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April 12, 2010, 6:13 pm
Adobe® After Effects® CS5 delivers more of the creative control you crave, while making it faster to work on high-resolution projects. Native 64-bit support means you can tap all the RAM on your system to work more efficiently with HD, 2K, and 4K projects. The new Roto Brush tool delivers rotoscoping results in a fraction of the time. Plus, dozens of user-requested features make everyday tasks easier.
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June 24, 2017, 3:09 pm
J-Cuts can be described as having the sound enter the scene before the scene appears visually, or it can be used to play out a scene where the audio is used after the shot has ended. They're used in TV and movies, and they're a professional element that sets you and your style apart from those who just cut scenes together. This enables you to get a nice flow in your video, and it all blends and layers to make it more interesting and give your work more power.
June 24, 2017, 3:09 pm
From rising YouTube stars to big Hollywood blockbusters, Adobe Premiere Pro has long been an industry standard when it comes to video editing. But like any piece of professional software, the list of advanced features comes with big potential and a steep learning curve. Because navigating the program can be both exciting and nerve-wracking for the unfamiliar, we asked the pros to share a few Premiere Pro tips.
June 24, 2017, 3:08 pm
We've all seen that effect in music videos in which a subject seems to glitch slightly to the beat of the song. I love that effect! It's kinetic and dynamic and a strange synesthetic experience that I've always wanted to use in my work, but figured it was much too complex and advanced for my limited expertise in VFX. However in this tutorial, editor Justin Odisho shows you just how simple (or at least, not super complicated) the effect is to create in Adobe After Effects, so you can be creating rhythmic particles in no time.
June 24, 2017, 8:40 am
Ten Virtual Reality experiences and 22 features, short films, commercials and game trailers are selected for the 2017 SIGGRAPH Computer Animation Festival.
June 23, 2017, 12:11 pm
New York City, NY – June 20, 2017 – Frame.io, developers of the video review and collaboration platform for content creators, has just launched Frame.io Enterprise, helping large organizations power their video creation at scale. Frame.io Enterprise is already being used by the likes of Vice, Turner Broadcasting Systems, BuzzFeed, DJI and more.
June 23, 2017, 12:02 pm
Encore have released this VFX Breakdown about their work on the episode 207 of LEGENDS OF TOMORROW...
June 23, 2017, 12:01 pm
Pond5 announced a new free plug-in for Adobe Premiere Pro that makes millions of royalty-free HD and 4K video as well as music and sound effects immediately accessible from directly within the NLE.
June 23, 2017, 4:17 am
Blue Bolt delivered 527 shots for the second season of this Viking-era epic. We created extensive set extensions and locations, bringing 9th century Saxon England to life. Among the most notable creations was a fully CG Viking ship that features repeatedly throughout episode 3, including in a spectacular storm sequence.
June 23, 2017, 4:17 am
On thing that I always try to focus on in my Media Composer tutorials are “hidden” or tucked away features that may have been added to Media Composer, in a point update, but has for the most part gone unnoticed by the community at large and, for me, Mask Margins is definitely one of those features.
June 23, 2017, 4:16 am
In this episode we discuss the summer blockbuster hit Wonder Woman.
Stuart joins Gordon to discuss A Series of Unfortunate Events for Netflix and what the difference is between working for Broa ...
In this episode of The Cutting Room, we explain just where we have been for the past four months. We'll begin regularly ...
Joe Walker joins Gordon to discuss the editing of Denis Villeneuve's film Arrival. They focus on Time and manipulating t ...
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