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April 12, 2010, 6:13 pm
Adobe® After Effects® CS5 delivers more of the creative control you crave, while making it faster to work on high-resolution projects. Native 64-bit support means you can tap all the RAM on your system to work more efficiently with HD, 2K, and 4K projects. The new Roto Brush tool delivers rotoscoping results in a fraction of the time. Plus, dozens of user-requested features make everyday tasks easier.
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September 29, 2016, 7:17 pm
Music production effects can be applied with ease in Adobe Audition. Sync your vocals to the best of a song by calculating the time of each beat and echoing the vocals.
September 29, 2016, 7:16 pm
Want to know how to autotune your voice... even if you can't sing. Prepare yourself for a journey into the fantastic autotune abilities of Adobe Audition CC with Mike Russell from Music Radio Creative.
September 29, 2016, 9:09 am
Ever since its introduction, Console 1 has worked in tandem with every major DAW on the market. Now, the next level of control is here. In Presonus Studio One and Cakewalk SONAR, vital DAW functions can be controlled right from the Console 1 hardware—allowing an even smoother workflow. The update will be available in October, but you can see it at AES Los Angeles 2016 (booth 427).
September 29, 2016, 9:09 am
Just last week we learned that the suit that Chadwick Boseman wears as Black Panther was created entirely in post-production by visual effects. Directors Anthony & Joe Russo confirmed that the look they wanted the suit to have on camera simply wasn’t possible to create practically without having a suit that would have been much more torturous than the suit that was worn on set (which was already rather inconvenient to wear, especially in the hot heat of Atlanta, Georgia where much of the movie was shot).
September 29, 2016, 4:55 am
In the design world, it’s pretty easy to look new projects up, watch the latest pieces of advertising and check out making ofs. But it’s not always as simple to hear from the people – the creatives – behind the work.
September 29, 2016, 4:55 am
Polish firm Flowbox has posted some really interesting new demo videos of Flowbox, its self-titled GPU-accelerated rotoscoping and compositing system.
September 29, 2016, 4:55 am
The Pixar Post reports that the studio has announced their next short film and its director. It looks like Dave Mullins, who has worked as an animator in nearly every Pixar movie since 2001’s Monsters, Inc is going to direct Lou, which will probably be released in front of Cars 3 next June, although this hasn’t been confirmed.
September 29, 2016, 4:55 am
Get schooled in the hair-raising tech behind Disney Pixar’s Monsters University! From fuzz to tufts to frizz to locks, no strand goes unnoticed in Monstropolis.
September 28, 2016, 2:35 pm
Matte painting TD and environment lead Jeremy Boissinot shares his workflow and provides practical tips for approaching a big photorealistic shot efficiently, based on his work on Jack the Giant Slayer for Rodeo FX.
September 28, 2016, 4:54 am
I've had some discussions with a few people about the need to try preserve some of the pre-Digital visual effects equipment (optical printers, animation stands, motion control systems, etc) as well as archiving images and other material. This would also apply to miniatures and models.
Gordon sits down with Federico Brusilovsky to discuss the editing of commercials and rebuilding older brands. He cuts in LA f ...
With the release of FRONTLINE'S latest 360 project, "Night of the Storm", Kenzie Audette reveals the post prod ...
Gordon sits down with Nicholas Monsour to discuss the editing of Keanu. They talk about the films timing and how tone shifts ...
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