRIDGET JONES' BABY: VFX Breakdown by Union VFX
      VFX

      BRIDGET JONES' BABY: VFX Breakdown by Union VFX

      May 29, 2017, 5:21 am
      Union VFX presents their work on BRIDGET JONES’ BABY...

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    • How Pyry Survo created the ultimate roller coaster
      SOUND

      How Pyry Survo created the ultimate roller coaster

      May 29, 2017, 5:21 am
      Finnish recordist Pyry Survo has created a unique sound effects collection, capturing a wealth of hard-to-access recordings from roller coasters and other amusement rides, as well as amusement park ambiences. It was a huge undertaking, and below, he shares the story behind the making of this impressive collection...

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    • Podcast #124 | Keely Colcleugh and Fredy Castellan
      VFX

      Podcast #124 | Keely Colcleugh and Fredy Castellan

      May 29, 2017, 5:21 am
      Chris’s input into this year’s THU digital arts festival has resulted in a focus on architecture. As prep, he invited prospective speakers Keely Colcleugh and Fredy Castellanos, from creative visualization studio Kilograph, to the podcast studio.

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    • AOTG
      VFX

      David Fincher is a Secret Mastermind of VFX

      May 28, 2017, 6:41 am
      David Fincher may not be widely regarded as a visual effects director, but the fact is, he got his start at ILM in the early '80s working on Return of the Jedi. Also, The Social Network has more VFX shots than Godzilla (the one from the '90s, with P. Diddy and Jimmy Page).

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    • AOTC with editor of the documentary "KEDI"
      EDITING

      AOTC with editor of the documentary "KEDI"

      May 28, 2017, 6:41 am
      Mo Stoebe currently works as freelance editor of both documentaries and narrative films in Los Angeles. He got his start in the industry as motion designer and animator for commercials and music videos, but his love for film eventually brought him to editing long-form content. He’s completed five documentaries and a feature and loves learning something new about the art of editing every day.

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    • AOTG
      VFX

      Here's How to Make Your Gun Blast Effects Look Mor

      May 27, 2017, 1:12 pm
      If you've got a project you're working on that includes some gunfire, one of your biggest obstacles is making sure that those gunshots look believable. If using squibs and blanks isn't really an option for you, you can always try to sell the effect in post, but you'll want to know a few techniques before you start dropping a bunch of smoke, spark, and blood spatter elements into your timeline.

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