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  • AOTG

    NAB 2012: Holographic Storage from hVault

    April 15, 2012, 3:28 pm
    Looking to archive your video productions, maybe your storage needs are reaching massive amounts? It may sound "sci-fi" but hVault presents holographic storage as an option for archiving your video. The company is composed of archival experts and the new venture for maintaining your content is their first holographic library system. Think optical storage, but in 3D, so your flat CDs, DVDs and Blu-rays just grew into a whole lot more space for data storage.

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  • Other Postings By Member

    • 8 ways to conquer creative block
      ANIMATION

      8 ways to conquer creative block

      May 29, 2015, 9:47 am
      Designer's block is a downward spiral. It's a lot like quicksand – the more your struggle, the deeper you go. But what are you supposed to do, just sit there and sink?

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    • AOTG
      ANIMATION

      MODO 901 Now Shipping

      May 29, 2015, 9:47 am
      San Francisco, CA -- Game developers, product designers, visual effects artists and media communication professionals can take on more challenging projects than ever before—both in size and scope—with MODO 901, the latest version of The Foundry’s 3D content creation solution. MODO 901 delivers innovative new features, accelerated performance and powerful enhancements to the core MODO toolset that let artists and designers working independently or as part of a team create high-quality, beautiful output in less time.

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    • AOTG
      ANIMATION

      10 Tops for Better Lighting in Cinema 4D

      May 29, 2015, 9:47 am
      In these 10 tips for better lighting in Cinema 4D, I cover techniques which explore basic lighting concepts and how we can implement these using Maxon’s Cinema 4D.

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    • For the Sake of Conversation: On shot reverse shot
      EDITING

      For the Sake of Conversation: On shot reverse shot

      May 29, 2015, 7:30 am
      “Shot reverse shot” is a staple of editing in dialogue sequences. Conventionally, it utilizes the 180 degree rule, the eye line match, and rule of change among others. Film historian David Bordwell defines the film technique “wherein one character is shown looking (often off-screen) at another character, and then the other character is shown looking "back" at the first character.

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    • Batch Rename Audio Files in OS X 10.10 and Up
      SOUND

      Batch Rename Audio Files in OS X 10.10 and Up

      May 29, 2015, 3:40 am
      Did you know? In OS X 10.10 or later, it has become easier to rename audio files in batch with Finder’s native “Rename Finder Items” function.

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    • AOTG
      VFX

      Making of Taken 3

      May 29, 2015, 3:40 am
      This is "Making of Taken 3" by Mac Guff... VFX Breakdown

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    • Matrox C-Series Graphics Cards Chosen by Exxact
      VFX

      Matrox C-Series Graphics Cards Chosen by Exxact

      May 29, 2015, 3:40 am
      (May 29, 2015) Matrox® Graphics today announced that Exxact Corporation has chosen Matrox C-Series™ multi-display graphics cards as the heart of three new video wall and digital signage systems. One of the new systems, the Exxact MPX3000 with Matrox C680 inside, will be presented at InfoComm (Orlando, June 17–19) in the Matrox booth 4053. Additional Exxact systems will be featured in the Exxact booth 2987.

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    • California UpSwing
      ANIMATION

      California UpSwing

      May 29, 2015, 3:39 am
      Amid rising optimism about California’s status as a production center, producers returned to California last year in a big way as the state became the top site for major feature films with 22 of the top 106 projects, according to a new Film L.A. study.

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    • Sound Devices and Mad Max: Fury Road
      SOUND

      Sound Devices and Mad Max: Fury Road

      May 29, 2015, 3:39 am
      As the title implies, Mad Max: Fury Road is a mad and furious, high-action post-apocalyptic film set in a desert wasteland. The plot calls for a warlord’s harem to race across the sandy landscape in a desperate, high-speed bid for freedom from his ruthless henchman. Both escapees and their pursuers form an “armada” of armored vehicles. Hidden within that sandstorm were members of the audio crew, trying to capture every bit of dialogue and sound effects, all while in motion. Faced with such a monumental challenge, veteran Production Sound Mixer Ben Osmo and Vehicle FX Recordist Oliver Machin turned to Sound Devices’ 7-Series of digital audio recorders.

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    • From Script to Scream Eps 6: Post from Kessler Cra
      ANIMATION

      From Script to Scream Eps 6: Post from Kessler Cra

      May 29, 2015, 3:39 am
      Creating a film is a massive undertaking, especially one on the scale of The Outer Darkness. In this, the final episode of Script to Scream, the team discusses in great detail their post production process.

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