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  • AOTG

    NAB 2012: Holographic Storage from hVault

    April 15, 2012, 3:28 pm
    Looking to archive your video productions, maybe your storage needs are reaching massive amounts? It may sound "sci-fi" but hVault presents holographic storage as an option for archiving your video. The company is composed of archival experts and the new venture for maintaining your content is their first holographic library system. Think optical storage, but in 3D, so your flat CDs, DVDs and Blu-rays just grew into a whole lot more space for data storage.

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  • Other Postings By Member

    • ToneBenders - Rich Van Dyke Interview
      SOUND

      ToneBenders - Rich Van Dyke Interview

      September 1, 2015, 6:33 pm
      In this Episode Timothy talks with Rich Van Dyke, production sound mixer and master raconteur. Rich's credits include American Beauty, 3;10 to Yuma, Crash, Moonlighting and countless others. He has great stories of the films he has worked on, how he got started and the gear he uses.

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    • The Sound of "Southpaw"
      SOUND

      The Sound of "Southpaw"

      September 1, 2015, 6:33 pm
      In Southpaw, his latest film, director Antoine Fuqua traces the rise, fall and redemption of a talented but troubled boxer played by Jake Gyllenhaal.

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    • One video format to rule them all
      EDITING

      One video format to rule them all

      September 1, 2015, 6:33 pm
      This week the Alliance for Open Media was launched in hopes of bringing a single open format to video streaming services worldwide. This single format would be adoptable by all, and given the members of the alliance that've announced their allegiance so far, this Alliance is going to be adopted by the biggest of the big.

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    • AOTG
      COLOR

      Optimizing Media in DaVinci Resolve 12

      September 1, 2015, 6:33 pm
      In this episode Alexis Van Hurkman walk through how to optimize your media for better playback performance in DaVinci Resolve 12.

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    • The Job Action Thing
      ANIMATION

      The Job Action Thing

      September 1, 2015, 6:33 pm
      Apparently the subject of a possible contract strike two years hence is coming up in current WGAw elections:

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    • Flying by Wire
      VFX

      Flying by Wire

      September 1, 2015, 1:51 pm
      In Fritz Lang’s 1927 classic Metropolis, for example, shots of flying machines soaring over the film’s iconic cityscapes were achieved by mounting miniature planes on taut wires. A similar technique was used in the original King Kong in 1933, for which a tiny squadron of biplanes was inched along its guide wires one painstaking frame at a time.

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    • AOTG
      EDITING

      Marvel Studios now reports directly to Disney

      September 1, 2015, 1:51 pm
      Marvel Studios’ head-honcho Kevin Feige will now report directly to Alan Horn, the chairman of The Walt Disney Company, rather than Marvel Entertainment, so reports The Hollywood Reporter.

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    • AOTG
      SOUND

      Avid S6 - v2.0 Tutorial: Knob Expand Zones By Gary

      September 1, 2015, 1:50 pm
      In this Avid S6 v2.0 tutorial, Gary Lux demonstrates Knob Expand Zones, one of the new features on Avid S6 v2.0 software. Knob Expand Zones allow you to automatically expand the parameter of your choice, such as EQ, Dynamics, Inserts, Sends and more across the knob modules by simply "attentioning" a track.

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    • Blackmagic's DaVinci Resolve 12 Studio Beta Pt 2
      COLOR

      Blackmagic's DaVinci Resolve 12 Studio Beta Pt 2

      September 1, 2015, 1:50 pm
      Blackmagic Design’s DaVinci Resolve 12 Beta is flexible enough to work in codecs from SD all the way to 4K. But can your computer handle what you want to edit? Let’s take a look at what machine you need to edit and grade in Resolve 12 Studio Beta. (See Part 1 here.)

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    • AOTG
      COLOR

      Tracking Color Corrections in FCPX

      September 1, 2015, 1:49 pm
      This week on MacBreak Studio, Sam Mestman from wemakemovies.com demonstrates how to track a color grade to a moving subject using 2 third-party plugins for Final Cut Pro X: Color Finale and Track X.

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