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April 12, 2010, 6:13 pm
Adobe® After Effects® CS5 delivers more of the creative control you crave, while making it faster to work on high-resolution projects. Native 64-bit support means you can tap all the RAM on your system to work more efficiently with HD, 2K, and 4K projects. The new Roto Brush tool delivers rotoscoping results in a fraction of the time. Plus, dozens of user-requested features make everyday tasks easier.
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August 23, 2017, 9:17 am
Paul Joseph Gulino is an award-winning screenwriter and playwright, whose book, Screenwriting: The Sequence Approach has been adopted as a textbook at universities around the globe.
August 23, 2017, 4:42 am
Charles Yeager (yeagerfilm.com) shows us how to create a Retro VHS Effect in After Effects using SkyBox Studio V2 and SkyBox 360/VR Post FX 2. It’s a simple way to add a traditional effect into your 360 post-production. Download the 360 footage and the After Effects project file, courtesy of Charles. Simply click on the links below.
August 23, 2017, 4:42 am
Each year, the AFIG (French Graphic Computer Association) and the GDR IGRV (Research Group Geometric and Graphical, Virtual Reality and Visualization) send a French researcher to cover SIGGRAPH.
August 23, 2017, 4:42 am
Autodesk’s Maya 2018 is brimming over with new tools and improved workflows designed to help 3D artists work faster – and top professionals are already using the improved software to create fantastic work.
August 23, 2017, 4:42 am
Creating a Giant Robot Walking in a Live Action Scene: Part 4
August 22, 2017, 5:04 pm
17 years after its release brought Christopher Nolan to the attention of Hollywood, this video examines how Memento manages to tell a meaningful story—in reverse.
August 22, 2017, 9:02 am
Erik Winquist has nearly 20 years of experience in visual effects and has worked at Weta Digital for 15 years. He has participated in many films such as THE LORD OF THE RINGS: THE RETURN OF THE KING, KING KONG, AVATAR, THE HOBBIT: AN UNEXPECTED JOURNEY and of course the APES trilogy.
August 22, 2017, 9:02 am
Over the past couple months I have been putting some beginner Quick Tips in Octane together that I wish I knew when I started using Octane Render inside C4D.
August 22, 2017, 5:19 am
For many of you, the answer to the question posed in the title of this article is, "Of course, you fool. Use false color in every situation!" And I'm over here like, "Yeah, I get it, but..." Histograms, zebra overlays, and waveforms are definitely helpful exposure tools, and waveforms especially have done a great job at showing filmmakers where they have exposure. If you prefer any of these to monitor your luminance, fab! But because false color is powerful enough to show you the specific exposure of different areas in your frame, you might want to, yes, use it all the time, but you might really want to use it in these shooting situations in particular, each of which are explained in the video below by Aputure's Boima Anderson.
August 22, 2017, 5:19 am
My first classes were released in 2007 and it was one of the first ever FXPHD offerings, 30 minute tutorial films released every week over a 10 week term. We decided to run the class on a daVinci 2k color corrector. FXPHD didn’t own one so we had to beg, borrow and steal from the Post Houses in Sydney. The grading rooms were over $1000 an hour back then so we had to be in and out very quickly, sometimes only shooting 3 lessons during their downtime.
Lisa and Gordon discuss her career and approach to editing. ACE will have Lisa as part of their panels at the upcoming Edit ...
Sebastián Sepúlveda joins Gordon to discuss the editing of the film Jackie. They explore how structuring a real ...
Stuart joins Gordon to discuss A Series of Unfortunate Events for Netflix and what the difference is between working for Broa ...
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